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Ziyar: Ghanaian Afrosoul sensation inspiring global generation

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Ziyar
In the vibrant landscape of African music, a rising star by the name of Ziyar, born Kazia Naa Dei Nikoi, is making waves with her mesmerizing vocals and soulful melodies.
Hailing from the heart of Africa, Ghana, Ziyar has quickly emerged as an Afrosoul artist to watch, captivating audiences with her talent, passion, and ambition.
With hit singles like “Odoyewu” and “Can’t Let You Go,” Ziyar’s musical journey is just beginning, and she aims to become one of the continent’s best vocalists while inspiring younger generations across the world.
Musical journey
Her parents are Vincent Nikoifrom Labadi and Millicent Offei from Akropong.
Ziyar was born in Koforidua in the Eastern Regional capital, and has four siblings; two boys and two girls, for which she is the fourth born.
The young talented Ghanaian attended La Anglican Junior High School and proceed to Hark Mount Sinai Senior High School. Ziyar’s musical journey started when her aspiration of becoming a journalist in the future faded.
This was after she felt it within her that her awesome musical talent given to her by God could not be traded for anything. Against this backdrop, she started pursuing her musical journey right after Junior High School in 2014.
Ziyar’s passion for music ignited at a young age when she discovered her natural gift for singing. Growing up in a musical household, she was exposed to various genres and artistes that shaped her unique style.
Drawing inspiration from the likes of Tina Savage, Episode, Ziyar developed a deep appreciation for soulful melodies and authentic storytelling.
Growth
Ziyar’s career took flight when she released her debut single, “Odoyewu.” The track showcased her captivating vocals and infectious Afrobeat rhythms, garnering attention from music enthusiasts across the globe. “Odoyewu” quickly became a hit, establishing Ziyar as an exciting new voice in the Afrosoul genre.
Building upon her success, Ziyar followed up with “Can’t Let You Go,” a heartfelt ballad that explores themes of love, longing, and vulnerability.
The song further showcased her vocal range and songwriting prowess, cementing her position as an artist with immense potential. She has worked and backed great musicians with the likes of Kwabena Kwabena, ShugaLord, Sitso, ArticleWan, and Vanilla.
Ambition

Beyond her remarkable musical talent, Ziyar aspires to be more than just a celebrated vocalist. She understands the power of music as a universal language that can inspire and uplift communities.
Ziyar aims to use her platform to connect with and empower younger generations, igniting their own creative passions and encouraging them to pursue their dreams.
Through her music, Ziyar addresses important societal issues, embracing her role as a voice for change. Her lyrics often delve into themes of self-love, identity, and social justice, resonating with audiences who seek both entertainment and enlightenment in their music.
Ziyar’s message transcends borders, and she dreams of performing on international stages, sharing her love for Afrosoul with diverse audiences worldwide. By blending traditional African sounds with contemporary elements, she seeks to create a fusion that represents her cultural heritage while appealing to global sensibilities.
Future
Ziyar’s journey has only just begun, and her trajectory suggests a bright future ahead. With each release, she continues to evolve and refine her sound, pushing the boundaries of Afrosoul and captivating listeners with her soul-stirring performances.
Her commitment to her craft and her ambition to become one of Africa’s best vocalists is evident in every note she sings.
As she paves her way to stardom, Ziyar remains grounded, appreciating the support she receives from her fans and the industry. She remains focused on honing her skills, collaborating with talented artists, and exploring new musical territories.
By Spectator Reporter
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Justin Kodua Frimpong files nomination to seek re-election as NPP General Secretary

General Secretary of the New Patriotic Party (NPP), Justin Kodua Frimpong, has filed his nomination to contest the position of General Secretary again as the party begins its rebuilding efforts ahead of the 2028 general elections.
He was accompanied by party stalwarts and supporters who were in high spirits, expressing confidence that he is the right person to hold the position.
Speaking after filing his nomination, Mr Kodua Frimpong assured the rank and file of the party that he would not disappoint them.
“I can assure you that the faith the rank and file of the party have had in me, I will never disappoint them,” he said.
He also pledged to run a clean campaign devoid of personal attacks.
“I can assure you that our internal campaign will be devoid of personal attacks,” he told his fellow contestants and the rank and file of the party as he seeks to retain his position.
His tenure has seen the party through the 2024 general elections, where the NPP lost power to the National Democratic Congress (NDC) after eight years in government.
The party is currently in a rebuilding phase, with internal elections scheduled to elect new national executives to lead its reorganization towards the 2028 polls.
The General Secretary position is considered one of the most influential in the party’s administrative structure, responsible for the day-to-day running of the party secretariat and implementation of party decisions.
By Edem Mensah-Tsotorme
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UGMC disputes Michael Blackson’s claims over late mother’s treatment

The University of Ghana Medical Centre (UGMC) has disputed claims made on social media by comedian Michael Blackson concerning the treatment given to his late mother, saying a review found that the allegations did not accurately reflect what happened during her stay at the hospital.
In a statement issued in Accra on August 5, 2026, the management of UGMC expressed condolences to Mr. Blackson and his family over the death of his 83-year-old mother, who died at the facility on July 16, 2026.
The hospital said it had taken the concerns raised by Mr. Blackson seriously and conducted a thorough review in line with its clinical and administrative procedures.
According to the statement, the facts presented by Mr. Blackson on social media contained “numerous inaccuracies” and did not accurately reflect the medical care provided to his mother.
UGMC explained that she was referred to the facility from another hospital and received treatment there from May 27 to July 16, 2026, a period of about eight weeks.
The hospital stated that it would not release details of her diagnosis, treatment, medical records or other aspects of her care because it had a duty to protect patient confidentiality, even after death.
It said the decision was intended to respect the dignity of the deceased and the privacy of her family.
UGMC further stated that all clinical decisions at the facility are made by qualified healthcare professionals based on medical judgment, established standards of care and the best interests of the patient.
The statement added that such decisions are made in consultation with authorised family representatives where necessary and that billing and financial procedures are governed by institutional policies and are separate from clinical decision-making.
The hospital noted that it values feedback from patients and their families and considers both positive and negative comments important for improving the quality of care.
Mr. Blackson had earlier used social media to criticise the care his mother received at UGMC, prompting the hospital’s response.
By: Jacob Aggrey




