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Victor Kuutuome — the “Clay Doctor” causing a stare with sculpture
Has anyone ever tried drawing or painting a piece of art but the work turns out not to be anywhere close to what one had intended to portray?
That could be embarrassing sometimes and it would be most appropriate to ‘hide’ the supposed artwork or risk being mocked by their peers or even competitors.
However, that is not the case of young Victor Kuutuome. He falls in the category of persons who are meticulous about their craft and he produces marvelous works deserving commendation.
With barely three years in the Arts and Sculpture industry, his handiwork has become a huge attraction to many art enthusiasts.
Victor, 29, is a final year student of University of Education, Winneba. At the time of this interview, he was on a teaching internship in one of the schools in his locality.
He had studied Visual Arts at T.I. Ahmadiyya Secondary School in the Central Region in 2009 but financial constraints did not permit him to gain admission to the university the following year.
For eight years, he worked as an apprentice to a roadside artist before gaining admission finally to the university in 2017 to polish his skills in Sculpture and Graphic Design.
The sculptor, now popularly called “Clay Doctor” interacting with The Spectator about his recent works and future prospects, said he had wanted to abandon the course as he did not have initial interest in the field.
“I had wanted to study ceramics but one of my friends suggested we try something new so I settled on sculpture. I was completely lost during our first lesson because I did not have any prior knowledge in this area,” he narrated.
Nonetheless, he soon acquainted himself with the programme and had presented his first practical work which was rated highest among that of his compatriots in class.
As his interest in the craft grew further, Victor said he decided to understudy one of his lecturers at the Art Department who became his mentor.
“My lecturer [Dr. Thouphilus Kwesi Mensah] who was already a sculptor was impressed with my works and agreed that I work with him. His words of encouragement throughout the period pushed me to keep learning,” he noted.
Barring any unforeseen circumstance, Victor would graduate in a few months from today but he had already designed beautiful statues, depicting a host of personalities including popular footballer, Asamoah Gyan, President Akufo-Addo, Vice President Mahamudu Bawumia, and their spouses.
Others include well known musicians such as Stonebwoy, Shatta Wale, and Sarkodie which had gone viral in the early part of 2020.
His recent Akufo-Addo–Bawumia project which he calls “The Grace” had received positive feedback and he was looking forward to an opportunity to present the sculptures to the first gentleman of the land and his able deputy soon.
Touching on the various aspects of his work, Victor said he was able to “visualise the final outlook of any project before it started, adding that he had become engrossed in sculpture to the extent of diverting part of his school fees last year into completing one of his projects.
The man who hails from Nandom in the Upper West Region said he now found gratification in sculpture and believes “hardwork and passion” had contributed to his progress over the years.
“I enjoy giving a helping hand to others and the more I impart knowledge, the more I learn,” he said.
Victor indicated that a number of local and international clients had expressed interest and were “willing to pay good money” ever since his works began receiving public attention.
He said the craft, though exciting, came with some challenges and it took about one to three months to complete a project. However, there were others that could be done in two days.
“In addition to clay which is the main component, we use some chemicals also to enhance the final outlook but some of the chemicals could be harmful.
“Some people had gone blind due to exposure to some of the chemical so we take extra precaution when working with it,” he added.
Last year, Victor and six of his other colleagues were supposed to work on a project for their university but it was truncated due to the lockdown and subsequent closure of schools.
Obama, as others prefer to call him, wants to pursue a Masters Programme in sculpture right after school and consider lecturing in future as well.
While admitting that a section of the public were beginning to understand that statues were “not meant for the dead alone,” he said he was focused on improving the quality of his works and not seeking to compete with anybody.
“Sculpture is the father of art hence producing a statue of someone is an act of immortalising the person. We all will die someday but a sculpture will make the person be remembered forever,” he noted.
According to him, “some individuals now presented statue to their loved ones as a form appreciation but there is still the need for sensitisation while the government provides the needed support for the art and culture industry.”
Victor said he did not “expect a lot of things to happen so soon” and much of his gratitude goes to his mentor and lecturer, Dr Mensah.
The “Clay Doctor,” got his name when he wore a white overcoat to lectures. A friend had teased him briefly for appearing “too decent” to be working with clay and that nickname has since become his brand name.”
Apart from his day’s job, he has a miniature studio at home where he does most of his work anytime he receives orders.
By Ernest Nutsugah
He once sold kenkey to pay his school fees, and now wears the rank of Deputy Commissioner of Police. DCOP Kofi Sarpong, police officer and award winning gospel musician is charting a journey few could script.
In an interview with The Spectator chronicling his rise, the newly promoted DCOP took us on his journey through the ranks.
Early Life
“I was born in Berekum in the Bono Region, then Brong Ahafo, to Comfort Yeboah, affectionately called Maame Yaa, and the late Chief Inspector Kofi Sarpong,” he said.
His family story is one of resilience. His mother had two children before her husband died in an accident. She later married Kofi Sarpong’s father, a police officer, and had two more, himself and his junior brother. “So we are four, unfortunately one is deceased, just last year, so we are three now.”
School and struggle
He started at Berekum Methodist Primary under the old ‘Sito’ system. In Form Two, he moved to Obuasi to stay with a guardian for his Form Three education, then returned to Berekum for Form Four. He later attended Berekum Senior High School where he studied General Arts and shone as an athlete, a sprinter in the 100m, 200m and 4x400m relay.
After O-Levels, his batch was the last to write the exams, his dream was to become a teacher because of his love for children. But financial hardship forced a detour.
“I decided to help myself by going to buy maize and started preparing kenkey to sell at lorry parks and markets in Berekum,” he recalled.
According to him, the people from Berekum know this story. “I can make all types of kenkey, Fante Kenkey, Ga Komi and others. Don’t be surprised to see Kofi Sarpong Kenkey one day.” The proceeds paid his upkeep.
For this reason, he advised the youth “Don’t see life as a smooth journey but find something prudent to do to help yourself in difficult times.”
After grinding his education to a halt due to financial challenges, he now holds a Degree in Public Administration from GIMPA, a Master’s in International Relations and Diplomacy and Project Management, plus other higher certificates, with more in the offing.
The Police Call
When teaching did not materialise immediately, he moved to stay with his father at Osu, Accra. In 1994, he visited former IGP Nana Owusu-Nsia at Police Headquarters, who told about ongoing police enlistment.
In his head he declined, but outwardly he accepted to try reluctantly. Later, watching TV news and seeing long queues of young people aspiring to join the Police, he was inspired to reconsider.
He went to Berekum for his certificate. Accra enlistment had closed, so he joined the Kumasi exercise. He was selected, passed the exams and went to the Koforidua Police Training School, Galloway. After passing out, he was posted to the Logistics Unit at Police Headquarters.
At Headquarters, a senior officer encouraged young constables to further their education. He took a course in Purchasing and Supply via distance learning from a UK institution. 
Upon completion, the Police administration promoted him from Constable Class One to Chief Inspector, a leap that paved the way for him to enrol at the Police Academy. He graduated as ASP, and the climb to DCOP began.
“The officer corps starts from Assistant Superintendent of Police (ASP) from the cadet,” he explained. “When you graduate from the Police Academy, you are awarded ASP, and you move to Deputy Superintendent of Police (DSP), that’s when I released album to start my music career professionally.”
From there, he rose to Superintendent of Police (SP), Chief Superintendent, Assistant Commissioner of Police (ACP), and now Deputy Commissioner of Police (DCOP). Next is Commissioner of Police (COP).
Music found him in Sudan
On peacekeeping duty in Sudan, officers from different nations came together to hold fellowship led by a Nigerian officer. In December that year, with top-ranked officers present, Kofi Sarpong led the service to the admiration of all.
On his return to Ghana, a Colonel, who was a Matron at 37 Military Hospital and a member of the 37 Methodist-Presbyterian Church invited him to their harvest service. He ministered, and as he stepped out of church, a man approached him with an offer to record him. He declined.
Days later, at the office, the man, Ernest Kwesi, who owned Media Excel Production sent an elderly man to pursue him. He still declined. This compelled Ernest Kwesi himself to visit him at the office. “He told me he had seen something in me.”
Just after Ernest Kwesi left,Kofi Sarpong wrote to then Director General/Welfare, Mohammed Alhassan, and Paul Tawiah Quaye the Inspector General of Police (IGP) at the time. “He opened the letter and said he had been waiting all this while because he had seen me perform at police officers’ events.”
He was summoned to the IGP’s office, a call which scared him, however, it was a good news; his request was approved. Against this backdrop, he informed Ernest Kwesi who quickly visited that evening with highlife musician Akwaboah Jnr., who taught him his first song, ‘Me ko nso hw3 mu’, and they went to the studio.
A song earlier recorded in reggae by Zapp Mallet was totally transformed by Nacee, so they released both versions on the album. Nacee, he says, hugely supported promotion, as did Mark Okraku-Mantey.
He also acknowledge Oware Jnr. who also wrote songs for him.
After his maiden album’s success, police leadership congratulated him. He says he is happy to have inspired other officers to write to the Service to pursue other interests.
An autobiography, he reveals, is in the offing.
Family and food
He is married to Mrs Salomey Sarpong with three children, two boys and a girl: Nana Nketiah, Maame Afia Yeboah Sarpong and Papa Kwabena Aseda Sarpong.
His hobbies are watching athletics and being with family. His favourite foods are fufu and konkonte with groundnut soup.
On music, he teased a collaboration with a top Nigerian artiste, promising fans “hot praises” soon.
He concluded by thanking Ghanaians for their support since his promotion, and thanked the Inspector General of Police for his guidance.
By Edem Mensah-Tsotorme
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WHEN some of her pupils failed to show up at school, Mary Adotei did not always assume they were absent. Sometimes, she went looking for them.
In the communities where she taught, getting a child into the classroom could require more than preparing lessons. Mrs Adotei remembers occasions when she had to visit the homes of pupils, bathe them, prepare them and bring them to school herself.
“There were times I had to go to the homes of some of the children, bathe them and bring them to school,” she recalled.
It is a memory that captures much of her journey over the years as a teacher, a profession she entered without knowing it would become central to her identity.
Now, after years of working with children and communities, Mrs Adotei is taking lessons from the classroom into a new arena.
She is contesting the position of Women’s Organiser of the National Democratic Congress (NDC) in the Asikuma Odoben Brakwa (AOB) Constituency in the Central Region, hoping to use her experience working with people to contribute to the welfare of women in the constituency.
But her story begins in the classroom.
After completing her basic and secondary education, Mrs Adotei spent 12 years working as a pupil teacher before she had the opportunity to receive professional training.
In 2006, she entered Fosu College of Education and completed her training in 2011 with a Diploma in Basic Education.
She returned to the classroom and has remained there since, teaching in different communities before moving to her current school, Catholic Boys Basic School in Breman Asikuma, in 2019.
The years have given her a front-row seat to the transformation education can bring.
Some of the children she once taught have grown into professionals, carrying the lessons they learnt in her classroom into hospitals, schools, offices and other workplaces.
Mrs Adotei said she had encountered former pupils who were now doctors, nurses, teachers and even a lawyer.
For a teacher, she said, such moments bring a special kind of satisfaction and reinforce the reason she remains passionate about education.
Her journey, however, has not been without difficult moments.
Teaching in local communities sometimes meant dealing with circumstances that went beyond academic work. Some pupils needed encouragement, personal attention and practical help before they could even settle down to learn.
Those experiences taught her that the challenges confronting people cannot always be solved from a distance. That understanding has followed her into her political activities.
Mrs Adotei has been involved in the NDC for years and previously served as a branch treasurer. She has also supported women in her branch, including assisting some to access medical treatment and providing help to families when the need arose.
She is now making her third attempt at becoming the constituency’s Women’s Organiser.
Her motivation is linked to what she has seen around her.
Mrs Adotei wants women in the constituency to have access to skills and opportunities that can help them become more economically independent.
She believes her years as a teacher have prepared her for the work, too, because the profession has taught her to listen, communicate, understand different circumstances and work patiently with people.
For her, the transition from teacher to political organiser is therefore not a complete departure from the path she has followed.
The classroom taught her to work with individuals. Politics, she hopes, will give her the opportunity to work with a wider group of women.
If elected, Mrs Adotei intends to continue teaching while taking up her political responsibilities. She said she would organise her time to attend meetings and constituency activities without abandoning her duties to her pupils.
Away from school and politics, she is a wife and mother of two sons who are pursuing their degrees at university.
Her message to young girls is shaped by everything she has seen education do for the children she has taught.
For Mrs Adotei, education remains one of the strongest tools available to young people, especially girls seeking to build better futures.
She wants them to stay in school, pursue further education and acquire skills that will prepare them for the future.
“Nowadays, you cannot go forward without education,” she said.
By Esinam Jemima Kuatsinu
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