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2023 Chale Wote Festival: Street Art Exhibition breaths fresh life into Africa’s intricate history

The street art exhibition of the ongoing 13th edition of Ghana’s largest street art festival, Chale Wote, showcased awe-inspiring crafts that captivated all who attended.

The festival played host to a rich diversity of artistic expressions, ranging from sculptures and paintings to drawings, mosaics, and murals, each work bursting forth with vibrancy and meaning, resonating with its own intricate narrative and profound message.
Central to the exhibition were artworks that eloquently conveyed the enduring resilience of ancestors during the era of the Slave Trade Among these striking pieces was a portrayal of the Sabali Women from West Africa, an artwork that serves as a tribute to their unyielding fight for freedom. This piece, composed of three women’s heads, stands as a powerful symbol of their collective strength and determination.
Under the bright sun, the spirit of creativity continued to flourish as the exhibition section of the Chale Wote Street Art Festival dawned on Accra.
An artist shared insights into the inspiration behind his painting which connected to the festival’s theme “Magneto Motherland“. The artwork, rooted in the exploration of Ghanaian history through the lenses of religion, education and politics, captured the essence of revisiting our past to understand our identity.
As the festival basked in the brilliance of the sun’s rays, attendees were treated to an immersive experience at the esteemed Osu Castle Garden. This enchanting backdrop played host to the interaction between art enthusiasts and the creators themselves.
The visitors delved deep into the artistic process, engaging with the creators to uncover the stories and intricacies that breathed life into their creations. The dynamic exchange transformed the event into a joyful celebration, not only of the finished artworks but also of the creative journeys that led to their fruition.
As the festival journeyed into its third day, the bustling city of Accra reached new heights as the captivating showcase of artist pieces took centre stage.
The historically significant Christiansborg Castle Gardens in Osu underwent a rebirth, evolving into a dynamic living canvas that seamlessly embodied the very spirit of the nation’s artistic expression.
In this transformative setting, the artworks resonated with enhanced vitality, marking a culmination of artistry and culture that left an indelible mark on all who had the privilege of experiencing it.
source: myjoyonline.com
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Dennis Miracles Aboagye criticises NDC’s “no fee stress policy” implementation

The spokesperson for Dr. Bawumia, Dennis Miracles Aboagye, has criticised the implementation of the NDC government’s No Fee Stress policy, arguing that the programme has failed to deliver on its core promise.
According to him on Starr fm, the policy, which was introduced to ensure stress free payment of fees for level 100 tertiary students, has rather turned into what he described as post stress support.
He explained that students are required to pay their fees first before applying for reimbursement, a situation he believes defeats the purpose of the policy.
He questioned claims by government officials that the policy has been successful and that citizens are happy.
In his view, such claims do not reflect the lived realities of many Ghanaians. He stressed that while some people may appear satisfied, many others continue to struggle.
Dennis Miracles Aboagye pointed to the situation of trained teachers and nurses who have been picketing for nearly six months, demanding employment.
He noted that government responses suggesting it cannot accommodate all of them contradict claims of economic stability.
He further argued that economic indicators such as a stable currency mean little to people who are unable to secure jobs or access promised support.
He observed that telling an unemployed teacher or a struggling student that the cedi has strengthened does not address their immediate challenges.
On the issue of tertiary education, he maintained that no level 100 student benefited from stress free fees in 2025, despite the policy being announced.
He added that in 2026, students have already reported to school without receiving the promised support.
He insisted that asking students to pay fees first and seek reimbursement later amounts to support after hardship, not stress free education.
According to him, this approach goes against what was promised during the policy announcement.
Dennis Miracles Aboagye questioned why a government that presents the economy as strong is unable to fulfil what he described as simple and clear promises.
He added that there is a fundamental problem with the way the economy is being managed and indicated that he is prepared to explain his position further.
By: Jacob Aggrey
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Shatta Wale speaks out after apology from media commentator

Dancehall musician Shatta Wale has issued a strong public statement calling for an end to what he describes as continuous attacks on his brand, following an apology from media commentator Awal Mohammed.
In the statement, Shatta Wale acknowledged the apology but stressed that persistent criticism and what he sees as deliberate attempts to damage his image must stop.
He noted that for many years, he has spoken for the streets, the youth, and people who feel ignored by society, while also promoting Ghana on the global stage and creating jobs through his work.
He expressed concern that some media personalities, commentators, and influential figures continue to target his name unfairly.
According to him, the issue goes beyond music and touches on respect, fairness, and national maturity.
The musician warned that continued disrespect toward voices that represent ordinary people could have wider consequences.
He emphasised that the Shatta Movement remains strong and organized, and that the patience of the masses should not be taken for granted.
He added that if systems continue to fail the people, they have the ability to organize politically through numbers and truth, not violence or hate.
Shatta Wale clarified that his message was not a threat but a reminder of reality, stressing that attacking a symbol that represents millions of people can have social, cultural, and democratic effects.
He called for respect, fairness, and unity, saying the voice of the people will always rise.
The statement comes after Awal Mohammed recently described Shatta Wale fans during a public discussion as junkies.
The comments triggered backlash from fans of the musician, prompting Awal to later issue an apology.
By: Jacob Aggrey



