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Ziyar: Ghanaian Afrosoul sensation inspiring global generation

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Ziyar

In the vibrant landscape of African music, a rising star by the name of Ziyar, born Kazia Naa Dei Nikoi, is making waves with her mesmerizing vocals and soulful melodies.

Hailing from the heart of Africa, Ghana, Ziyar has quickly emerged as an Afrosoul artist to watch, captivating audiences with her talent, passion, and ambition.

With hit singles like “Odoyewu” and “Can’t Let You Go,” Ziyar’s musical journey is just beginning, and she aims to become one of the continent’s best vocalists while inspiring younger generations across the world.

Musical journey

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Her parents are Vincent Nikoifrom Labadi and Millicent Offei from Akropong.

Ziyar was born in Koforidua in the Eastern Regional capital, and has four siblings; two boys and two girls, for which she is the fourth born.

The young talented Ghanaian attended La Anglican Junior High School and proceed to Hark Mount Sinai Senior High School. Ziyar’s musical journey started when her aspiration of becoming a journalist in the future faded.

This was after she felt it within her that her awesome musical talent given to her by God could not be traded for anything. Against this backdrop, she started pursuing her musical journey right after Junior High School in 2014.

Ziyar’s passion for music ignited at a young age when she discovered her natural gift for singing. Growing up in a musical household, she was exposed to various genres and artistes that shaped her unique style.

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Drawing inspiration from the likes of Tina Savage, Episode, Ziyar developed a deep appreciation for soulful melodies and authentic storytelling.

Growth

Ziyar’s career took flight when she released her debut single, “Odoyewu.” The track showcased her captivating vocals and infectious Afrobeat rhythms, garnering attention from music enthusiasts across the globe. “Odoyewu” quickly became a hit, establishing Ziyar as an exciting new voice in the Afrosoul genre.

Building upon her success, Ziyar followed up with “Can’t Let You Go,” a heartfelt ballad that explores themes of love, longing, and vulnerability.

The song further showcased her vocal range and songwriting prowess, cementing her position as an artist with immense potential. She has worked and backed great musicians with the likes of Kwabena Kwabena, ShugaLord, Sitso, ArticleWan, and Vanilla.

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Ambition

Beyond her remarkable musical talent, Ziyar aspires to be more than just a celebrated vocalist. She understands the power of music as a universal language that can inspire and uplift communities.

Ziyar aims to use her platform to connect with and empower younger generations, igniting their own creative passions and encouraging them to pursue their dreams.

Through her music, Ziyar addresses important societal issues, embracing her role as a voice for change. Her lyrics often delve into themes of self-love, identity, and social justice, resonating with audiences who seek both entertainment and enlightenment in their music.

Ziyar’s message transcends borders, and she dreams of performing on international stages, sharing her love for Afrosoul with diverse audiences worldwide. By blending traditional African sounds with contemporary elements, she seeks to create a fusion that represents her cultural heritage while appealing to global sensibilities.

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Future

Ziyar’s journey has only just begun, and her trajectory suggests a bright future ahead. With each release, she continues to evolve and refine her sound, pushing the boundaries of Afrosoul and captivating listeners with her soul-stirring performances.

Her commitment to her craft and her ambition to become one of Africa’s best vocalists is evident in every note she sings.

As she paves her way to stardom, Ziyar remains grounded, appreciating the support she receives from her fans and the industry. She remains focused on honing her skills, collaborating with talented artists, and exploring new musical territories.

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By Spectator Reporter

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Dennis Miracles Aboagye criticises NDC’s “no fee stress policy” implementation

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The spokesperson for Dr. Bawumia, Dennis Miracles Aboagye, has criticised the implementation of the NDC government’s No Fee Stress policy, arguing that the programme has failed to deliver on its core promise.

According to him on Starr fm, the policy, which was introduced to ensure stress free payment of fees for level 100 tertiary students, has rather turned into what he described as post stress support.

He explained that students are required to pay their fees first before applying for reimbursement, a situation he believes defeats the purpose of the policy.

He questioned claims by government officials that the policy has been successful and that citizens are happy.

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In his view, such claims do not reflect the lived realities of many Ghanaians. He stressed that while some people may appear satisfied, many others continue to struggle.

Dennis Miracles Aboagye pointed to the situation of trained teachers and nurses who have been picketing for nearly six months, demanding employment.

He noted that government responses suggesting it cannot accommodate all of them contradict claims of economic stability.

He further argued that economic indicators such as a stable currency mean little to people who are unable to secure jobs or access promised support.

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He observed that telling an unemployed teacher or a struggling student that the cedi has strengthened does not address their immediate challenges.

On the issue of tertiary education, he maintained that no level 100 student benefited from stress free fees in 2025, despite the policy being announced.

He added that in 2026, students have already reported to school without receiving the promised support.

He insisted that asking students to pay fees first and seek reimbursement later amounts to support after hardship, not stress free education.

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According to him, this approach goes against what was promised during the policy announcement.

Dennis Miracles Aboagye questioned why a government that presents the economy as strong is unable to fulfil what he described as simple and clear promises.

He added that there is a fundamental problem with the way the economy is being managed and indicated that he is prepared to explain his position further.

By: Jacob Aggrey

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Shatta Wale speaks out after apology from media commentator

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Dancehall musician Shatta Wale has issued a strong public statement calling for an end to what he describes as continuous attacks on his brand, following an apology from media commentator Awal Mohammed.

In the statement, Shatta Wale acknowledged the apology but stressed that persistent criticism and what he sees as deliberate attempts to damage his image must stop.

He noted that for many years, he has spoken for the streets, the youth, and people who feel ignored by society, while also promoting Ghana on the global stage and creating jobs through his work.

He expressed concern that some media personalities, commentators, and influential figures continue to target his name unfairly.

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According to him, the issue goes beyond music and touches on respect, fairness, and national maturity.

The musician warned that continued disrespect toward voices that represent ordinary people could have wider consequences.

He emphasised that the Shatta Movement remains strong and organized, and that the patience of the masses should not be taken for granted.

He added that if systems continue to fail the people, they have the ability to organize politically through numbers and truth, not violence or hate.

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Shatta Wale clarified that his message was not a threat but a reminder of reality, stressing that attacking a symbol that represents millions of people can have social, cultural, and democratic effects.

He called for respect, fairness, and unity, saying the voice of the people will always rise.

The statement comes after Awal Mohammed recently described Shatta Wale fans during a public discussion as junkies.

The comments triggered backlash from fans of the musician, prompting Awal to later issue an apology.

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By: Jacob Aggrey

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