Entertainment
Audio of a ‘Nana Romeo’ asking for sex before helping a lady surfaces

The controversy surrounding Nana Romeo and Wendy Shay’s interview appears to have opened a can of worms for the radio presenter as audio of a man mentioning sexual intercourse as the only condition to extend financial assistance to a lady has popped out.
Although GhanaWeb cannot independently confirm whose voice it is, some social media users are claiming the person behind the voice is Nana Romeo.
In the said audio clip, a man is heard spelling out to the unidentified lady that her constant cry for help from him will only be answered if she agrees to his demands.
According to the man, he has professed love to the lady for a very long time and has even invited her to come home but to no avail.
“My dear, I don’t know why you’re making this matter so complicated,” he said. “You know I don’t give out loans… At the end of the day, you know what I want. I’m a man, you’re a woman.”
“I have proposed to you and asked you to come home. It’s not as if I want to just make love to you once and you go away; no! But you know how tough life is. If any man wants to help… I told you I like you long ago. Come home; you don’t want to come. And you expect help from me. When I ask you to come, you don’t want to come. I don’t know why you’re being so difficult about this.”
Some have said if indeed Nana Romeo is the personality behind the voice, he will find himself wanting since the repercussion could be profound.
The radio presenter with Accra-based Accra FM has come under vehement backlash following an interview he had with Wendy Shay.
The musician could not fathom why Nana Romeo repetitively asked her if she was having an amorous affair with her manager Bullet when she was on the show to promote her latest song.
“I am not dating Bullet. I don’t know why most of the time when I go for interviews, instead of focusing on issues that will bring progress in our music industry, I get these questions … Let’s focus on my artistry, pushing my brand and Ghana music to the international level”, she told Nana Romeo.
“I’m here to promote my single and I’m celebrating two years in the industry. Let’s move to the next question,” she insisted.
Listen Audio: GhanaWeb
Entertainment
Kwaisey Pee honours promise, donates GHC50,000 to Korle-Bu Paediatric Oncology Unit

Ghanaian music icon, Akwasi Poku Addae, known in Showbiz circles as Kwaisey Pee has honoured his promise to children suffering from cancer.
Ahead of his 25th anniversary event held at the D’ Icon Event Centre at East Legon last year, he made a promise to donate some funds to children suffering from cancer.
True to his word, the musician has recently made a donation of GHC50,000 to the Paediatric Oncology Unit of the Korle-Bu Teaching Hospital.
He told the Ghanaian Times that children are so dear to him, and was optimistic the support would go a long way too impact lives.
The music dynamo also promised that the gesture will not be the last,” it will be a continuous feature from me.”
He also called on Ghanaians home and abroad to lend a helping hand to children suffering from cancer.
According to him, children with cancer have many needs, and a helping hands will go a long way ease the suffering.
“Cancer treatment is very expensive, and leaving that to parents of the children alone, will be a huge burden, with support from you and myself, we can make some changes in other people’s lives,” he concluded.
By Edem Mensah-Tsotorme
Entertainment
A Legacy of Devotion: Jerry Amoah to be honoured by Ghana Music Awards-USA

In the ever-evolving journey of Ghanaian music, there are individuals whose contributions transcend the spotligh.
There are always men and women who work quietly yet powerfully to preserve culture, nurture legends, and keep the soul of the music alive across generations and borders.
One such figures is Jerry Amoah, widely known and affectionately called Nana Kobo.
This year, Ghana Music Awards-USA honours Jerry Amoah for his unwavering commitment to sustaining Ghanaian music, both at home and in the diaspora.
It is a recognition long deserved, a celebration of decades of passion, sacrifice, and cultural stewardship.
Jerry Amoah’s journey has never been about personal glory. Instead, it has been anchored in service: promoting Ghanaian sounds, advocating for artistes, and ensuring that the richness of Ghana’s musical heritage continues to resonate beyond national borders.
Through his tireless efforts, many Ghanaian musicians have found platforms, audiences, and renewed relevance, especially within Ghanaian communities abroad.
Central to his legacy is his steadfast support for gospel music and, in particular, his enduring association with legendary gospel icon Yaw Sarpong.
At times when gospel music needed champions, Jerry Amoah stood firm—protecting its values, amplifying its message, and honoring its pioneers. His respect for Yaw Sarpong is not merely professional; it reflects a deep appreciation for music as ministry, heritage, and moral compass.
Colleagues often describe Nana Kobo as a bridge—connecting generations, genres, and geographies.
He understands that Ghanaian music is not just entertainment, but identity. Through festivals, promotions, mentorship, and behind-the-scenes advocacy, he has helped ensure that Ghana’s rhythms, lyrics, and spiritual expressions remain relevant in a globalized world.
As Ghana Music Awards-USA prepares to bestow this honour, it is not simply recognizing one man—it is saluting a lifetime of dedication to culture, faith, and music.
Jerry Amoah’s story reminds us that true impact is measured not by applause, but by legacy.
And in the story of Ghanaian music, Nana Kobo’s legacy is written in bold, enduring notes.



