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Ziyar: Ghanaian Afrosoul sensation inspiring global generation

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Ziyar

In the vibrant landscape of African music, a rising star by the name of Ziyar, born Kazia Naa Dei Nikoi, is making waves with her mesmerizing vocals and soulful melodies.

Hailing from the heart of Africa, Ghana, Ziyar has quickly emerged as an Afrosoul artist to watch, captivating audiences with her talent, passion, and ambition.

With hit singles like “Odoyewu” and “Can’t Let You Go,” Ziyar’s musical journey is just beginning, and she aims to become one of the continent’s best vocalists while inspiring younger generations across the world.

Musical journey

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Her parents are Vincent Nikoifrom Labadi and Millicent Offei from Akropong.

Ziyar was born in Koforidua in the Eastern Regional capital, and has four siblings; two boys and two girls, for which she is the fourth born.

The young talented Ghanaian attended La Anglican Junior High School and proceed to Hark Mount Sinai Senior High School. Ziyar’s musical journey started when her aspiration of becoming a journalist in the future faded.

This was after she felt it within her that her awesome musical talent given to her by God could not be traded for anything. Against this backdrop, she started pursuing her musical journey right after Junior High School in 2014.

Ziyar’s passion for music ignited at a young age when she discovered her natural gift for singing. Growing up in a musical household, she was exposed to various genres and artistes that shaped her unique style.

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Drawing inspiration from the likes of Tina Savage, Episode, Ziyar developed a deep appreciation for soulful melodies and authentic storytelling.

Growth

Ziyar’s career took flight when she released her debut single, “Odoyewu.” The track showcased her captivating vocals and infectious Afrobeat rhythms, garnering attention from music enthusiasts across the globe. “Odoyewu” quickly became a hit, establishing Ziyar as an exciting new voice in the Afrosoul genre.

Building upon her success, Ziyar followed up with “Can’t Let You Go,” a heartfelt ballad that explores themes of love, longing, and vulnerability.

The song further showcased her vocal range and songwriting prowess, cementing her position as an artist with immense potential. She has worked and backed great musicians with the likes of Kwabena Kwabena, ShugaLord, Sitso, ArticleWan, and Vanilla.

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Ambition

Beyond her remarkable musical talent, Ziyar aspires to be more than just a celebrated vocalist. She understands the power of music as a universal language that can inspire and uplift communities.

Ziyar aims to use her platform to connect with and empower younger generations, igniting their own creative passions and encouraging them to pursue their dreams.

Through her music, Ziyar addresses important societal issues, embracing her role as a voice for change. Her lyrics often delve into themes of self-love, identity, and social justice, resonating with audiences who seek both entertainment and enlightenment in their music.

Ziyar’s message transcends borders, and she dreams of performing on international stages, sharing her love for Afrosoul with diverse audiences worldwide. By blending traditional African sounds with contemporary elements, she seeks to create a fusion that represents her cultural heritage while appealing to global sensibilities.

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Future

Ziyar’s journey has only just begun, and her trajectory suggests a bright future ahead. With each release, she continues to evolve and refine her sound, pushing the boundaries of Afrosoul and captivating listeners with her soul-stirring performances.

Her commitment to her craft and her ambition to become one of Africa’s best vocalists is evident in every note she sings.

As she paves her way to stardom, Ziyar remains grounded, appreciating the support she receives from her fans and the industry. She remains focused on honing her skills, collaborating with talented artists, and exploring new musical territories.

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By Spectator Reporter

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Prof. Ọbádélé Kambon enstooled as Apagyahene and Sunsum Ɔsahene of Akuapem Mampong 

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The professor who spends his days exploring the intricacies of African languages found himself at the centre of a different kind of lesson on Friday, October 2, 2026. 

Prof. Kambon getting prepared for enstoolment process

This time, there were no lecture notes, academic arguments or university classrooms. Instead, there was the weight of tradition, the rhythm of a community celebration and the solemnity of an oath at a royal palace.

Prof. Kambon getting ready with the elders to go through enstoolment process

Professor Ọbádélé Kambon, a full Professor of African Linguistics at the University of Ghana, was enstooled as Apagyahene and Sunsum Ɔsahene of Akuapem Mampong in the Eastern Region in a ceremony that brought academia and traditional authority together.

Professor Obadele Kambon middle before enstoolment

For the professor, the occasion was more than a new title. It was a moment that connected his academic interests in African languages and indigenous knowledge with the living traditions of an Akan community.

The day’s events unfolded through a series of customary observances. Kambon was first taken to the compounds of the Ɔkyeamehene and Gyasehene, where the preparations for his installation continued.

Then came the application of hyire, the white kaolin powder associated with traditional rites.

Wife of Prof. and a section his family at the enstoolment

With the customary proceedings underway, the new chief was lifted onto the shoulders of celebrants and carried along the main thoroughfare of Akuapem Mampong. 

The procession transformed the streets into a public stage for a ceremony rooted in the community’s traditional institutions.

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There was something striking about the image, a university professor, accustomed to the measured language of academic discourse, being carried through the town in a display of traditional recognition.

Yet the celebration was not complete with the procession.

A ram was sacrificed at the Mamponghene’s compound before Kambon was taken to the palace, to swear the oath associated with his new offices.

The ceremony brought him formally into his roles as Apagyahene and Sunsum Ɔsahene.

Beyond the colourful proceedings, the titles themselves carry layers of historical meaning.

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Kambon in his research explores the historical connections between Apagya and Akan political and military organisation. 

Accounts cited in his work linked Apagya to an asafo, or military company, while historical writing traces an Apagya stool in Asante to the reign of Opoku Ware I in the eighteenth century.

These historical associations offer a glimpse into the institutions that have shaped Akan society over generations, although they do not automatically define the precise responsibilities of the office in Akuapem Mampong.

Professor Obadele Kambon carried shoulder high after enstoolment

Kambon’s own professional life reflects a similar interest in preserving and examining African knowledge. 

His work encompasses Akan language structure, naming practices across the Black world, proverbs and indigenous intellectual traditions. 

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Through Abibitumi, the platform he founded, he also promotes language learning, scholarship and cultural engagement.

But tradition was only one part of the story that day.

When the formal ceremony gave way to a reception, the occasion expanded into a celebration of three milestones: Kambon’s enstoolment, his promotion to full professor and his daughter Ama’s admission to the University of Ghana.

The gathering therefore carried a personal significance that went beyond the honours bestowed on one man. 

It celebrated professional advancement, the continuation of family aspirations and a connection to cultural heritage.

For a father, seeing a daughter gain admission to the same university where he holds a distinguished academic position offered another reason to celebrate. 

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For the professor, the moment placed family achievement alongside his own professional and traditional milestones.

Kambon had already established a place in the traditional life of Akuapem Mampɔn through an earlier installation as Banmuhene Kyidɔmhene, recorded in 2017.

His latest enstoolment adds another chapter to that relationship.

In Akuapem Mampɔn, the day brought together the university, the palace and the family table in one celebration. And for Kambon, the journey from the lecture room to the traditional procession showed how scholarship, cultural responsibility and family achievement could converge in a single memorable occasion.

By Enoch Ntiamoah Siaw

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STC interdicts driver over overtaking incident at Pokuase

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Intercity STC Coaches Limited has interdicted a driver captured in a viral video allegedly hitting a Sprinter bus during an overtaking manoeuvre at Pokuase before driving away from the scene.

In a public notice, the company described the driver’s conduct as unacceptable, stressing that it did not reflect the safety standards and professionalism it upholds.

Management said it had commenced an immediate investigation into the incident and identified the driver, who has been interdicted pending the outcome of the disciplinary process.

The company added that it was awaiting an official report from the Pokuase Police Command to help establish the facts surrounding the incident.

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STC reaffirmed its commitment to passenger safety and responsible road use, while thanking members of the public for bringing the incident to its attention.

Management assured the public that appropriate action would be taken following the investigation.

By: Jacob Aggrey

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