Entertainment
I support Kirani Ayat’s copyright case against GTA, Tourism Ministry – Sarkodie
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Rapper, Sarkodie has thrown his weight behind Kirani Ayat in the latter’s bid to get the Ministry of Tourism and the Ghana Tourism Authority to compensate him for using his content without consent.
In a tweet, Sarkodie noted that creatives work tirelessly to sell the country to investors and tourists with no help whatsoever from the government.
The ‘Pizza and Bigger’ hitmaker stated that he would support Kirani Ayat to get his due especially since the musician reached out to the Tourism Ministry and did not get any help.
“We (creatives) do a lot to put our country out there, attracting a lot of tourists and investors that translates to money to help nation building yet that’s one sector with no support… I feel my brother and support him especially if he actually reached out and didn’t get help,” he wrote.
This comes after musician Kirani Ayat called out the Tourism Ministry and the Authority for copyright infringement.
A video shared on President Akufo-Addo’s social media handles promoting tourism used footage from his ‘Guda’ music video.
Kirani Ayat who was not pleased to see his work used without his consent noted that he spent money in making the video without aid from anyone and yet he was not compensated after his content was used.
“The president of Ghana has used my video “GUDA” in this ad to promote Ghana. I was actively reaching out to the Ministry of Tourism in 2018/19 to use this video to push tourism in the North and got NO reply, yet today it’s in an ad and no one reached out to me for permission,” he wrote.
But reacting to the musician, the Ghana Tourism Authority, dismissed claims that some footage used for the new tourism promotional video which features President Akufo-Addo was pirated.
In a press statement, the Authority stated that they procured the footage Kirani Ayat is claiming ownership of legitimately from a creative agency in 2019 as part of a project.
The GTA stated that the agency delivered the content to the Authority, and the Authority used the content in accordance with the terms of the MOU.
They however added that despite their stance, they have reached out to the agency to deal with the issue after Kirani Ayat aired his concerns.
“This is without prejudice to any legal options available to the Authority against the Artiste and/or Agency or vice versa. The Authority has been very supportive of the Arts and has created platforms for engagement and performances for our Artistes, and we will continue to do so in our quest to make Ghana the preferred tourism destination,” they added.
However, Kirani Ayat replied the Ghana Tourism Authority, stating that he has not given any agency the right to his intellectual property or given approval for any agency to use his content.
“As an independent artist and SOLE owner of the video used in the “visit Ghana” ad campaign I have NO agreement with any government or private entity to use my intellectual property,” he noted.
Kirani Ayat added that “the agency in question needs to be named, and signed documents made publically available to demonstrate clearly when, where and under whose authority the supposed agreement was signed.”
Source: www.myjoyonline.com
An International Relations student at Cumbria University, Rumzia Sule, has been officially crowned Miss Ghana 2026, emerging victorious over 12 other contestants to claim the coveted national title.
The grand finale of the 69th edition, held under the theme “Empowering Women, Enduring Legacy,” saw the University of Ghana graduate Fatimatu Zara Ishacu finish as the first runner-up and Whitney Opoku Nketia adjudged the second runner-up.
Other awards, such as Miss Fitness, Miss Talent, Miss Eloquent, Most Beautiful Skin, Miss Congeniality, Most Disciplined, and Miss Photogenic, went to Nedlyn Appiah, Lucille Akua Oputa-Otutu, Davinia Owusu Kuffuor, Lawrencia Serwaa Amankwa, Fatimatu Zara Ishacu, Anita Appiah, and Whitney Opoku Nketia, in that order.
Rumzia also won the Beauty with Purpose award.
Unlike previous editions, this year’s pageant adopted a strategic, scaled-down format. Shifting away from traditional pomp and pageantry, to a more personal and community skills development theme.
The final selection was held at the Oak Plaza Hotel in Accra before an elite panel of judges, relatives of contestants amongst others present to witness the historic occasion.
According to the organisers, Exclusive Events Ghana and the Miss Ghana Foundation, the format change was a deliberate choice, as part of preparations towards the upcoming milestone for the brand both nationally and internationally, that is, next year’s landmark 70th, in Ghana and this year’s 75th anniversaries, internationally.
Despite the cozy setting of the coronation, the finalists underwent the full, rigorous pageant journey following nationwide auditions on June 27, 2026.
The young women participated in intensive, weeks-long mentorship, leadership, and entrepreneurship programme designed to test their resilience, empathy, discipline, and professionalism.
Furthermore, the contestants demonstrated their commitment to national development by rolling up their sleeves for the National Clean-Up Exercise, supporting President John Dramani Mahama’s call to restore cleanliness across Ghana by desilting choked gutters in parts of Accra.
The Foundation emphasised that these outreach programmes were vital evaluation tools used to identify a queen who genuinely embodies compassion and a willingness to serve society beyond the glamour of the stage.
Rumzia’s exceptional public speaking and commanding vision ultimately separated her from the field.
As the new Miss Ghana 2026, Rumzia will now begin preparations to represent the nation on the international stage at the upcoming Miss World pageant in Vietnam.
Born on August 14, 1980 in Cape Coast, where centuries-old castles still whisper of slavery, resistance and survival, musician Lexikon says his life has been shaped by the weight of history and the hope of renewal.
Growing up among the relics of the transatlantic slave trade, the artist developed an early hunger for truth, justice and identity.
That search took him from the halls of Mfantsipim School to the Chartered Institute of Marketing in the UK, where he fused academic training with a growing passion for artistry.
But it is on stage, through reggae and dancehall, that Lexikon’s voice finds its fullest expression.
According to him, “Music is not just entertainment. It is a call to the youth, a challenge to corrupt power, and a hymn of hope.”
Over the years, Lexikon has built a catalogue of 15 albums. Through his Baanfire Revolution, he champions Pan-Africanism, self-reliance and empowerment. With his Christ-For-I Mission, he uses the same platform to redirect hearts to faith and purpose.
Industry watchers describe his work as more than sound, a movement, a sermon, and in his words, “a revolution wrapped in melody.”
Now based in Accra, the father, artist and advocate says he remains committed to speaking for Africa’s young people.
For Lexikon, music is the tool: a reminder that even in struggle, there is room for renewal, and that, as he puts it, “music can be the whip of change.”
As Ghana’s creative scene continues to evolve, Lexikon stands as one of the voices merging culture, spirituality and social commentary rooted in Cape Coast history, but speaking directly to a new generation across the continent.
By Edem Mensah-Tsotorme
