Profile
Mrs Gifty Dansoah Appiah – raising the next generation of God-fearing children
It has always been the wish of every good mother to properly cater for her children financially and spiritually. This is what Mrs Gifty Appiah is doing.
For 20 years, Mrs Appiah has been working to create a safe environment for children to thrive and achieve their dreams.
She began her career as a Programmes Officer of African Centre for Human Development. Today, she serves in her new role as the National Director of Compassion International Ghana, a Christian Child Advocacy Organisation at Madina, Accra.
Mama Gifty, as many call her, partners some government agencies and civil society organisations to reach out to deprived children, especially those in the rural communities.
She had previously performed similar functions at other non-governmental organisations and has been steering the affairs of Compassion International for the past three years.
Journey
Mrs Dansoah Appiah, speaking to The Spectator, admitted that it had not been easy in her pursuit to meet the needs of the less-privileged in the community she operates.
She said that notwithstanding the challenges, the non-governmental organisation was determined to extend support to hard-to-reach areas, as it had taken upon itself to reduce poverty, increase access to education and mitigate the impact of sexual violence against young girls.
Poverty, discrimination and other forms of inequalities, she noted, had denied thousands of children their right to education while thousands of children under five years still died from preventable diseases in this nation.
“This and many other factors are the reasons for my relentless efforts to embark on a mission to create a better future for these children.
“I wake up every day, I dream every night about what we are going to do to protect and support our young children in the country and the world as a whole. But in all this, we are able to get them by the grace of God,” she said.
Compassion International
Apart from its corporate social responsibility (CSR), Compassion International has partnered local churches to deliver holistic child development interventions to children and the youth, and to address the cognitive, spiritual, physical and socio-emotional needs of young people.
Operating with the tagline: ‘Releasing Children from Poverty in Jesus’ Name’ , Mrs Dansoah Appiah was impressed that their benevolent spirit was helping to transform the lives of children for the better.
“We want our children to grow up to become responsible Christian adults and serve as agents of transformation in communities they find themselves. We ensure that every child we serve is loved and protected. Children are precious gifts of God, and if we serve them we are, by extension, serving God,” she stressed.
Expressing delight in the positive and efficient role she continued to play at Compassion International, Mrs Appiah called on well-meaning individuals and other non-governmental organisations not to relent in their effort to lessen the plight of needy children.
Impact
Mrs Dansoah Appiah said that Compassion International had contributed a total amount of about GH₵200,000.00 to the COVID-19 Fund, Ghana Health Service and Noguchi Memorial Institute to help combat the spread of the disease.
“We have provided targeted food response to our beneficiary households to the tune of GH₵ 1.8 million. We have also provided face masks for all our beneficiaries amounting to GH₵ 1.2 million,” she noted.
This, she explained, was done through the benevolence of individuals, church and other foreign donors based in the United States of America (USA), United Kingdom (UK), Germany, and Switzerland.
Education
Mrs Dansoah Appiah holds Master of Science (MSc) Degree in Transportation Planning and Policy from the University of Newcastle, UK, and a Bachelor of Science (BSc) in Planning from the University of Ghana. She is a product of Aburi Girls’ Secondary School in the Eastern Region.
As the former Acting Country Director of World Vision Ghana between 2014 and 2015, she was recognised for her innovation and contribution to child well-being and poverty reduction due to her exemplary leadership. Early this year, she won the prestigious International Nobles Award for ‘Men and Women of Integrity’.
The mother of four said that being a leader was a privilege which she did not ” take lightly”, because it was not everybody who came from a rich home and that she would continue to be a role model for the youth.
“I like the opportunity Compassion International offers me to contribute to this noble cause. I must always be the voice for the voiceless and reflect the Christian values in me as a follower of Jesus Christ,” she added.
Advice
Mrs Dansoah Appiah advised the youth to remain patient in life and steadily work towards their goals “since with God, everything is possible”.
“Life is not a competition. We are all uniquely created by God and He has space for each of us in this life. Identify your life purpose, work towards it with integrity, sacrifice and discipline. Surround yourself with quality people who make positive contribution towards your goal,” she said.
Mrs Dansoah Appiah, who hails from Kwahu Asakraka in the Eastern Region, is married to Apostle Samuel Otu Appiah, Head of the Winneba Area Head of the Church of Pentecost. They have four children who are Dr Jedidiah, Joel Otu, Jaydrein and Janel.
By Geoffrey Buta
In a music landscape often defined by trends and tempo, George Nii Odai Oliver widely known as DJ Rev stands out as a man on a mission.
More than just a DJ, he is a minister, mentor, and youth advocate who has found a unique calling at the intersection of sound and spirituality.
Beyond the decks, DJ Rev is a devoted husband and a committed servant of God.
His life is anchored in purpose, with a deep passion for youth development. As the Technical Director at Christ for Youth International (CYI), a global youth ministry, he plays a significant role in shaping young lives, not only through words but also through music.
His journey in ministry began early, including his role as a founding member of the Ambassadors Christian Rap Group, where he first explored the power of music as a tool for transformation.
The name ‘DJ Rev’ derived from ‘Reverend,’ reflects both his spiritual identity and his mission to ignite atmospheres much like revving an engine with high-energy gospel music.
For him, every performance goes beyond entertainment; it becomes a moment of worship, revival, and connection with God.
His journey into DJing started from a fascination with music and technology during his younger years in Ghana.
Drawn to the ability of DJs to influence mood and unite people, he identified a gap in the Christian music space, which was someone who could seamlessly blend urban sounds with gospel messages. Starting from small church events and youth programmes, DJ Rev gradually honed his craft into what he now describes as a full-fledged calling.
Like many success stories, his path was not without challenges; he had limited access to equipment, skepticism about gospel DJing, and the difficulty of balancing ministry with performance all tested his resolve.
Yet, through persistence, faith, and support from mentors and the Christian community, he rose above these obstacles. Borrowing equipment, learning on the job, and staying grounded in prayer became part of his journey.
A defining moment in his career came when he realised that DJing was more than a passion; it was ministry.
Witnessing lives being transformed during his sets, seeing people move from dancing into deep worship, and watching young talents he mentored flourish affirmed his purpose.
DJ Rev’s style is best described as high-energy, spirit-led, and versatile. He effortlessly blends hip-hop, Afrobeats, dancehall, reggae, and urban gospel into seamless mixes that resonate with diverse audiences.
His signature approach is what he enthusiastically calls ‘Energyyyy! saying it is not just about hype, but about creating moments that touch both body and soul.
What sets him apart in Ghana’s DJ industry is his unwavering commitment to ministry-first performances. While many DJs focus solely on entertainment, DJ Rev uses his platform to create spaces where faith and music coexist powerfully. His technical expertise, drawn from his role in ministry, combined with his passion for mentorship, gives him a distinctive edge.
Over the years, he has witnessed significant growth in Ghana’s DJ industry, with increased recognition, technological advancement, and global influences such as Amapiano shaping the soundscape.
Notably, he has contributed to pushing gospel music into mainstream spaces, particularly through his popular Amapiano Gospel mixes.
Among his most memorable performances are events like Oasis Gathering, Sound Fest, and Saved to Serve platforms where music transcended performance into powerful spiritual encounters.
“These are moments that define success, lives touched, hearts uplifted, and faith renewed,” DJ Rev stated
Away from the spotlight, he embraces a quieter, more reflective life. He enjoys spending time with family, mentoring young people, engaging in ministry work, and pursuing simple hobbies like gardening and DIY projects.
For him, a perfect day off includes moments of prayer, meaningful conversations, and peaceful retreats, often in serene locations like Cape Coast or the Volta Region.
Despite his achievements, DJ Rev remains grounded. He acknowledges the challenges he has faced, ranging from limited resources to balancing ministry and career, but credits his resilience to faith, community support, and a clear sense of purpose.
These experiences have taught him invaluable lessons about perseverance, humility, and authenticity.
Looking ahead, DJ Rev aims to expand his ministry through music both locally and internationally, release more projects, mentor emerging talents, and further establish gospel DJ culture in Ghana. His ultimate desire is to be remembered as a pioneer who brought revival through music, blending excellence with unashamed faith.
To young aspiring DJs, his message is clear: master your craft, stay consistent, build character, and never lose sight of your purpose.
By Esinam Jemima Kuatsinu
Entertainment
Amb. Prince Kojo-Hilton’s international mission signals new era for creative industry development
Between October 2025 and April 2026, a significant creative industry mission unfolded across Brazil, led by Ghanaian visual artist, production designer, and Pan-African Art Ambassador, Prince Kojo-Hilton.
What began as an invitation to contribute to creative education quickly evolved into a far-reaching engagement spanning academic institutions, government bodies, global platforms, and community initiatives.
More than a professional visit, the mission positioned itself as a structured intervention aimed at addressing one of the most pressing gaps within the global creative sector, the disconnect between education and industry practice.
At the centre of this engagement was a clear focus on capacity building. Working with the Zion School of Entertainment in Rio de Janeiro, Kojo-Hilton delivered a masterclass in Art Direction and Scenic Design during Zion Creative Week.
The immediate impact of the session prompted an expansion of the masterclass programme into a broader, multi-campus engagement, extending its reach to a wide network of students and emerging professionals.
His approach departed from traditional classroom instruction. Instead of theory-driven lectures, participants were introduced to practical, industry-based processes, including visual storytelling systems, production design methodologies, and the professional discipline required to operate within global creative industries.
The result was a shift in how students engaged with their craft, moving from passive learning to active, experience-driven development.
Beyond academic institutions, the mission extended into diplomatic and governmental spaces. At the Ghana Embassy in Brazil in Brasília, Kojo-Hilton engaged in strategic discussions with Ghana’s Ambassador to Brazil, Nii Amasah Namoale.
The discussions centered on long-term collaboration between Ghana and Brazil within the creative arts sector, with a focus on education, exchange programmess, and institutional partnerships.
This engagement progressed further at the National Congress of Brazil, where he was introduced to policymakers and cultural leaders, including Brazil’s Minister of Culture, Margareth Menezes.
His presence and work were formally acknowledged, reflecting growing recognition of the role creative professionals can play in national development and cultural diplomacy.
On the global stage, Kojo-Hilton represented Ghana at the World Forum of Favelas 2025, where his contributions to creative community development were recognised with an international award.
The forum provided a platform to present models that integrate art, education, and social impact, reinforcing the value of structured creative initiatives in community transformation.
A key outcome of the mission was the international expansion of the Film Craft Expo, an initiative founded by Kojo-Hilton to explore the art, science, and business of film-making and theatre.
Interest from multiple countries has positioned the platform as a potential global model for creative industry engagement, bridging the gap between emerging talent and professional practice.
Academic collaborations also formed a critical component of the mission.
At the University of Brasília, discussions explored interdisciplinary opportunities connecting art, science, and environmental innovation. Additional engagements with institutions such as Casa das Artes de Laranjeiras focused on curriculum development, artist residencies, and production-based training systems designed to better prepare students for industry demands.
While institutional engagement remained central, the mission maintained a strong connection to community impact. Workshops conducted in local communities, including Maricá, emphasised the role of art as a tool for empowerment, identity formation, and social transformation.
A significant part of his engagement in Maricá included a cultural and social contribution through the donation of a painting to the House of Immigrants.
The artwork serves as a permanent symbolic gesture of identity, resilience, and shared human experience, reflecting his commitment to using art as a tool for cultural connection and community memory within the city.
Participation in cultural events such as Rio Carnival further highlighted the importance of preserving cultural heritage while positioning it within a global context.
One of the most forward-looking outcomes of the mission is the development of the Global Visual Arts for Screen and Stage initiative.
The platform is designed to integrate visual arts, film, theatre, fashion, and technology into a unified system that supports training, collaboration, and industry growth.
By addressing fragmentation within the creative sector, the initiative aims to create sustainable pathways for employment, innovation, and institutional development.
Across all engagements, a consistent message emerged, the global creative industry is evolving, and there is an increasing demand for structured, experience-driven education.
Institutions are no longer seeking inspiration alone; they are seeking systems that can translate creativity into measurable economic and social impact.
Following six months of sustained engagement across Brazil, the results are evident. New partnerships are being explored, institutions are opening pathways for collaboration, and there is growing recognition of the role creative industries can play in national and international development.
The mission has not only strengthened cultural and creative ties between Ghana and Brazil, but has also positioned Kojo-Hilton within a broader global conversation on the future of creative industry development.
As he continues to expand his work across continents, he remains open to collaboration with universities, film schools, theatre institutions, visual arts institutions, cultural organizations, and governments seeking to invest in structured creative growth.
He also facilitated a focused workshop on Talent Discovery and Nurturing with immigrants, centered on identifying hidden creative potential and providing practical guidance for personal and professional development.
The session emphasised empowerment through creativity, encouraging participants to recognise their abilities and explore new pathways within the creative industries.
Together, these contributions reinforced his broader mission of using art not only as a professional practice but as a meaningful instrument for inclusion, transformation, and social impact.
In reflection, he expresses profound gratitude to God for the opportunity to undertake this journey and for the grace that made every step possible. From Ghana to Brazil and back, he acknowledges the divine protection, guidance, and favour that ensured safe travels and the mission’s successful execution.
The experience stands not only as a professional milestone but also as a testament to the power of faith, dedication, and purpose.
His guiding philosophy remains clear and unwavering, saying “The only thing that I am a slave to is my passion.”
By Edem Mensah-Tsotorme
