Entertainment
Stonebwoy tackles galamsey menace in ‘Greedy Men’ song
Ghanaian Music genius, Livingstone Etsey Satekla, known in showbiz circles as Stonebwoy has tackled the galamsey menace bedevilling Ghana in a song dubbed “Greedy Men”.
The project highlights the detrimental effects of illegal small-scale gold mining in Ghana mostly referred to as galamsey.
‘Greedy Men’speaks of the economic loss, greater loss of life and property, pollution of soil and groundwater, biodiversity loss, chemical leakages, and other long-term repercussions the activity has on the country.
In the video of the song, he highlights how foreign companies engage in illegal gold mining in Ghana in their quest for riches to the detriment of the local people, and further throws spotlight on how these foreigners use the underprivileged as cheap labour in the mining areas.
These individuals enjoy the booty while the nation does not even benefit in the process, and as influential figure, Stonebwoy uses his position to bring to light the long-term effects of illegal small-scale mining on persons living in the community as well as the environment.
The video shows emotional scenes of the effects of illegal mining on the lives of people living in the communities where this illegality happens.
The introduction of the song urges those engaged in the illegal activities to think about the future children , “Mankind is wicked and wild Destroying Generational at wealth.”
In the verse one, Stonebwoy describes the menace saying “Cyanide and Mercury inna Di Water
The Led is poisoning the water, the farm lands are chemicalised and I don’t know what to do and this is because of illegal mining and cocoa production declining deforestation and rise inna violent crime everyday.”
The hook of the song reminds the perpetrators to “ think about the future children, what kind of legacy you leaving for them, selling and destroying generational wealth and the people are suffering.”
The chorus says, “many men shall die because of the ‘greedy’ of another yeah, Worldwide many men shall die because of the ‘greedy’ of another man yeah, Nations, Many men shall die because of the ‘greedy’ of another man yeah Bhimnation .”
By Edem Mensah-Tsotorme
Entertainment
‘Artivism’ at TGMA27: Okyeame Kwame uses gold-themed Red Carpet look to wage war against galamsey
Renowned musician and “Rap Dacta” Okyeame Kwame transformed the 2026 Telecel Ghana Music Awards (TGMA) red carpet into a platform for environmental activism, making a bold visual statement against the devastating effects of illegal mining, affectionately called galamsey.
Arriving in a striking ensemble, the artiste was draped in gold colours from head to toe, complete with a matching gold-plated sword.
However, the glamour carried a somber message. Flanked by two bodybuilders who performed as figures suffering from the physical and environmental “cancers” of illegal mining, Okyeame Kwame’s appearance served as a stark contrast between the beauty of Ghana’s gold and the destruction caused by its extraction.
Speaking to host Giovanni Caleb, the musician explained that his “glittering” look was a deliberate irony intended to spark a national conversation.
“I wanted to look like gold to remind Ghanaians that while gold glitters, galamsey destroys our rivers, our rocks, our air, and our nature,” Okyeame Kwame stated.
He further emphasised that the fight against environmental degradation transcends partisan lines.
“If we glitter like this once every year and forget that it is not the responsibility of the NPP or NDC, but the collective responsibility of all Ghanaians to stop this galamsey cancer, then we have failed,” he added.
Long recognized as an ‘Artivist,’ Okyeame Kwame has a storied history of using his public platform to champion social and environmental causes.
The 2026 TGMA, while a night of musical celebration, was momentarily refocused by the Rap Dacta’s plea for the protection of Ghana’s natural heritage, proving once again that art remains one of the most powerful tools for social change.
Okyeame Kwame is currently out with new single dubbed, “Clap,” a song encouraging communal support and celebration of others’ successes.
By Edem Mensah-Tsotorme
The biggest event on Ghana’s entertainment calendar is set for a night of honours, pomp, and pageantry.
It is a night where musicians who excelled during the year under review will be rewarded through the endorsement of the Telecel Ghana Music Awards Board, the Academy, and the general public.
The Grand Arena, the ideal venue for the 27th TGMA, will host a star-studded audience of musicians, media personalities, businessmen, politicians, actors, and footballers among others.
On this night, the most coveted prize is the Artiste of the Year (AOTY) category, which will see the crowning of a new king or queen of Ghana music.
Two heavyweights in the category, Stonebwoy and Sarkodie, have the opportunity to set an enviable record as the only artistes to win the coveted title for a third time.
Should they fall short, the opportunity shifts to Black Sherif and Diana Hamilton to equal the record of two wins, joining the elite ranks of past double-winners like VIP.
A win for Diana Hamilton, will set her up in a lonely journey at the top as the only gospel musician, to win the Artiste of the Year for the second time.
Alternatively, Wendy Shay could make her debut by winning the award for the first time. This would make her team up with Diana Hamilton as the only female artistes alive to hold the title. The late Ebony, won it posthumously in 2018.
If the title slips past them and falls to Medikal, he will also become a first-time winner, etching his name into the annals of Ghana music history.
Patrons can look forward to electrifying performances from a long list of confirmed artistes, including Black Sherif, Diana Hamilton, Piesie Esther, R2Bees, Medikal, Wendy Shay, Lasmid, Kofi Kinaata, Samini, and Fido, among others.
Beyond the ultimate prize, several other major categories are up for grabs, including Music Video of the Year, New Artiste of the Year, Gospel Artiste of the Year, Most Popular Song of the Year, and Songwriter of the Year.
By Edem Mensah-Tsotorme
