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 Stonebwoy lights up MoMo Fest 2025 in Ashaiman

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Dancehall King, Stonebwoy in his element
Dancehall King, Stonebwoy in his element

MULTIPLE award-winning Dancehall sen­sation Stonebwoy set Ashaiman ablaze last weekend as he headlined MoMo Fest 2025 at Sakasaka Park, drawing thou­sands of fans from across Accra.

His electrifying performance, filled with chart-topping hits and signature dance moves, had the crowd on their feet from start to finish.

The two-day festival, held on Friday, September 19, and Saturday, September 20, went beyond music. It successfully blended high-energy performances with innovation, entrepreneurship, and financial literacy, cre­ating an experience that celebrated Ghana­ian culture while empowering communities.

Fans enjoyed pulsating rhythms from Dancehall, Afrobeats, and Highlife, while interactive digital sessions offered practical lessons on mobile wallet security, fraud pre­vention, and smart financial management.

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A highlight of the festival was the MoMo Cashless Market, where local vendors show­cased their products and educated attend­ees on the benefits of cashless transactions.

Young festival-goers were particularly thrilled by the MoMo Game Night Show, a dy­namic mix of fun and learning that rewarded participants while promoting the “Still Me Nsa Aka” initiative.

Organisers emphasised that MoMo Fest is designed to entertain and educate simul­taneously. “The Ashaiman edition perfectly merged music, culture, and growth oppor­tunities for the community,” an MTN MoMo spokesperson said.

Building on the success of previous editions in Jamestown, Osu, and Mile 7, Achimota, MoMo Fest 2025 in Ashaiman re­affirmed its reputation as a unique platform where music, technology, and community empowerment intersect, leaving attendees inspired and energised.

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 By Spectator reporter

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Ancienth releases ‘Asukese Abena’ to keep Ghana’s Palmwine music heritage alive

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Ancienth

Ghanaian musician Ezecheal Kwasi Asimeng Frimpong, popularly known as Ancienth has released a new Palmwine single titled ‘Asukese Abena’.

The song is a celebration of love, culture, and the timeless wisdom embedded in Ghana’s traditional way of life. 

According to him, the project is meant to remind people that Palmwine music is not a relic of the past. 

“Through this project, I want people to understand that Palmwine music is not a relic of the past, it is a living heritage that still speaks powerfully to the present,” he said.

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Ancienth traces his journey in Palmwine music to the pioneering work of Kwame Asare, also known as Jacob Sam, and the Kumasi Trio. He credits them with laying the foundation for one of Ghana’s most important musical traditions, a path that later generations continue to walk.

“I entered this space because I believe every nation must protect its cultural voice,” Ancienth explained, adding that “Palmwine music carries our stories, values, humour, history, and identity. Preserving it is not only a musical responsibility but also a cultural one.”

The musician described the journey as rewarding but challenging, noting that traditional music often receives less attention and investment compared to mainstream genres. 

To strengthen the space, he is calling for greater support from the media, cultural institutions, educational bodies, and the public.

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“My appeal to Ghanaians is simple, support indigenous music, because when a people lose their cultural sound, they gradually lose part of their identity,” he added.

As a torchbearer of Palmwine Music, Ancienth says his mission is to honour the legacy of the pioneers while introducing Palmwine music to new generations and audiences across the world.

Asukese Abena is now available on all digital platforms, including YouTube

By Edem Mensah-Tsotorme 

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Ghana Tourism Authority mourns Guinness World Record holder Padiki

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Ms Padi

The Ghana Tourism Authority (GTA) has expressed profound sorrow over the death of celebrated visual artist and Guinness World Record holder Sharon Dede Padi, popularly known as Padiki.

In a statement signed on behalf of the Chief Executive Officer, Maame Efua Houadjeto, the Authority said Padiki’s passing was a painful loss to Ghana’s tourism and creative sectors, as well as the nation at large.

“Padiki was more than a Guinness World Record holder. She was a beacon of resilience, determination, creativity, and youthful excellence whose remarkable achievement brought pride not only to herself and her family but also to Ghana,” the statement said.

It added that through her determination to dream big and push boundaries, she inspired countless young people to believe that passion, perseverance and hard work could make the impossible possible.

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The Authority said Ghana had lost “one of its brightest ambassadors whose story embodied the spirit of innovation, excellence, and the boundless potential of our people”.

Maame Efua Houadjeto, together with the management and staff of the GTA, extended condolences to Padiki’s family, friends and loved ones, as well as all those inspired by her journey.

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