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27th TGMA Music Summit: Stakeholders talk brands, contracts and music business

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Over 230 artistes, managers, music executives, media practitioners, legal professionals, aspiring music professionals and creative entrepreneurs converged at the British Council in Accra for the 27th Telecel Ghana Music Awards (TGMA) Music Summit, a high-impact industry engagement designed to equip Ghana’s music community with practical knowledge to build sustainable and successful careers.

Held in commemoration of World Music Day, the 27th Telecel Ghana Music Awards Music Summit brought together some of the industry’s most respected voices to discuss two critical pillars of today’s music business: brand endorsements and music contracts.

Opening the Summit, Robert Klah, TGMA Lead and Head of Public Events and Communications at Charterhouse, welcomed participants and highlighted the purpose of the gathering.

He emphasised the importance of creating platforms that go beyond celebrating musical excellence to strengthen the business and professional capacity of industry stakeholders.

He noted that while talent remains the foundation of success, knowledge, strategic partnerships and legal awareness are increasingly becoming the differentiators in today’s music ecosystem.

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The Summit also created valuable networking opportunities, enabling artistes, managers, music business professionals, media practitioners and other stakeholders to connect, exchange ideas and explore potential collaborations.

The Summit also received strong endorsement from the leadership of the music industry. Delivering a solidarity message, MUSIGA President and renowned highlife musician, Bessa Simons, commended Charterhouse for creating platforms that contribute to the professional development of musicians and music stakeholders.

He encouraged emerging artistes and young music professionals to actively participate in educational initiatives such as music business seminars and industry workshops, stressing that knowledge remains one of the most valuable assets for building a successful and sustainable career.

Bessa Simons further called for deeper collaboration between event organisers and industry associations, emphasizing the important role collective effort plays in advancing the interests of musicians and strengthening Ghana’s music ecosystem.

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The first session focused on one of the most important yet often misunderstood revenue streams available to artistes and creatives: brand endorsements.

Leading the conversation was Mariam K. A-Buahin, Chief Operating Officer of Akuna Group, who brings over eighteen years of experience in marketing and brand management across multiple industries.

Her presentation, “Brand Endorsements: What Companies Look For,” provided participants with a deeper understanding of how brands evaluate potential ambassadors and partners.

She explored the importance of personal branding, audience alignment, credibility, consistency, professionalism, values and long-term influence.

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The session underscored an important reality within today’s music industry: as music consumption patterns evolve, endorsement deals have become a significant source of income for artistes.

To successfully attract and retain corporate partnerships, artistes and music professionals must understand exactly what brands seek before committing their resources and reputation to a partnership.

The presentation was followed by an engaging question-and-answer session during which participants sought practical guidance on positioning themselves for brand opportunities and building mutually beneficial relationships with corporate organizations.

The second half of the Summit shifted focus to music contracts, an area that continues to have a profound impact on the careers and livelihoods of musicians and creatives.

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The session began with an overview of the music business and the role of contracts by Grammy-recognized creative entrepreneur and music business executive Kofi Boachie Ansah, who provided participants with a foundational understanding of how contractual agreements govern relationships across the music value chain.

Award-winning entertainment entrepreneur and Founder and CEO of Lynx Group, Richie Mensah, followed with a presentation exploring seven key contract areas every artiste and music professional should understand.

Drawing from his personal experiences building one of Ghana’s most successful entertainment companies, he illustrated how contracts influence artist development, business growth and long-term success.

Entertainment lawyer Bobby Banson then highlighted critical issues that creatives must examine before signing any agreement. His presentation reinforced the importance of due diligence, legal representation, ownership rights, obligations, termination clauses and intellectual property protections.

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Throughout the session, one message remained clear: the legal system is ultimately what protects the work of musicians and creative professionals. Without a proper understanding of contractual terms and obligations, artistes risk signing away rights, revenue opportunities and control over their creative output.

The contracts conversation culminated in an insightful panel discussion moderated by respected arts and culture journalist Kwame Dadzie of Joy FM and Hitz FM.

The panel featured an accomplished group of industry experts, including Seven Xavier (George O. Yartey), Music Executive and Industry Strategist; Patrick Tetteh Odestsi, Legal Practitioner and Contract Law Expert; Daniel Ahenkorah (Yaw Dan), A&R and Music Licensing Specialist; Khadijat El-Alawa, Music Executive and Talent Strategist; and Emmanuel Sedo (Electro Mirror), Founder and CEO of Flip The Music.

Together, they unpacked practical issues relating to contract negotiations, music licensing, rights management, publishing, talent development, artiste performance and navigating the evolving realities of the music business.

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Their diverse perspectives provided attendees with a rare opportunity to engage directly with professionals whose experience spans legal practice, talent management, licensing, strategy and music entrepreneurship.

Music, Recognition and Celebration
Adding to the vibrant atmosphere was a musical interlude by emerging Alternative Hiphop and Pop artiste Elsie Raad, whose performance provided another reminder of the exciting new talent emerging within Ghana’s music landscape.

The Summit also featured the presentation of commemorative plaques to winners of the 27th Telecel Ghana Music Awards who were present, recognizing their achievements and contributions to Ghanaian music.

As the day’s discussions concluded, attendees continued networking over refreshments courtesy of Guinness Ghana, rounding off an event defined by knowledge-sharing, collaboration and professional growth.

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Beyond the presentations and performances, the 27th TGMA Music Summit reinforced the growing importance of music business education in Ghana’s creative economy.

By creating a platform where emerging talents can learn directly from accomplished professionals, the Summit continues to bridge the gap between creativity and commerce, helping artistes and industry practitioners make informed decisions that protect their careers and unlock new opportunities.

Produced by Charterhouse with support from British Council, Closeup, Guinness Ghana and TV3, and powered by Telecel Ghana under its inspiring brand promise, “Connecting Energies,” the 27th TGMA Music Summit once again demonstrated that the future of Ghanaian music will be shaped not only by artistic excellence, but also by knowledge, strategic partnerships, legal awareness and strong industry collaboration.

As the conversations sparked during the Summit continue beyond the event, participants left with new insights, stronger networks and a renewed appreciation for the business structures that support successful music careers.

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From understanding what brands seek in potential ambassadors to learning how contracts can protect—or potentially compromise—creative rights, attendees were reminded that success in today’s music industry requires both talent and informed decision-making.

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Let’s invest in our children through reading – DCE

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Mr. Issahak Ibrahim-DCE of Atwima Mponua
Mr. Issahak Ibrahim-DCE of Atwima Mponua

Mr Issahak Ibrahim, the Atwima Mponua District Chief Executive (DCE), has stressed the need to invest in initiatives that will encourage school children to read at all times. 

He said a nation that invested in reading invested in its future, since a reading child was a potential future leader. 

Speaking at the District Reading Festival for 32 schools in the district, at Nyinahin, he said reading strengthened literacy skills and inspired young leaders to unlock their full potentials while nurturing a lifelong love for learning, which leads to success. 

Mr Ibrahim, therefore, enjoined teachers, parents, pupils and all stakeholders in the district to inspire every child to discover the limitless possibilities that begin with the act of reading in order to make it reflect the shared commitment to building a generation of confident readers, critical thinkers and lifelong learners in the society. 

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He pledged his commitment to support and empower more children and help them to achieve higher educational laurels in the area, while championing the cause of reading among children to achieve the related benefits. 

“I remain committed to supporting educational initiatives that would empower our children with the knowledge and skills they needed to succeed in an ever-changing world,” he stated. 

The festival was organised by the District Directorate of Education in conjunction with the ISMAT Foundation, a local educational non-governmental organisation (NGO) founded by the DCE, to support needy learners in the district and beyond. 

The festival was under the theme: “Turn a page to begin a journey.” 

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The festival was aimed at encouraging and motivating the interest of pupils in reading and general learning. 

All the 32 participating pupils from four zones within the district received school bags, exercise books, pens, pencils, erasers, mathematical sets and certificates. 

Lawal Kwame from the Botrampa D/A Basic and Sadique Bamba from the Mpasatia African Faith Preparatory schools in the Nyinahin Zone, emerged first in the KG One and two classes, whilst Alice Fosu, Beatrice Sarfowaa and Priscilla Agyemang from the Adiembra Anglican Basic School also in the Nyinahin Zone, came first from Basic One to Basic Three classes respectively.  

Ernest Duah from the Mampong Abebrese D/A and Blessing Sika from the Sreso Presby School in the Sreso Zone as well as Eric Osei Agyemang from Adiembra Anglican Basic School came first in the Upper Primary department. 

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Ms Ama Adwubi Asafu-Adjaye, the District Director of Education, commended the DCE for the programme, which was the first of its kind after the year 2022 one, which was supported by the USAID. 

She said a Basic One boy called Obed Awuku from Mampong Abebrese D/A Basic School climbed from the district through a Regional contest, won and placed second at the national level in the year 2022 as one Salam Mohammed of the Otaakrom D/A Islamic Basic School, who also emerged as the 2024 winner in the district also placed fifth among the 16 regional participants even though they had a very short notice for preparation. 

She said other achievements encouraged her and her management to make the programme an annual event in June and July as part of the activities on their academic calendar and a source of pride for the district. 

She, therefore, encouraged the teachers to work harder to produce talented kids for higher achievements from the area. -GNA 

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Thousands bid farewell at 3-day Adua for Late Yaa Naa

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Sagnarigu Naa with his entourage arriving at the Gbewaa Palace .jpg

The forecourt of the Gbewaa Palace, was a mixture of rich tradition and emotional scenes as thousands of mourners concluded the three-day adua for the late Overlord of Dagbon, Ndan Yaa Naa Abukari II.

For the period, the Gbewaa Palace became the spiritual and cultural heartbeat of the Dagbon Kingdom as Islamic clerics, traditional rulers, politicians, security personnel and ordinary citizens united in prayer for the repose of the soul of the revered monarch.

From dawn each day, streams of mourners, mostly dressed in traditional smocks and black attire, steadily filled the palace grounds and adjoining streets, transforming the royal seat into a sea of mourners.

Men, women, youth and children sat under canopies and open spaces while verses from the Holy Qur’an echoed across the palace, creating an atmosphere of reverence and reflection.

The air occasionally reverberated with ceremonial gunshots and traditional warrior displays, symbolising honour, bravery and the rich cultural heritage of the Dagbon Kingdom.

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The adua, observed in accordance with Islamic tradition following the burial of the Yaa Naa, was attended by eminent Imams and Mallams who offered continuous prayers, seeking Allah’s mercy and eternal peace for the departed King.

Throughout the three-day observance, a steady flow of dignitaries visited the Gbewaa Palace to pay their respects and sign the book of condolence.

Among them were the Northern Regional Minister, Ali Adolf John Mburidiba; the Savannah Regional Minister, Salisu Be-Awuribe Issifu; and the National Chairman of the National Democratic Congress (NDC), Johnson Asiedu Nketia, who joined members of the royal family, traditional rulers and mourners in honouring the late Yaa Naa.

Security remained tight throughout the mourning period, with the Ghana Police Service deploying 450 personnel to ensure law and order.

The officers were stationed at strategic locations, including the Gbewaa Palace, major entry points into Yendi and other key installations, where they managed traffic, maintained public order and provided security for thousands of mourners and visiting dignitaries.

Beyond the official ceremonies, the event reflected the deep respect the people of Dagbon and Ghanaians at large had for the late monarch.

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The conclusion of the three-day adua marks another important milestone in the funeral rites of the late Yaa Naa and signals the gradual transition towards the customary processes leading to the selection and enskinment of a new Overlord of the Dagbon Kingdom.

Although the formal three-day prayers have ended, mourning activities continue, with the seventh-day Islamic prayers expected to draw another large gathering of traditional authorities, government officials, religious leaders and well-wishers from across the country.

From: Geoffrey Buta, Yendi

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