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Tarkwa–Nsuaem celebrates Queen
The chief and people of Dompim in the Tarkwa -Nsuaem municipality of the Western Region, last Sunday held a thanksgiving service to celebrate and thank God for the life of their Queen, Nana Angaba 11, who had reigned for 20 years.
The event was to mark also the contribution, leadership, and role of Nana Angaba in the history and development of Dompim, a farming and mining community.
Nana Angaba, now 78, was enstooled on May 1, 2001.
The ceremony attended by the Member of Parliament for Tarkwa-Nsuaem and Deputy Minister, Lands and Natural Resources, Mr George Mireku Duker, the Western Regional Minister, Mr Kwabena Okyere Darko-Mensah and the clergy, was used to solicit funds for the reconstruction of the Dompim palace, which was destroyed during clashes on August 26, 2020.
Preaching the sermon from Psalm 51, the Head of the Christ Divine Church (CDC), Rev Felix Joe Entsiwah, told the congregation that it was appropriate to thank God for the wonderful things He had done for Dompim and the Tarkwa -Nsuaem community.
He noted that the Municipal Chief Executive (MCE), Mr Benjamin Kesse and Mr Duker were sons of Dompim playing great roles in the political administration of the Western Region.
Rev Enstsiwah said “God has been our Helper and has blessed Dompim all these years. Indeed, we are also thankful to God for the life and reign of our queen, Nana Angaba 11. We are grateful and Dompim must thank God for this. Today’s service is befitting one.”
The Western Regional Minister, Mr Kwabena Okyere Darko-Mensah, also reiterated the blessings God had showered on Dompim despite some security and leadership challenges that had rocked the community.
He told the congregation that Dompim helped secure support of about 90 per cent votes for Mr Duker, who was elected MP for Tarkwa -Nsuaem Constituency in the 2020 elections.
He said, the needless chieftaincy dispute which had engulfed Dompim for some years now, must end and that, no group of persons should be allowed to disturb the peace and progress of the area by installing quack chief.
He stressed: “Development must come home. Our palace will be rebuilt and inaugurated next year but we need the supports and prayers of everybody.”
Chief of Dompim, Ohyeawora Bianowah 1V, thanked God for the leadership of Nana Angaba 11 and urged Dompim to remain united and support the palace.
From Clement Adzei Boye, Dompim
The Government of the Republic of Korea has presented a second consignment of equipment to support the study, maintenance and preservation of Ghana’s historic forts and castles under the Korea-Ghana ICT Climate Project.
At the handover ceremony in Accra, today, Abla Dzifa Gomashie, Minister for Tourism, Culture and Creative Arts, expressed appreciation for Korea’s continued support, including its US$4.5 million intervention towards heritage preservation, technical assistance and capacity building.
The equipment will strengthen the Ghana Museums and Monuments Board’s efforts to address the impact of climate change on Ghana’s historic heritage infrastructure.
The Ministry noted that they remain committed to working with international partners to safeguard Ghana’s priceless heritage for present and future generations.
By Edem Mensah-Tsotorme
The Association of Spouses of Heads of Diplomatic Missions and International Organizations (ASOHOM) brought art, diplomacy and philanthropy together for its glamorous black-tie charity gala, centred on the urgent theme of sustainable water futures.
At the heart of the evening was ‘Woven Currents’, a thought-provoking commissioned exhibition co-curated by Fang W. Linulf of LogonART and Fadila Njoya from Gallery Sankofa, showcasing five outstanding Ghanaian artists confronting water pollution, coastal decay, ancestral memory and ecological regeneration.
Housed within a versatile multi-function hall, far from a conventional white-cube gallery, the venue underwent a dramatic creative transformation.
Drawing on her professional architectural background, curator Fang W. Linulf reimagined the standard event space into a vivid, immersive exhibition environment through bold spatial storytelling.
Monumental art installations encircled gala guests, breaking traditional viewing boundaries and forging a remarkably intimate, visceral connection between viewers and the artworks.
Guided by a powerful curatorial vision, ‘Woven Currents’ positioned art as a call to action: to honour, safeguard and collectively steward Africa’s precious shared water heritage.
Each artwork responded directly to Ghana’s pressing aquatic realities.
Emmanuel Aggrey Tieku’s towering textile installation breathed new life into discarded local second-hand ‘Oburoni Wawu’ garments, delivering a searing commentary on waste colonialism and textile-fuelled ocean contamination.
Patrick Tagoe Turkson crafted intricate assemblages from beach-salvaged flip flops and abandoned ghost fishing nets, weaving Asafo flag and Kente cloth iconography into marine debris to unite indigenous cultural wisdom with modern-day ecological crisis.
Sena Burgundy presented introspective blue-hued figurative canvases exploring inner reflection set against shifting environmental realities.
Nana Frimpong Oduro exhibited dream-like surreal photography rooted in Akan cosmology, capturing ancestral echoes and human resilience within Ghana’s coastal waters.
Evans Torngmortey Akornor built evocative threshold-themed mixed media works from fishing shore remnants, unpacking visible and unseen layers of shoreline history.
Attendees also experienced the poignant live dance performance ‘Cry of the River’ by Vivie’s Dance.
The night featured a high-energy live auction of five signature exhibition artworks alongside a raffle draw. Every penny raised went toward vital humanitarian support for vulnerable communities across Ghana.
Diplomatic delegates, collectors, artists and cultural leaders filled the room.
The curatorial team stressed that ‘Woven Currents’ was never mere gala decoration.
It delivered grounded, locally-centred artistic narratives that enriched formal policy conversations on water conservation, repurposing a diplomatic social gathering into a dynamic public platform for ecological dialogue and meaningful giving.
By Edem Mensah-Tsotorme
