Entertainment
Grammy Academy CEO reveals consideration for Afrobeats category
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Mixed reactions have trailed the revelation of the Grammy Academy CEO Mr. Harvey Manson that the Academy is considering adding an Afrobeats category to its prestigious award.
Speaking at the meet-the-press session at the Kotoka International Airport when he touched down for the 13th edition of the Grow, Unite, Build Africa (GUBA) Awards, slated for September 29, 2022, at the Kigali Convention Centre in Rwanda.
He disclosed that the academy has kicked off the first process in the long road to adding an Afrobeats category to the Grammys. “The categories are decided by members of the awards scheme who look at quality. Whatever comes in is voted on after carefully accessing it,” he said.
According to Harvey, the academy had a meeting with Afrobeats creatives that includes artists, producers, songwriters, and executives where they talked about Afrobeats and its many Genres.
He further revealed that the members of the academy will have to submit a proposal for the addition of a new category before deliberations will kick off. However, the listening session with the Afrobeats leaders is the first step.
What this means: the addition of an Afrobeats category to the Grammys will mean that songs that fall under the Afrobeats subgenre will be eligible for nomination.
While the Afrobeats is primarily a description of Nigerian and Ghanaian mainstream music, the West has often muddled it up with any sound coming from Saharan Africa. The implication is that South African genres such as House, Amapiano, and Kwaito might be considered Afrobeats. Similarly, Congolese sounds like the Soukous or the East African Singile might be termed Afrobeats.
It will be up to the Academy to adequately identify the essential elements that make a song Afrobeats as doing this will be the first step in truly awarding the right songs irrespective of where it’s made.
In the meantime, Harvey Mason will be meeting some stakeholders in the Ghana music industry tonight to discuss the way forward for the sector and other related matters.
The meeting, he pointed out will afford him the opportunity to learn more about Ghana’s music business including its royalty system among many other relevant conversations focused on the growth of the entertainment industry.
Source: starrfm.com.gh
An International Relations student at Cumbria University, Rumzia Sule, has been officially crowned Miss Ghana 2026, emerging victorious over 12 other contestants to claim the coveted national title.
The grand finale of the 69th edition, held under the theme “Empowering Women, Enduring Legacy,” saw the University of Ghana graduate Fatimatu Zara Ishacu finish as the first runner-up and Whitney Opoku Nketia adjudged the second runner-up.
Other awards, such as Miss Fitness, Miss Talent, Miss Eloquent, Most Beautiful Skin, Miss Congeniality, Most Disciplined, and Miss Photogenic, went to Nedlyn Appiah, Lucille Akua Oputa-Otutu, Davinia Owusu Kuffuor, Lawrencia Serwaa Amankwa, Fatimatu Zara Ishacu, Anita Appiah, and Whitney Opoku Nketia, in that order.
Rumzia also won the Beauty with Purpose award.
Unlike previous editions, this year’s pageant adopted a strategic, scaled-down format. Shifting away from traditional pomp and pageantry, to a more personal and community skills development theme.
The final selection was held at the Oak Plaza Hotel in Accra before an elite panel of judges, relatives of contestants amongst others present to witness the historic occasion.
According to the organisers, Exclusive Events Ghana and the Miss Ghana Foundation, the format change was a deliberate choice, as part of preparations towards the upcoming milestone for the brand both nationally and internationally, that is, next year’s landmark 70th, in Ghana and this year’s 75th anniversaries, internationally.
Despite the cozy setting of the coronation, the finalists underwent the full, rigorous pageant journey following nationwide auditions on June 27, 2026.
The young women participated in intensive, weeks-long mentorship, leadership, and entrepreneurship programme designed to test their resilience, empathy, discipline, and professionalism.
Furthermore, the contestants demonstrated their commitment to national development by rolling up their sleeves for the National Clean-Up Exercise, supporting President John Dramani Mahama’s call to restore cleanliness across Ghana by desilting choked gutters in parts of Accra.
The Foundation emphasised that these outreach programmes were vital evaluation tools used to identify a queen who genuinely embodies compassion and a willingness to serve society beyond the glamour of the stage.
Rumzia’s exceptional public speaking and commanding vision ultimately separated her from the field.
As the new Miss Ghana 2026, Rumzia will now begin preparations to represent the nation on the international stage at the upcoming Miss World pageant in Vietnam.
Born on August 14, 1980 in Cape Coast, where centuries-old castles still whisper of slavery, resistance and survival, musician Lexikon says his life has been shaped by the weight of history and the hope of renewal.
Growing up among the relics of the transatlantic slave trade, the artist developed an early hunger for truth, justice and identity.
That search took him from the halls of Mfantsipim School to the Chartered Institute of Marketing in the UK, where he fused academic training with a growing passion for artistry.
But it is on stage, through reggae and dancehall, that Lexikon’s voice finds its fullest expression.
According to him, “Music is not just entertainment. It is a call to the youth, a challenge to corrupt power, and a hymn of hope.”
Over the years, Lexikon has built a catalogue of 15 albums. Through his Baanfire Revolution, he champions Pan-Africanism, self-reliance and empowerment. With his Christ-For-I Mission, he uses the same platform to redirect hearts to faith and purpose.
Industry watchers describe his work as more than sound, a movement, a sermon, and in his words, “a revolution wrapped in melody.”
Now based in Accra, the father, artist and advocate says he remains committed to speaking for Africa’s young people.
For Lexikon, music is the tool: a reminder that even in struggle, there is room for renewal, and that, as he puts it, “music can be the whip of change.”
As Ghana’s creative scene continues to evolve, Lexikon stands as one of the voices merging culture, spirituality and social commentary rooted in Cape Coast history, but speaking directly to a new generation across the continent.
By Edem Mensah-Tsotorme
