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Calabash: Symbol of Ghanaian culture, pride

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• Calabash used as a handbag for women
• Calabash used as a handbag for women

FOR generations, the calabash, a dried gourd shell known for its versatility, has remained an integral part of Ghanaian culture and tradition.

Native to Africa and widely used across tropical and subtropical regions, the calabash (Lagenaria siceraria or Crescentia cujete) has served as a container, utensil, musical instrument resonator, and decorative piece.

From Nigeria to Senegal, The Gambia to Mali, and across Ghana, it has carried water, stored food, and shaped instruments such as rattles and harps.

Cultural significance

In Ghana, the calabash symbolises nourishment, resilience, wisdom, and life.

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• The calabash fruit

ments showcased internationally, including Berlin Fashion Week 2025, blending tradition with innovation.

Eco-friendly packaging: Skincare brand, Nokware, uses calabash shells for soaps and cleansers, merging tradition with sustainable luxury.

This trend is also part of a broader movement toward sustainable fashion. As a natural, biodegradable material, calabash offers an eco-friendly alternative to synthetics.

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Preserving heritage

Mr Godson Lucky Tome, Director of the Centre for National Culture in Krachi East, stressed the importance of safeguarding calabash-making.

He stated that: “The calabash is a symbol of our cultural identity, and we must continue to promote and preserve it for future generations.”

Efforts by artisans and cultural institutions are ensuring that calabash-making remains vibrant, blending tradition with innovation.

A lasting symbol

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calabash offcuts.

Lecturer Patience Dedume of the Department of Fashion Design and Textiles of the Ho Technical University, highlighted its versatility.

She indicated that: “Today, calabash is used in accessories, garment construction, and even beauty packaging, bridging cultural heritage with modern sustainable design.”

The calabash can be seen in jewelry and adornment, necklaces, earrings; bangles carved from calabash.

It is more than a household tool; it is a cultural emblem woven into ceremonies, rituals, and everyday living.

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Nana Kwame Agyeman, linguist of the Akroso Traditional Council, explained: “Calabash is more than just a container; it is a symbol of our tradition and cultural heritage. No ritual undertaking is concluded without it.”

Weddings, funerals, and rites of passage often feature the calabash as a sign of unity and continuity.

Commerce and community

Beyond rituals, the calabash plays a vital role in local trade.

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Palmwine Seller, Togbe Azanda of the Kparekpare community, said: “We use it to serve palm wine to our customers — it represents hospitality and generosity.”

Similarly, Madam Rita Akua Serwaa, Pito brewer in Dambai Old Town, praised the practicality of the calabash.

She said: “The calabash keeps the drink fresh and even adds to its flavour. Its use fosters social cohesion, bringing people together during celebrations and times of mourning, while teaching values of cooperation and community living.”

Fashion and innovation

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The calabash’s journey from ritual vessel to runway accessory reflects a broader movement to reclaim indigenous materials as markers of pride and identity.

Designers such as the late Kofi Ansah pioneered its use in high fashion, while contemporary brands like Adjeley craft bold jewelry from recycled

• Calabash used as a handbag for women

In the textile industry, it is used for tools: Stamps for Adinkra cloth printing, carrying symbolic meanings.

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In high fashion: Avant-garde garments showcased internationally.

From ritual ceremonies to modern fashion runways, from palm wine sellers to luxury skincare brands, the calabash continues to inspire and educate.

It stands as a lasting symbol of Ghana’s rich cultural heritage — a humble gourd that embodies tradition, creativity and sustainability, echoing tradition to exotic resource.

A GNA Feature by Kingsley Mamore

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How Nana Butler took down exploitative Management Committees

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The year was 1993, and the destination was Australia. Down Under, the Black Satellites—Ghana’s exceptionally gifted Under-20 national team—were busy treating the footballing world to a masterclass. They ran, they tackled, they outclassed England, and they fought their way to a historic silver medal. But while the players were leaving their blood and sweat on the pitch in Sydney, an entirely different, much more lucrative sport was being played in the VIP lounges and luxury hotel rooms.

It was the ancient, revered African art of “Management Allowance Harvesting.”

Upon the team’s return, the newly appointed Ghana Football Association (GFA) Chairman, Samuel Nana Brew-Butler, glanced at the tournament’s financial ledgers. What he discovered was a mathematical miracle that would baffle even the finest economists.

The Management Committee, heavily populated by suit-wearing, brief-case-wielding officials under the leadership of Paul Kunke, had pulled off a breathtaking victory. They didn’t win a trophy, but they had comprehensively defeated the actual athletes in the per diem stakes. The officials had taken home significantly more money in allowances than the young boys who had spent 90 minutes sweating under the blistering Australian sun.

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Faced with a squad of administrators who clearly possessed a higher “strike rate” at the bank than the strikers did on the field, Nana Butler did the only logical thing. He took a giant administrative sledgehammer and completely dissolved all the GFA Management Committees.

The True “Strikers” of Ghana Football

To understand the sheer genius of the Kunke-led management committee, one must appreciate the sheer physical exertion required to be a football official in the 1990s.

While a player like Augustine Ahinful or Samuel Osei Kuffour only had to worry about running several kilometres, avoiding bone-crushing tackles, and scoring goals against Brazil, the management committee faced far more hazardous perils. There were heavy per diem envelopes to be lifted. There were grueling, five-star buffet lunches to navigate. There was the exhausting psychological stress of checking whether the hotel’s air conditioning was set to the perfect ambient temperature.

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Is it any wonder, then, that the administrative “allowance-to-sweat ratio” was heavily skewed toward the boardroom? The players were running on patriotism and the promise of future glory; the officials were running on high-grade, cold, hard foreign currency. Rumour has it that the officials’ wallets were so heavy they required their own tactical formations just to be carried through airport customs.

The Butler Cleans House

When Nana Brew-Butler took over the reins of the GFA, he brought with him a revolutionary, almost bizarre philosophy: that football money should actually have something to do with the people playing football.

When the financial reports from the 1993 World Youth Championship landed on his desk, the numbers told a hilarious story. The management committee had apparently operated under the assumption that they were the primary entertainment act, and the eleven players on the pitch were merely their opening warm-up band.

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Recognising that Ghana’s real footballing talent was sitting in the committee rooms engineering per diem payouts rather than scoring goals, Butler struck. In a swift, unceremonious purge, he dissolved the committees, effectively telling the suits that if they wanted to earn that much money from football, they should buy some boots, practice their step-overs, and try making the squad for the next tournament.

It was a dark day for administrative freeloaders across the capital. For a brief moment in Ghanaian history, the ecosystem was thrown out of balance: the players were treated as heroes, and the committee members were forced to look at their bank accounts and reflect on the tragic loss of their premium per diems.

A Timeless Legacy

Decades later, the ghost of Australia ’93 still hovers over Ghanaian football. Nana Butler’s mass dissolution remains a golden, satirical benchmark for how to deal with the eternal affliction of “Committee-itis”—a disease where the number of officials on a plane outnumbers the players, and where the budget for official blazers exceeds the budget for training kits.

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The lesson from 1993 remains clear: if you allow the suits to score more heavily than the boots, you will eventually find yourself with an empty trophy cabinet and a very wealthy boardroom. Cheers to Nana Butler, the man who reminded the nation that football is played with a leather ball on grass, not with a calculator in a five-star hotel.

By Emmanuel Amponsah

The writer is a former Editor of The Spectator

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Agona West MP supports Swedru School of Business with mono desks

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Member of Parliament for Agona West, Ernestina Ofori Dangbey, has donated mono desks to the Swedru School of Business (SWESBUS) as part of efforts to improve education infrastructure in the constituency.

Presenting the desks on Tuesday, the MP said the intervention is aimed at addressing some of the infrastructural challenges facing the school and enhancing the learning experience of students.

“Investing in Education, Investing in Our Future. Yesterday, I presented mono desks to the Swedru School of Business as part of my ongoing efforts to strengthen the educational system in Agona West,” she stated.

“Every student deserves a conducive environment in which to learn, grow and achieve their full potential. This intervention is therefore aimed at helping address some of the infrastructural needs of the school and improving the learning experience of our students.”

Madam Ofori Dangbey reaffirmed her commitment to supporting schools in Agona West and creating opportunities for young people in the area.

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“I remain committed to supporting our schools and creating opportunities for the young people of Agona West. Agona West Will Continue to Rise,” she added.

By Edem Mensah-Tsotorme

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