Entertainment
Ladies in Media Awards goes digital on March 25

• Margaret Barden
Organisers of Ladies in Media Awards (LIMA) have expressed the readiness for a memorable show this year on March 25.
According to the organisers, unlike past events which are mostly held in conference rooms, this year’s programme would be beamed live on both tradition and social media platforms.
The organisers believe that this will help reach most women in media across the continent.
Speaking to The Spectator, Margaret Barden who is the President and brain behind the initiative said, they would be working directly with credible boards to adjudicate the entire process from the selection to the final day of the event where deserving honorees will be awarded.
She added that the final event will recognise the crème de la crème of outstanding African female personalities in various fields of the media and creative industry in five African countries; Kenya, Nigeria, Ghana, South Africa, and Zimbabwe.
According to her, “LIMA’s vision is to award and recognise media personalities whose work and influence have impacted the media creative space in their respective countries and also encourage upcoming and aspiring young women to strive for professionalism.”
The Awarding board for the Ladies In Media Awards include Hon Nadia Ahmed ,Deputy Minister of Information and Communication Technology(ICT) , Innovation and youth affairs , Kenya, Mr. Idorenyen Enang, ,President, National Institute of Marketing of Nigeria (NIMN), Diana Hopeson ,Gospel Artiste, former President of Musicians Union of Ghana, Mr. Tawanda Raymond Entrepreneur – Zimbabwe, and Mr. Maxwell Dodd ,Entrepreneur- Ghana
By Edem Mensah-Tsotorme
Entertainment
Okyeame Kwame launches “Clap Challenge” for teachers and students

Veteran Ghanaian musician Okyeame Kwame has announced a new initiative aimed at engaging teachers and students through music and creativity.
The award winning artiste in a social media post revealed that the “Clap Challenge” will begin this week, starting with schools across the country.
He explained that the challenge will require a teacher together with students to record a video of themselves singing his “Clap” song.
According to him, the video must be lively and engaging to stand a chance of winning.
He stated that participants must also post their videos on social media with permission from their school authorities.
They are expected to use the hashtag #clap4others and tag him on any social media platform.
He added that one teacher will be selected as a winner every week and will receive a cash prize of GH¢1,000.
He noted that the final decision on winners will be made by him.
The musician encouraged teachers and students to take part in the challenge, stressing that it is designed to promote creativity, unity and positive expression among young people in schools.
This follows a GHC100,000 support from businessman, Richard Nii Armah Quaye, who lauded the musician for composing a song which has the tendency to change society and help eschew jealousy.
By: Jacob Aggrey
Entertainment
Ghanaian actor Fred Amugi to feature in Pan-African series Kismet

Veteran Ghanaian actor, Fred Amugi, has been cast in the upcoming Pan-African television series, Kismet, where he will play the role of Chief Ademola, a wealthy and influential Yoruba patriarch.
The series, set for production in Abuja and other parts of Nigeria, brings together a diverse cast ensemble from Ghana, Nigeria, Cote d’Ivoire, South Africa, Cameroon, Kenya, and the United States.
A statement copied to the GNA in Accra said “It forms part of a broader effort to strengthen collaboration within Africa’s creative industry while positioning African stories for global audiences.”
Speaking on his involvement, Fred Nii Amugi, whose acting career spans more than four decades, described the role as a meaningful milestone.
“It is a proud moment for me at this stage of my career to be part of a Pan-African series,” he said.
“Playing a Yoruba character as a Ghanaian reflects something deeper about who we are as Africans. It reminds us that we are one people, connected beyond borders,” he indicated.
He added that his preparation for the role went beyond performance.
“As a Ghanaian of Ga heritage, I am taking time to study the historical and cultural links between the Ga and Yoruba people.
“I am learning about these connections so I can represent the character with truth and respect.”
“It is important that the world sees the shared identity that exists across our continent,” he noted.
Kismet is being developed as a high-quality thriller series with a Pan-African perspective, drawing talent from across the continent and the diaspora.
According to Nana Dwomoh-Doyen Benjamin, President of the African Chamber of Content Producers and production advisor for the project, the series represents the united image of Africa that is capable of contributing to the global creative economy.
“As part of building a Pan-African creative economy, Kismet is a call for Africans to come together and tell our stories as one people.
“We are also aligning this effort with the opportunities presented by the African Continental Free Trade Area (AfCFTA) to create a strong continental market for African content,” he underlined.
The producer of the series, Paul Joegad, emphasised the global ambition behind the project.
Based in the United States, Joegad noted that the production was designed to meet international standards while maintaining authentic African storytelling.
“We are leveraging diaspora networks and global experience to create a series that resonates across cultures,” he said.
“Our goal is to produce content that can stand on international platforms through quality and strong storytelling.”
He added that assembling the right team had been central to the project’s vision. Among those involved is Mawuko Kuadzi, a Casting Society of America (CSA) member and the first African to win an Artios Award in its 40-year history.
The producers say the series seeks to position Africa as a major player in global content, fostering international Pan-African partnerships. –GNA




