Entertainment
Gospel musicians need your support – Estelle Safowaa

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Estelle Safowaa
Estelle Safowaa, a Ghanaian gospel musician, has urged stakeholders to pay attention to gospel musicians in the country and beyond.

Estelle Safowaa said the responsibility of gospel musicians was very huge, and required adequate support to accomplish the evangelism drive through music.
Speaking to The Spectator she said “gospel musicians go through a lot to produce a single or an album due to live production and some quality expected in their works”.
This notwithstanding, she was of the view that the support systems were not adequate or non-existent in the industry.

Against this background, Estelle Safowaa urged event organisers, media personalities, financiers, men of God, Corporate Ghana and stakeholders to pay attention to the gospel need of musicians.
This, she said, would go a long way to positively affect their career, adding that Ghanaian gospel musicians possessed the capabilities to break barriers, but only needed the right support to make it happen.
Estelle Safowaa is currently making waves with her single “He Reigns” featuring Joe Mettle.
Estelle Safowaa said the song was composed to praise God for His wonderful works and to make the nations aware of His loving and caring nature.

“My song is to praise and exalt God and appreciate his wonderful works. He is the King of Kings, ruler who reigns forever and Father of all Nations since creation,” she said.
She further explained the message in the song, “The LORD reigns forever, your God, O Zion, for all generations. Praise the LORD – Psalm: 146:10.”
According to her, “Joe Mettle accepted to be on the song because he understood the assignment God had placed on our hands as gospel musicians to reach out to thousands of lost souls out there to understand the saving knowledge of Jesus.”
By Edem Mensah-Tsotorme
Entertainment
Rumzia Sule crowned Miss Ghana 2026

An International Relations student at Cumbria University, Rumzia Sule, has been officially crowned Miss Ghana 2026, emerging victorious over 12 other contestants to claim the coveted national title.
The grand finale of the 69th edition, held under the theme “Empowering Women, Enduring Legacy,” saw the University of Ghana graduate Fatimatu Zara Ishacu finish as the first runner-up and Whitney Opoku Nketia adjudged the second runner-up.
Other awards, such as Miss Fitness, Miss Talent, Miss Eloquent, Most Beautiful Skin, Miss Congeniality, Most Disciplined, and Miss Photogenic, went to Nedlyn Appiah, Lucille Akua Oputa-Otutu, Davinia Owusu Kuffuor, Lawrencia Serwaa Amankwa, Fatimatu Zara Ishacu, Anita Appiah, and Whitney Opoku Nketia, in that order.
Rumzia also won the Beauty with Purpose award.
Unlike previous editions, this year’s pageant adopted a strategic, scaled-down format. Shifting away from traditional pomp and pageantry, to a more personal and community skills development theme.
The final selection was held at the Oak Plaza Hotel in Accra before an elite panel of judges, relatives of contestants amongst others present to witness the historic occasion.
According to the organisers, Exclusive Events Ghana and the Miss Ghana Foundation, the format change was a deliberate choice, as part of preparations towards the upcoming milestone for the brand both nationally and internationally, that is, next year’s landmark 70th, in Ghana and this year’s 75th anniversaries, internationally.
Despite the cozy setting of the coronation, the finalists underwent the full, rigorous pageant journey following nationwide auditions on June 27, 2026.
The young women participated in intensive, weeks-long mentorship, leadership, and entrepreneurship programme designed to test their resilience, empathy, discipline, and professionalism.
Furthermore, the contestants demonstrated their commitment to national development by rolling up their sleeves for the National Clean-Up Exercise, supporting President John Dramani Mahama’s call to restore cleanliness across Ghana by desilting choked gutters in parts of Accra.
The Foundation emphasised that these outreach programmes were vital evaluation tools used to identify a queen who genuinely embodies compassion and a willingness to serve society beyond the glamour of the stage.
Rumzia’s exceptional public speaking and commanding vision ultimately separated her from the field.
As the new Miss Ghana 2026, Rumzia will now begin preparations to represent the nation on the international stage at the upcoming Miss World pageant in Vietnam.
Entertainment
Lexikon’s music becomes movement of faith, justice, Pan-Africanism

Born on August 14, 1980 in Cape Coast, where centuries-old castles still whisper of slavery, resistance and survival, musician Lexikon says his life has been shaped by the weight of history and the hope of renewal.
Growing up among the relics of the transatlantic slave trade, the artist developed an early hunger for truth, justice and identity.
That search took him from the halls of Mfantsipim School to the Chartered Institute of Marketing in the UK, where he fused academic training with a growing passion for artistry.
But it is on stage, through reggae and dancehall, that Lexikon’s voice finds its fullest expression.
According to him, “Music is not just entertainment. It is a call to the youth, a challenge to corrupt power, and a hymn of hope.”
Over the years, Lexikon has built a catalogue of 15 albums. Through his Baanfire Revolution, he champions Pan-Africanism, self-reliance and empowerment. With his Christ-For-I Mission, he uses the same platform to redirect hearts to faith and purpose.
Industry watchers describe his work as more than sound, a movement, a sermon, and in his words, “a revolution wrapped in melody.”
Now based in Accra, the father, artist and advocate says he remains committed to speaking for Africa’s young people.
For Lexikon, music is the tool: a reminder that even in struggle, there is room for renewal, and that, as he puts it, “music can be the whip of change.”
As Ghana’s creative scene continues to evolve, Lexikon stands as one of the voices merging culture, spirituality and social commentary rooted in Cape Coast history, but speaking directly to a new generation across the continent.
By Edem Mensah-Tsotorme




