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Tackling domestic abuse: Islamic Cleric calls for counseling units at mosques
An Islamic Cleric at Wa in the Upper West Region, Sheik Shaban Mohammed Alhassan has called for the establishment of counselling units at the various central mosques across the country, equipped with professional Islamic counsellors to attend to adherents with issues of domestic abuse.
The Cleric was of the view that as a result of customs, traditions and religious misinterpretations, many people who were abused in their marital homes, particularly women were unable to seek redress from the appropriate quarters and said a recognised unit at the mosque for that purpose would go a long way to assist such victims.
He said that a female victim of domestic violence with physical abuse and marital rape would be faulted by society if she reported the incident to the police and so would recoil and endure the pain, other than report the perpetrator to the law enforcers.
“When people are abused, they sometimes fall on the Clerics who may not necessarily be professional counsellors. There is the difference between giving advice and giving counselling; people who have been abused need professional help so a recognised unit dedicated for the purpose at our places of worship will go a long way to help adherents”, he said.
Sheik Alhassan made the call during a panel discussion on sexual and gender based violence at Wa. The programme which was organised by the Network for Young Women Empowerment (NYWE) sought to discuss issues of concern to women and empower them to report abuse cases in order to restore their sanity in society.
The cleric indicated that the provision of counselling units at the various mosques would provide an avenue for victims to report their cases for immediate action and said professionals were good at handling victims and keeping the issues to themselves.
“Abuse can lead to permanent physical and mental injuries and even deaths in some cases so it requires the necessary attention to ensure that victims receive help on time”, he said.
Sheik Alhassan stated that adherents would trust such centres and would not hesitate to approach them with their concerns and said even if the counsellors were unable to resolve the issues through counseling, they would encourage the victims to seek help from the right quarters.
He called on men to respect the rights of women, give them the platform to exhibit their capacities and also empower them economically in order to make them less vulnerable to abuse.
Adding his voice, the Head Pastor of the Ghana Baptist Convention at Wa, Reverend Amos Sunday, admonished husbands to love their wives as God had instructed in the Holy Bible and treat them with utmost respect.
He called for an end to physical abuse and domestic violence but advised that issues of misunderstanding should be resolved through negotiations and proper communication.
The chairperson of the NYWE, Ms Ida Nakaar, said her outfit was interested in empowering young ladies to stand up against abuses, demand for their rights and lobby for opportunity to participate in discussions that concerned their well-being.
From Lydia Darlington Fordjour, Wa
The Government of the Republic of Korea has presented a second consignment of equipment to support the study, maintenance and preservation of Ghana’s historic forts and castles under the Korea-Ghana ICT Climate Project.
At the handover ceremony in Accra, today, Abla Dzifa Gomashie, Minister for Tourism, Culture and Creative Arts, expressed appreciation for Korea’s continued support, including its US$4.5 million intervention towards heritage preservation, technical assistance and capacity building.
The equipment will strengthen the Ghana Museums and Monuments Board’s efforts to address the impact of climate change on Ghana’s historic heritage infrastructure.
The Ministry noted that they remain committed to working with international partners to safeguard Ghana’s priceless heritage for present and future generations.
By Edem Mensah-Tsotorme
The Association of Spouses of Heads of Diplomatic Missions and International Organizations (ASOHOM) brought art, diplomacy and philanthropy together for its glamorous black-tie charity gala, centred on the urgent theme of sustainable water futures.
At the heart of the evening was ‘Woven Currents’, a thought-provoking commissioned exhibition co-curated by Fang W. Linulf of LogonART and Fadila Njoya from Gallery Sankofa, showcasing five outstanding Ghanaian artists confronting water pollution, coastal decay, ancestral memory and ecological regeneration.
Housed within a versatile multi-function hall, far from a conventional white-cube gallery, the venue underwent a dramatic creative transformation.
Drawing on her professional architectural background, curator Fang W. Linulf reimagined the standard event space into a vivid, immersive exhibition environment through bold spatial storytelling.
Monumental art installations encircled gala guests, breaking traditional viewing boundaries and forging a remarkably intimate, visceral connection between viewers and the artworks.
Guided by a powerful curatorial vision, ‘Woven Currents’ positioned art as a call to action: to honour, safeguard and collectively steward Africa’s precious shared water heritage.
Each artwork responded directly to Ghana’s pressing aquatic realities.
Emmanuel Aggrey Tieku’s towering textile installation breathed new life into discarded local second-hand ‘Oburoni Wawu’ garments, delivering a searing commentary on waste colonialism and textile-fuelled ocean contamination.
Patrick Tagoe Turkson crafted intricate assemblages from beach-salvaged flip flops and abandoned ghost fishing nets, weaving Asafo flag and Kente cloth iconography into marine debris to unite indigenous cultural wisdom with modern-day ecological crisis.
Sena Burgundy presented introspective blue-hued figurative canvases exploring inner reflection set against shifting environmental realities.
Nana Frimpong Oduro exhibited dream-like surreal photography rooted in Akan cosmology, capturing ancestral echoes and human resilience within Ghana’s coastal waters.
Evans Torngmortey Akornor built evocative threshold-themed mixed media works from fishing shore remnants, unpacking visible and unseen layers of shoreline history.
Attendees also experienced the poignant live dance performance ‘Cry of the River’ by Vivie’s Dance.
The night featured a high-energy live auction of five signature exhibition artworks alongside a raffle draw. Every penny raised went toward vital humanitarian support for vulnerable communities across Ghana.
Diplomatic delegates, collectors, artists and cultural leaders filled the room.
The curatorial team stressed that ‘Woven Currents’ was never mere gala decoration.
It delivered grounded, locally-centred artistic narratives that enriched formal policy conversations on water conservation, repurposing a diplomatic social gathering into a dynamic public platform for ecological dialogue and meaningful giving.
By Edem Mensah-Tsotorme
