Entertainment
Bullgod drags Shatta Wale to court
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Bullgod, the former manager of Ghanaian singer Shatta Wale, has officially sued the musician over some damning allegations.
The duo had been going at each other for a while now and a lot of accusations and shocking revelations have come to light in the course of this fight.
Bulldog’s lawsuit comes after Shatta Wale claimed the artist manager had a hand in the murder of Fennec Okyere, Kwaw Kese’s manager. Shatta Wale made these allegations in a Facebook post on November 2, 2022.
Shata Wale wrote, “Bulldog since you are bringing out secrets, you will tell Ghanaians what happen to Fenicks (sic) Murder!! And I am not joking about this time!!
“I am ready to tell the court about what you told me about you and your men and how you planned that foolish act, get ready. This Akufo-Addo won’t give you a murderer (sic) chance to be on our streets!!! Watch how this ends!!! You can’t fight time!!!”
The writ filed by Bulldog’s Lawyer, Dr Justice Srem-Sai indicated that these statements sought to suggest that his client planned, affected, or had a hand in Mr Okyere’s death.
In a writ filed at the Accra High Court, Bullgod filed the writ under his government name, Lawrence Nana Asiamah Hanson seeking damages for the pronouncements that he considers defamatory and also malicious against him by the defendant.
He was recorded as the plaintiff, and Charles Nii Armah Mensah Jr., known as Shatta Wale alias Bandana, was recorded as the defendant.
The writ added that Shatta Wale’s claims also meant “that the Plaintiff is a criminal gangster and a danger to society and ought to be in jail (rather than walk freely in the streets).
“That his (the Defendant’s) claims in the publication are factual, truthful, and must be taken seriously by the public and law enforcement authorities.”
The defamation charge also covered statements Shatta Wale had made in now-deleted Facebook posts involving former president John Dramani Mahama and President Nana Akufo-Addo.
Shatta Wale had shared details of private conversations Bulldog had allegedly had with John Mahama.
He is quoted to have said; You said former president Mahama ask you if you can get gunmen to do some job for him right?
The lawyers noted that these statements imply that “the Plaintiff is a person who engages in illicit gun violence, contract killing, and other related crimes,” and also “that the Plaintiff is in the trade of procuring, controlling, and arranging prostitutes in return for money and other material gains.”
Shatta Wale is commanded to appear within eight days. If he fails to oblige, judgment may be given without notice to him.
Source: starrfm.com.gh
An International Relations student at Cumbria University, Rumzia Sule, has been officially crowned Miss Ghana 2026, emerging victorious over 12 other contestants to claim the coveted national title.
The grand finale of the 69th edition, held under the theme “Empowering Women, Enduring Legacy,” saw the University of Ghana graduate Fatimatu Zara Ishacu finish as the first runner-up and Whitney Opoku Nketia adjudged the second runner-up.
Other awards, such as Miss Fitness, Miss Talent, Miss Eloquent, Most Beautiful Skin, Miss Congeniality, Most Disciplined, and Miss Photogenic, went to Nedlyn Appiah, Lucille Akua Oputa-Otutu, Davinia Owusu Kuffuor, Lawrencia Serwaa Amankwa, Fatimatu Zara Ishacu, Anita Appiah, and Whitney Opoku Nketia, in that order.
Rumzia also won the Beauty with Purpose award.
Unlike previous editions, this year’s pageant adopted a strategic, scaled-down format. Shifting away from traditional pomp and pageantry, to a more personal and community skills development theme.
The final selection was held at the Oak Plaza Hotel in Accra before an elite panel of judges, relatives of contestants amongst others present to witness the historic occasion.
According to the organisers, Exclusive Events Ghana and the Miss Ghana Foundation, the format change was a deliberate choice, as part of preparations towards the upcoming milestone for the brand both nationally and internationally, that is, next year’s landmark 70th, in Ghana and this year’s 75th anniversaries, internationally.
Despite the cozy setting of the coronation, the finalists underwent the full, rigorous pageant journey following nationwide auditions on June 27, 2026.
The young women participated in intensive, weeks-long mentorship, leadership, and entrepreneurship programme designed to test their resilience, empathy, discipline, and professionalism.
Furthermore, the contestants demonstrated their commitment to national development by rolling up their sleeves for the National Clean-Up Exercise, supporting President John Dramani Mahama’s call to restore cleanliness across Ghana by desilting choked gutters in parts of Accra.
The Foundation emphasised that these outreach programmes were vital evaluation tools used to identify a queen who genuinely embodies compassion and a willingness to serve society beyond the glamour of the stage.
Rumzia’s exceptional public speaking and commanding vision ultimately separated her from the field.
As the new Miss Ghana 2026, Rumzia will now begin preparations to represent the nation on the international stage at the upcoming Miss World pageant in Vietnam.
Born on August 14, 1980 in Cape Coast, where centuries-old castles still whisper of slavery, resistance and survival, musician Lexikon says his life has been shaped by the weight of history and the hope of renewal.
Growing up among the relics of the transatlantic slave trade, the artist developed an early hunger for truth, justice and identity.
That search took him from the halls of Mfantsipim School to the Chartered Institute of Marketing in the UK, where he fused academic training with a growing passion for artistry.
But it is on stage, through reggae and dancehall, that Lexikon’s voice finds its fullest expression.
According to him, “Music is not just entertainment. It is a call to the youth, a challenge to corrupt power, and a hymn of hope.”
Over the years, Lexikon has built a catalogue of 15 albums. Through his Baanfire Revolution, he champions Pan-Africanism, self-reliance and empowerment. With his Christ-For-I Mission, he uses the same platform to redirect hearts to faith and purpose.
Industry watchers describe his work as more than sound, a movement, a sermon, and in his words, “a revolution wrapped in melody.”
Now based in Accra, the father, artist and advocate says he remains committed to speaking for Africa’s young people.
For Lexikon, music is the tool: a reminder that even in struggle, there is room for renewal, and that, as he puts it, “music can be the whip of change.”
As Ghana’s creative scene continues to evolve, Lexikon stands as one of the voices merging culture, spirituality and social commentary rooted in Cape Coast history, but speaking directly to a new generation across the continent.
By Edem Mensah-Tsotorme
