Entertainment
Don’t kill us for rituals ahead of 2020 elections – Albinos ‘beg’ Ghanaian politicians

Ghana Association of Persons with Albinism (GAPA) has pleaded with politicians in the country to desist from killing them ahead of the 2020 general elections.
According to Newton Komla Katseku, the National Director of GAPA, it is a known fact that some people use albinos for rituals hence the call on politicians.
He said their safety is not guaranteed in many areas of the country where primitive customs and beliefs make people tend to perform rituals with the blood of an Albino for power.
“The fear is that as we know they have been using parts of our bodies for rituals so maybe somebody will want to come to power and that is their beliefs that if they use our parts of bodies they may win power.”
So sometimes some of us the fear is there during election time so when you are going out you wish to go and come back early so that you don’t go and meet somebody who will kill and use you for rituals”.
“As for me during election time my brothers tell me to stay home so that nobody kills me for sacrifice so it creates anxiety anytime I go out,” Some persons with albinism lamented.
“You cannot separate Political power from ritualism. The presentation that I have done indicates there are reports that suggest that persons with albinism have been used for sacrifices in quest of power from 2008 election till date in Ghana. And it is happening physically in some of the neighbouring countries in Africa.
“It is something that we need to guard against. Properly, what we need to do is to hold political stakeholder engagement so that we explain to them if you take the life of somebody for power whom are you going to rule in future. So persons with Albinism will continue to cry and call for protection before, during and after the election” Newton Komla Katseku told Starr News.
pulse.com
Entertainment
MUSIGA responds to criticisms from public

THE president of the Musicians Union of Ghana (MUSIGA) Mr Bessa Simon has described criticism against a donation made to the family of the legendary Yaw Sarpong as misleading and a means to tarnish their image.
According to him, GH¢500 donated to the family during one week observance wasn’t the final funeral contribution but a symbolic amount to help with refreshment during the one week observance.
• Yaw Sarpong
He told the Spectator Agoro that the Union will make a formal donation at the funeral to the icon in the gospel industry.
“Giving an amount at one week is a common practice and shouldn’t overshadow Yaw Sarpongs legacy” he added
Meanwhile others praised MUSIGA for showing solidarity, others condemned the amount, describing it as inadequate and disrespectful to the legacy of the veteran singer.
Yaw Sarpong, born in Accra, emerged as one of Ghana’s most influential gospel musicians and a defining voice in contemporary Christian music across West Africa.
Rising from humble beginnings and shaped by the political and social turbulence of post-independence Ghana, he transformed gospel music with a distinctive blend of spiritual depth, lyrical clarity, and disciplined musical arrangement.
By Linda Abrefi Wadie
Entertainment
Ghana’s Youngest GWR holder Ace-Liam to headline 69th Indece Celebration in China

Ace-Liam Nana Sam Ankrah, Ghana’s celebrated child prodigy and youngest achiever ever recorded in the Guinness World Records’ 70-year history is set to captivate audiences at the upcoming Ghana Independence Day celebrations in Beijing, China.
The Ghana Embassy in the People’s Republic of China will host series of events culminating on March 6, 2026, to mark Ghana’s 69th Independence Anniversary, with Ace Liam’s artwork prominently featured.
As part of the Embassy’s cultural initiatives, an art exhibition will showcase creative works by top Ghanaian artists including Ace Liam and renowned artist Ibrahim Mahama.
The exhibition aims to celebrate Ghana’s vibrant cultural heritage and foster closer cultural ties between Ghana and China.
At just 3 years old, Ace-Liam has earned acclaim for his innovative artistic talents. His participation in the Independence Day events highlights the role of young Ghanaian artists in promoting the country’s rich culture on a global stage.
Ambassador Kojo Bonsu, during a press soiree held on February 5, 2026, emphasised Ghana’s commitment to deepening its relationship with China through cultural exchange and economic collaboration.
The planned events will also include a business forum and a fashion show by Nineteen57, blending traditional and modern Ghanaian styles.
This will be Ace-Liam’s second international art exhibition after his debut in Barbados at the GUBA Awards.
In 2025, he received an award at the UK Parliament House of Commons as a Global Child Prodigy in Arts. He was also awarded the Kid Creator of the Year at the Creators Awards Ghana 2025.
In a related development, Ace-Liam Ankrah has been recognised as a Young Achiever in the Guinness World Records Book 2026 edition, becoming the youngest achiever in the organisation’s 70-year history.
Featured in the special anniversary edition marking seven decades of global excellence, Ace-Liam joins a distinguished group of record holders and global icons such as Simone Biles, Usain Bolt, and Dolly Parton. His achievements have made a lasting impact worldwide, capturing international attention through the extraordinary power of early childhood creativity.
This latest recognition by Guinness World Records marks a defining milestone not only for Ace-Liam, but also for Ghana and the African creative community. It highlights the importance of nurturing creativity from an early age and demonstrates the extraordinary possibilities that emerge when talent is supported and allowed to flourish.
Reacting to this news, Ace-Liam’s Mother/Manager Chantelle Kuukua Eghan remarked, ‘Ace-Liam being featured in the 2026 Guinness World Records Book as a Young Achiever is a dream come true. I feel blessed and super excited to be his mother. This is not just a win for him, but a win for all kids in the world.’’
Ace-Liam’s artistic journey began at just six months old when his mother, Ghanaian visual artist Chantelle Kuukua, laid out a canvas and paints to keep him engaged while she worked on a commissioned piece.
What began as a simple moment of curiosity quickly revealed something remarkable. Within minutes, he created his first artwork, later titled The Crawl, a vibrant expression that marked the beginning of an exceptional creative path.
Edem Mensah –Tsotorme



