Entertainment
Another child comes forward in DMX estate battle, bringing total to 15
Another woman has come forward claiming to be the child of legendary late hip-hop artist DMX — bringing the total of children he allegedly fathered to 15.
Page Six has exclusively learned that a Georgia woman named Raven Barmer-Simmons contacted DMX’s other adult children in the past few weeks. She and the fellow 14 alleged children of the late rapper will all be DNA tested to confirm their paternity
DMX, whose real name is Earl Simmons, died in early April aged 50 following a cocaine-induced heart attack, leaving no will and few liquid assets.
The development comes as the battle over DMX’s estate and all future earnings from his music takes a new turn.
On Friday, Judge Helen Blackwood appointed DMX’s three sons Xavier, Tacoma and Sean Simmons from his 16-year marriage to Tashera Simmons as the temporary administrators of the estate of their late father.
The late rapper’s fiancée Desiree Lindstrom, who is the mother to his 5-year-old son, Exodus, had applied to the court to be legally declared his “common-law wife,” but the judge shot her down.
Lindstrom had also petitioned the court to be an administrator of his estate — estimated to be worth around $1 million — as had the late rapper’s older daughters, Sasha Simmons and Jada Oden.
Herbert Nass, the trusts and and estates attorney for Xavier, Tacoma and Sean Simmons, said, “Judge Blackwood appointed Xavier, Tacoma and Sean as the temporary administrators of the estate.
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“The next big thing is to determine who are the rightful heirs. The estate is going to ask everyone to prove paternity through DNA testing. All the legal children of DMX will be entitled to an equal share of his estate.”
Despite selling more than 74 million albums and building a successful career in both music and movies, DMX left behind an estate estimated to be in debt.
Nass continued, “We need to collect assets and pay debts and administration costs. We don’t have a lot of information about his income streams, but now the temporary administrators have been appointed, we can ask questions and expect answers.”
Nass said the lack of a will from DMX had further complicated setting up the estate. “I want to point out that when a person dies without a will, a surety bond needs to be posted, and obtaining a bond is difficult.
“We spoke to a number of surety companies and it was only Thomas Whittemore at Executive Bond who was able to get it done.”
Source: PageSix.com
Ghanaian music icon, Akwasi Poku Addae, known in Showbiz circles as Kwaisey Pee has honoured his promise to children suffering from cancer.
Ahead of his 25th anniversary event held at the D’ Icon Event Centre at East Legon last year, he made a promise to donate some funds to children suffering from cancer.
True to his word, the musician has recently made a donation of GHC50,000 to the Paediatric Oncology Unit of the Korle-Bu Teaching Hospital.
He told the Ghanaian Times that children are so dear to him, and was optimistic the support would go a long way too impact lives.
The music dynamo also promised that the gesture will not be the last,” it will be a continuous feature from me.”
He also called on Ghanaians home and abroad to lend a helping hand to children suffering from cancer.
According to him, children with cancer have many needs, and a helping hands will go a long way ease the suffering.
“Cancer treatment is very expensive, and leaving that to parents of the children alone, will be a huge burden, with support from you and myself, we can make some changes in other people’s lives,” he concluded.
By Edem Mensah-Tsotorme
In the ever-evolving journey of Ghanaian music, there are individuals whose contributions transcend the spotligh.
There are always men and women who work quietly yet powerfully to preserve culture, nurture legends, and keep the soul of the music alive across generations and borders.
One such figures is Jerry Amoah, widely known and affectionately called Nana Kobo.
This year, Ghana Music Awards-USA honours Jerry Amoah for his unwavering commitment to sustaining Ghanaian music, both at home and in the diaspora.
It is a recognition long deserved, a celebration of decades of passion, sacrifice, and cultural stewardship.
Jerry Amoah’s journey has never been about personal glory. Instead, it has been anchored in service: promoting Ghanaian sounds, advocating for artistes, and ensuring that the richness of Ghana’s musical heritage continues to resonate beyond national borders.
Through his tireless efforts, many Ghanaian musicians have found platforms, audiences, and renewed relevance, especially within Ghanaian communities abroad.
Central to his legacy is his steadfast support for gospel music and, in particular, his enduring association with legendary gospel icon Yaw Sarpong.
At times when gospel music needed champions, Jerry Amoah stood firm—protecting its values, amplifying its message, and honoring its pioneers. His respect for Yaw Sarpong is not merely professional; it reflects a deep appreciation for music as ministry, heritage, and moral compass.
Colleagues often describe Nana Kobo as a bridge—connecting generations, genres, and geographies.
He understands that Ghanaian music is not just entertainment, but identity. Through festivals, promotions, mentorship, and behind-the-scenes advocacy, he has helped ensure that Ghana’s rhythms, lyrics, and spiritual expressions remain relevant in a globalized world.
As Ghana Music Awards-USA prepares to bestow this honour, it is not simply recognizing one man—it is saluting a lifetime of dedication to culture, faith, and music.
Jerry Amoah’s story reminds us that true impact is measured not by applause, but by legacy.
And in the story of Ghanaian music, Nana Kobo’s legacy is written in bold, enduring notes.
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