Entertainment
Afrochella co-founder apologises after sexual harassment allegations
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The co-founder of Afrochella who was accused of sexual harassment by a number of women has apologised.
Edward Asafu Adjaye in a post on Twitter admitted to inappropriate messages to some women adding that his behaviour was shameful and unacceptable.
“This apology is long overdue. But it was necessary to take time to fully process and reflect on everything that’s happened. I firstly want everyone, most especially the women on the receiving end of those communications, to know that from the bottom of my heart, I’m truly sorry and absolutely ashamed about all of it,” he wrote.
Mr Adjaye, popularly known as Deezy, added that “I did not carry myself in a respectable manner at all and that behaviour is not acceptable from me or anyone for that matter.”
This comes after numerous sexual assault allegations were levelled against him by some people on social media.
On a Twitter Space on August 10 some of his alleged victims claimed Edward, popularly known as Deezy, sent them inappropriate and unsolicited nude pictures adding that he blocks them when they do not respond positively to his advances.
Following the spaces, many users called for the dismissal of Deezy from Afrochella and all its future events.
Deezy, in reaction to the backlash, stated that he is working on himself and on being a better person in the future especially since everyone he has come into contact with deserved so much better from him.
“There are no words that can possibly convey how remorseful I am but I believe the best apology is changed behaviour and so from now on, I will dedicate myself to being much more respectful and mindful in all my dealings…that’s all I will strive for moving forward.”
Meanwhile, in reaction to his conduct Culture Management Group the parent company of Afrochella directed Deezy to step down from his leadership role and responsibilities effective immediately.
In a press statement shared on August 13, Culture Management Group the parent company of Afrochella noted that they do not take kindly to any form of harassment, discrimination or violence.
“We do not support misconduct toward women and assure you that we’re reviewing all materials related to these recent claims. Within the next few days, we will share our resolution and path forward with respect to our community and in alignment with our zero-tolerance policy,” they noted.
The statement explained that the team is dedicated to providing inclusive and safe event experiences and hence takes all forms of sexual harassment and inappropriate behaviour very seriously.
Source: www.myjoyonline.com
An International Relations student at Cumbria University, Rumzia Sule, has been officially crowned Miss Ghana 2026, emerging victorious over 12 other contestants to claim the coveted national title.
The grand finale of the 69th edition, held under the theme “Empowering Women, Enduring Legacy,” saw the University of Ghana graduate Fatimatu Zara Ishacu finish as the first runner-up and Whitney Opoku Nketia adjudged the second runner-up.
Other awards, such as Miss Fitness, Miss Talent, Miss Eloquent, Most Beautiful Skin, Miss Congeniality, Most Disciplined, and Miss Photogenic, went to Nedlyn Appiah, Lucille Akua Oputa-Otutu, Davinia Owusu Kuffuor, Lawrencia Serwaa Amankwa, Fatimatu Zara Ishacu, Anita Appiah, and Whitney Opoku Nketia, in that order.
Rumzia also won the Beauty with Purpose award.
Unlike previous editions, this year’s pageant adopted a strategic, scaled-down format. Shifting away from traditional pomp and pageantry, to a more personal and community skills development theme.
The final selection was held at the Oak Plaza Hotel in Accra before an elite panel of judges, relatives of contestants amongst others present to witness the historic occasion.
According to the organisers, Exclusive Events Ghana and the Miss Ghana Foundation, the format change was a deliberate choice, as part of preparations towards the upcoming milestone for the brand both nationally and internationally, that is, next year’s landmark 70th, in Ghana and this year’s 75th anniversaries, internationally.
Despite the cozy setting of the coronation, the finalists underwent the full, rigorous pageant journey following nationwide auditions on June 27, 2026.
The young women participated in intensive, weeks-long mentorship, leadership, and entrepreneurship programme designed to test their resilience, empathy, discipline, and professionalism.
Furthermore, the contestants demonstrated their commitment to national development by rolling up their sleeves for the National Clean-Up Exercise, supporting President John Dramani Mahama’s call to restore cleanliness across Ghana by desilting choked gutters in parts of Accra.
The Foundation emphasised that these outreach programmes were vital evaluation tools used to identify a queen who genuinely embodies compassion and a willingness to serve society beyond the glamour of the stage.
Rumzia’s exceptional public speaking and commanding vision ultimately separated her from the field.
As the new Miss Ghana 2026, Rumzia will now begin preparations to represent the nation on the international stage at the upcoming Miss World pageant in Vietnam.
Born on August 14, 1980 in Cape Coast, where centuries-old castles still whisper of slavery, resistance and survival, musician Lexikon says his life has been shaped by the weight of history and the hope of renewal.
Growing up among the relics of the transatlantic slave trade, the artist developed an early hunger for truth, justice and identity.
That search took him from the halls of Mfantsipim School to the Chartered Institute of Marketing in the UK, where he fused academic training with a growing passion for artistry.
But it is on stage, through reggae and dancehall, that Lexikon’s voice finds its fullest expression.
According to him, “Music is not just entertainment. It is a call to the youth, a challenge to corrupt power, and a hymn of hope.”
Over the years, Lexikon has built a catalogue of 15 albums. Through his Baanfire Revolution, he champions Pan-Africanism, self-reliance and empowerment. With his Christ-For-I Mission, he uses the same platform to redirect hearts to faith and purpose.
Industry watchers describe his work as more than sound, a movement, a sermon, and in his words, “a revolution wrapped in melody.”
Now based in Accra, the father, artist and advocate says he remains committed to speaking for Africa’s young people.
For Lexikon, music is the tool: a reminder that even in struggle, there is room for renewal, and that, as he puts it, “music can be the whip of change.”
As Ghana’s creative scene continues to evolve, Lexikon stands as one of the voices merging culture, spirituality and social commentary rooted in Cape Coast history, but speaking directly to a new generation across the continent.
By Edem Mensah-Tsotorme
