Entertainment
Ghanaian singer X Lor releases debut EP
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Ghanaian singer and songwriter X Lor has released his debut extended play (EP), Tornado, a seven-track project that he says reflects years of artistic development and introduces his self-created music genre, ABL (Angels Beyond Limitations).
The EP, available on major streaming platforms from Friday, explores themes including love, loyalty, forgiveness, second chances and healing through a collection of emotionally driven songs.
“Tornado is a deeply personal body of work that showcases years of musical experimentation and growth, helping shape my own sound and genre, ABL,” X Lor said in a statement.
The project opens with “I Gotchu,” a song centred on trust and reassurance, while the title track, “Tornado,” celebrates romance and admiration. Other tracks include “By 7,” which reflects longing and the desire to sustain meaningful relationships, and “They Nuh Fi Know,” which explores intimacy and privacy.
“On My Mind” focuses on loyalty and companionship, “Go Away” examines the choice of self-preservation over a relationship, and the closing track, “Till the End,” expresses enduring commitment and love.
X Lor described the EP as more than a collection of songs, saying it captures different emotions, experiences and perspectives on love.
“Tornado is a collection of emotions, experiences and perspectives on love in its many forms—its beauty, its challenges, its sacrifices and its lasting impact,” he said.
He also credited his team, particularly executive manager Richard Boahene, for helping bring the project to life.
The release serves as the most comprehensive introduction yet to ABL, a genre X Lor created to define his artistic vision. According to the artist, ABL blends Afrobeats, Highlife, R&B, Soul, Gospel and contemporary African music while emphasising spirituality, authenticity and emotional expression.
Since launching his music career in 2018, X Lor has built a following as an independent artist. His single “By 7” has surpassed 100,000 streams across digital platforms, while his songwriting credits include collaborations with artists such as Mya Sima, Naja and Whitnee Dee.
He has also contributed songwriting, vocal arrangements and vocal production assistance to Ghanaian musicians Guru and Akan, and has performed alongside artists including KiDi, Mr Drew and Coco Vanilla.
Tornado was produced by Beat Vampire (Craze), Master Maison, Bamba Beats, Madtunes, Jaemally and Trevor Beats, with mixing and mastering handled by Gigz Beat and PSM Beats.
The heartbeat of Ahanta Heritage Month 2026 will echo through the streets of Agona Nkwanta on Sunday, July 26, as residents and visitors converge for what promises to be one of the biggest outdoor cultural and entertainment experiences in the Western Region.
Dubbed the ‘Ahanta Heritage Street Carnival,’ the event will combine music, culture, entrepreneurship and community celebration in an atmosphere designed to showcase the vibrancy of the Ahanta people while creating opportunities for local businesses and creative talents.
Hosted by the Member of Parliament for Ahanta West Constituency, Mavis Kuukua Bissue, the carnival forms part of the broader Ahanta Heritage Month celebrations aimed at promoting the constituency’s rich cultural identity and strengthening community participation.
Beginning at 2:00 p.m. in Agona Nkwanta, the event will feature an exciting Vendors Market alongside electrifying live stage performances from some of Ghana’s most celebrated entertainers, including Keche Global, Nero X, Kweku Bany and Hyndy.
Organisers say the carnival has been deliberately designed to go beyond entertainment. The Vendors Market will provide a platform for entrepreneurs, artisans, food vendors and small businesses to showcase their products and services while connecting directly with hundreds of patrons expected to attend. It is expected to stimulate local commerce and demonstrate how cultural festivals can contribute meaningfully to economic development.
The event also reflects the broader vision of Ahanta Heritage Month, which seeks to preserve the history of the Ahanta people while creating modern opportunities through tourism, enterprise and the creative economy. As part of the celebrations, participants will also have the opportunity to engage in activities that celebrate Ahanta’s heritage and deepen appreciation for its historical significance.
With an impressive line-up of performers, an energetic street atmosphere and a marketplace that celebrates local enterprise, the Ahanta Heritage Street Carnival is expected to attract music lovers, families, tourists and members of the Ahanta diaspora from across Ghana.
For many, it will be more than an afternoon of entertainment; it will be an opportunity to celebrate identity, support local businesses and experience the warmth, creativity and resilience of the Ahanta people.
On Sunday, July 26, Agona Nkwanta will not simply host a carnival; it will become a living showcase of Ahanta’s heritage, where culture meets commerce, history inspires the present, and music brings an entire community together.
Ghanaian musician Ezecheal Kwasi Asimeng Frimpong, popularly known as Ancienth has released a new Palmwine single titled ‘Asukese Abena’.
The song is a celebration of love, culture, and the timeless wisdom embedded in Ghana’s traditional way of life.
According to him, the project is meant to remind people that Palmwine music is not a relic of the past.
“Through this project, I want people to understand that Palmwine music is not a relic of the past, it is a living heritage that still speaks powerfully to the present,” he said.
Ancienth traces his journey in Palmwine music to the pioneering work of Kwame Asare, also known as Jacob Sam, and the Kumasi Trio. He credits them with laying the foundation for one of Ghana’s most important musical traditions, a path that later generations continue to walk.
“I entered this space because I believe every nation must protect its cultural voice,” Ancienth explained, adding that “Palmwine music carries our stories, values, humour, history, and identity. Preserving it is not only a musical responsibility but also a cultural one.”
The musician described the journey as rewarding but challenging, noting that traditional music often receives less attention and investment compared to mainstream genres.
To strengthen the space, he is calling for greater support from the media, cultural institutions, educational bodies, and the public.
“My appeal to Ghanaians is simple, support indigenous music, because when a people lose their cultural sound, they gradually lose part of their identity,” he added.
As a torchbearer of Palmwine Music, Ancienth says his mission is to honour the legacy of the pioneers while introducing Palmwine music to new generations and audiences across the world.
Asukese Abena is now available on all digital platforms, including YouTube
By Edem Mensah-Tsotorme
