Profile
Celebrating Rev. Dr. Setri Nyomi – a ‘beacon for justice’
As a child, he was attracted to church activities with the hope of joining the ministry one day.
And bound with the string of faith, the call became stronger and he was eventually ordained a Pastor in the Evangelical Presbyterian (EP) Church in August, 1980.
As a result of his commitment to Christianity, this man of God has dedicated 40 years of his life to the work of God and has contributed positively towards the growth of the church and other denominations both locally and internationally.
Rev. Dr Setri Nyomi, a Ghanaian, is the first African and first non-European to have assumed the position of General Secretary at the World Alliance of Reformed Churches — the umbrella body of all Presbyterian and reformed churches in the world.
Background
Rev. Dr. Nyomi hails from Anloga in the Volta Region. He had his General Certificate of Education (GCE) Ordinary Level (O’ Level) at Prempeh College, Kumasi, and GCE Advanced Level (A level) at Mawuli School, Ho, where he studied General Arts.
His theological studies began at the University of Ghana, Legon, where he graduated with BA (Hons) in 1978, and Trinity Theological Seminary, Legon, which he completed in 1980.
He received a Master of Sacred Theology Degree from Yale University Divinity School in 1981 and a Doctor of Philosophy (Ph.D) in Pastoral Theology from Princeton Theological Seminary, Princeton, New Jersey in 1991, all in the United States of America (USA).
Journey
The Theologian speaking to The Spectator about his life and career said he did not begin his divine journey with the aim to serve abroad but as the saying goes that “God works in mysterious ways”, it turned out that his work in Ghana was noticed and appreciated elsewhere.
He noted that his call to the ministry was “strengthened” when he went to Vicksburg, USA, in the 70s for the first time as an exchange student to attend high school.
“That year, lot of things challenged my perception of this world. I saw a different country where there was discrimination. I didn’t experience it personally but I saw it. There was discrimination even by people who were in church,” Rev. Dr Nyomi recalled.
This debased tradition he encountered abroad set off his ministerial journey to make a difference and also be “a force for justice.”
Leadership
Between 1994 and 1999, Rev. Dr Nyomi was a Senior Executive of the All African Conference of Churches (AACC) which brought most of the protestant denominations in Africa together.
From April 2000 to August 2014, he became the General Secretary of the World Alliance of Reformed Churches (WARC). The organisation has a membership of about 80 million Christians in 108 countries.
In 2010 and under his tenure, WARC was changed to World Communion of Reformed Churches (WCRC). The mandate of the organisation, he explained, was to unite the churches and speak on their behalf as well.
As the spokesman of the WCRC, Rev. Dr. Nyomi had led delegations to dialogue and help resolve conflict in countries such as Liberia, Lebanon, Pakistan, Syria, DR Congo, Iraq, among other conflict-prone nations and returned to Ghana in 2014 after 14 years of dedicated service.
Currently, he is the District Pastor of the Adenta EP Church in Accra, a Senior Lecturer at the Trinity Theological Seminary and the Council Chair of the Evangelical Presbyterian University College, at Ho.
Prior to his mission abroad, he served at the Dzelokope EP Church in the Volta Region, and the Abeka EP Church also in the Greater Accra Region, among others.
Sacrifice
The Reverend Minister intimated that the church was not a profit-making venture and that many people “ran away from ministry because they think of remuneration.”
He emphasised that the church was a “sacrificial place” and that in spite of the leadership and financial challenges, “God has always provided” for him and his family.
Highlighting other challenges, Rev. Dr Nyomi cited instances where people “decided to be hostile” and attempted to soil his hard-earned reputation because they thought he was interested in some other leadership positions.
“At the World Communion of Reformed Churches, a few elements had wondered why an African should be their leader.
“They tried to play their tricks, and I could see their tricks through my divine spectacles, and it was always defeated by God,” he said sarcastically.
Church’s role
Apart from proclaiming the gospel, Rev. Dr Nyomi maintained that the church must speak against social injustice stressing that “if there is oppression” in any part of the world the church should not be silent: “it must speak up.”
While praising churches that reach out to the poor and needy, he said that the church must as well tackle the fundamental issues on why people were poor in the first place.
“Ours is not a call to be greedy or teach people to be greedy. We should not glorify greed in the name of God. Ours is to trust God to take care of us and to send us to take care of other people.
“If people are suffering because the economy is bad, we need to be advocates in addressing the government at all levels about what its policies are doing to the people,” he noted and again advised church leaders to desist from centering their preachings on prosperity because “that is not what the gospel should stand for.”
Book
Rev. Dr. Nyomi has influenced a good number of theology students through his work. He has done stints of visiting professorship in institutions in Germany and USA and continues to make adequate use of his expertise in other capacities as well.
He would launch his book titled “By God’s Grace – Memoires of Setri Nyomi” at the Trinity Theological Seminary in Accra on Monday, August 17, 2020 to mark his 40th anniversary in the ministry.
At age 66, he loves playing indoor games, singing and enjoying choral music. He is married to Madam Akpene Esther, a Chemist by profession. They have three children.
In a music landscape often defined by trends and tempo, George Nii Odai Oliver widely known as DJ Rev stands out as a man on a mission.
More than just a DJ, he is a minister, mentor, and youth advocate who has found a unique calling at the intersection of sound and spirituality.
Beyond the decks, DJ Rev is a devoted husband and a committed servant of God.
His life is anchored in purpose, with a deep passion for youth development. As the Technical Director at Christ for Youth International (CYI), a global youth ministry, he plays a significant role in shaping young lives, not only through words but also through music.
His journey in ministry began early, including his role as a founding member of the Ambassadors Christian Rap Group, where he first explored the power of music as a tool for transformation.
The name ‘DJ Rev’ derived from ‘Reverend,’ reflects both his spiritual identity and his mission to ignite atmospheres much like revving an engine with high-energy gospel music.
For him, every performance goes beyond entertainment; it becomes a moment of worship, revival, and connection with God.
His journey into DJing started from a fascination with music and technology during his younger years in Ghana.
Drawn to the ability of DJs to influence mood and unite people, he identified a gap in the Christian music space, which was someone who could seamlessly blend urban sounds with gospel messages. Starting from small church events and youth programmes, DJ Rev gradually honed his craft into what he now describes as a full-fledged calling.
Like many success stories, his path was not without challenges; he had limited access to equipment, skepticism about gospel DJing, and the difficulty of balancing ministry with performance all tested his resolve.
Yet, through persistence, faith, and support from mentors and the Christian community, he rose above these obstacles. Borrowing equipment, learning on the job, and staying grounded in prayer became part of his journey.
A defining moment in his career came when he realised that DJing was more than a passion; it was ministry.
Witnessing lives being transformed during his sets, seeing people move from dancing into deep worship, and watching young talents he mentored flourish affirmed his purpose.
DJ Rev’s style is best described as high-energy, spirit-led, and versatile. He effortlessly blends hip-hop, Afrobeats, dancehall, reggae, and urban gospel into seamless mixes that resonate with diverse audiences.
His signature approach is what he enthusiastically calls ‘Energyyyy! saying it is not just about hype, but about creating moments that touch both body and soul.
What sets him apart in Ghana’s DJ industry is his unwavering commitment to ministry-first performances. While many DJs focus solely on entertainment, DJ Rev uses his platform to create spaces where faith and music coexist powerfully. His technical expertise, drawn from his role in ministry, combined with his passion for mentorship, gives him a distinctive edge.
Over the years, he has witnessed significant growth in Ghana’s DJ industry, with increased recognition, technological advancement, and global influences such as Amapiano shaping the soundscape.
Notably, he has contributed to pushing gospel music into mainstream spaces, particularly through his popular Amapiano Gospel mixes.
Among his most memorable performances are events like Oasis Gathering, Sound Fest, and Saved to Serve platforms where music transcended performance into powerful spiritual encounters.
“These are moments that define success, lives touched, hearts uplifted, and faith renewed,” DJ Rev stated
Away from the spotlight, he embraces a quieter, more reflective life. He enjoys spending time with family, mentoring young people, engaging in ministry work, and pursuing simple hobbies like gardening and DIY projects.
For him, a perfect day off includes moments of prayer, meaningful conversations, and peaceful retreats, often in serene locations like Cape Coast or the Volta Region.
Despite his achievements, DJ Rev remains grounded. He acknowledges the challenges he has faced, ranging from limited resources to balancing ministry and career, but credits his resilience to faith, community support, and a clear sense of purpose.
These experiences have taught him invaluable lessons about perseverance, humility, and authenticity.
Looking ahead, DJ Rev aims to expand his ministry through music both locally and internationally, release more projects, mentor emerging talents, and further establish gospel DJ culture in Ghana. His ultimate desire is to be remembered as a pioneer who brought revival through music, blending excellence with unashamed faith.
To young aspiring DJs, his message is clear: master your craft, stay consistent, build character, and never lose sight of your purpose.
By Esinam Jemima Kuatsinu
Entertainment
Amb. Prince Kojo-Hilton’s international mission signals new era for creative industry development
Between October 2025 and April 2026, a significant creative industry mission unfolded across Brazil, led by Ghanaian visual artist, production designer, and Pan-African Art Ambassador, Prince Kojo-Hilton.
What began as an invitation to contribute to creative education quickly evolved into a far-reaching engagement spanning academic institutions, government bodies, global platforms, and community initiatives.
More than a professional visit, the mission positioned itself as a structured intervention aimed at addressing one of the most pressing gaps within the global creative sector, the disconnect between education and industry practice.
At the centre of this engagement was a clear focus on capacity building. Working with the Zion School of Entertainment in Rio de Janeiro, Kojo-Hilton delivered a masterclass in Art Direction and Scenic Design during Zion Creative Week.
The immediate impact of the session prompted an expansion of the masterclass programme into a broader, multi-campus engagement, extending its reach to a wide network of students and emerging professionals.
His approach departed from traditional classroom instruction. Instead of theory-driven lectures, participants were introduced to practical, industry-based processes, including visual storytelling systems, production design methodologies, and the professional discipline required to operate within global creative industries.
The result was a shift in how students engaged with their craft, moving from passive learning to active, experience-driven development.
Beyond academic institutions, the mission extended into diplomatic and governmental spaces. At the Ghana Embassy in Brazil in Brasília, Kojo-Hilton engaged in strategic discussions with Ghana’s Ambassador to Brazil, Nii Amasah Namoale.
The discussions centered on long-term collaboration between Ghana and Brazil within the creative arts sector, with a focus on education, exchange programmess, and institutional partnerships.
This engagement progressed further at the National Congress of Brazil, where he was introduced to policymakers and cultural leaders, including Brazil’s Minister of Culture, Margareth Menezes.
His presence and work were formally acknowledged, reflecting growing recognition of the role creative professionals can play in national development and cultural diplomacy.
On the global stage, Kojo-Hilton represented Ghana at the World Forum of Favelas 2025, where his contributions to creative community development were recognised with an international award.
The forum provided a platform to present models that integrate art, education, and social impact, reinforcing the value of structured creative initiatives in community transformation.
A key outcome of the mission was the international expansion of the Film Craft Expo, an initiative founded by Kojo-Hilton to explore the art, science, and business of film-making and theatre.
Interest from multiple countries has positioned the platform as a potential global model for creative industry engagement, bridging the gap between emerging talent and professional practice.
Academic collaborations also formed a critical component of the mission.
At the University of Brasília, discussions explored interdisciplinary opportunities connecting art, science, and environmental innovation. Additional engagements with institutions such as Casa das Artes de Laranjeiras focused on curriculum development, artist residencies, and production-based training systems designed to better prepare students for industry demands.
While institutional engagement remained central, the mission maintained a strong connection to community impact. Workshops conducted in local communities, including Maricá, emphasised the role of art as a tool for empowerment, identity formation, and social transformation.
A significant part of his engagement in Maricá included a cultural and social contribution through the donation of a painting to the House of Immigrants.
The artwork serves as a permanent symbolic gesture of identity, resilience, and shared human experience, reflecting his commitment to using art as a tool for cultural connection and community memory within the city.
Participation in cultural events such as Rio Carnival further highlighted the importance of preserving cultural heritage while positioning it within a global context.
One of the most forward-looking outcomes of the mission is the development of the Global Visual Arts for Screen and Stage initiative.
The platform is designed to integrate visual arts, film, theatre, fashion, and technology into a unified system that supports training, collaboration, and industry growth.
By addressing fragmentation within the creative sector, the initiative aims to create sustainable pathways for employment, innovation, and institutional development.
Across all engagements, a consistent message emerged, the global creative industry is evolving, and there is an increasing demand for structured, experience-driven education.
Institutions are no longer seeking inspiration alone; they are seeking systems that can translate creativity into measurable economic and social impact.
Following six months of sustained engagement across Brazil, the results are evident. New partnerships are being explored, institutions are opening pathways for collaboration, and there is growing recognition of the role creative industries can play in national and international development.
The mission has not only strengthened cultural and creative ties between Ghana and Brazil, but has also positioned Kojo-Hilton within a broader global conversation on the future of creative industry development.
As he continues to expand his work across continents, he remains open to collaboration with universities, film schools, theatre institutions, visual arts institutions, cultural organizations, and governments seeking to invest in structured creative growth.
He also facilitated a focused workshop on Talent Discovery and Nurturing with immigrants, centered on identifying hidden creative potential and providing practical guidance for personal and professional development.
The session emphasised empowerment through creativity, encouraging participants to recognise their abilities and explore new pathways within the creative industries.
Together, these contributions reinforced his broader mission of using art not only as a professional practice but as a meaningful instrument for inclusion, transformation, and social impact.
In reflection, he expresses profound gratitude to God for the opportunity to undertake this journey and for the grace that made every step possible. From Ghana to Brazil and back, he acknowledges the divine protection, guidance, and favour that ensured safe travels and the mission’s successful execution.
The experience stands not only as a professional milestone but also as a testament to the power of faith, dedication, and purpose.
His guiding philosophy remains clear and unwavering, saying “The only thing that I am a slave to is my passion.”
By Edem Mensah-Tsotorme
