Profile
Mr Julius Osai, philanthropist, businessman extraordinaire
There are occasions ordinary things that people do eventually become examples for generations to emulate.
While some had unknowingly encountered ‘angels on earth’ and offered assistance to them in diverse ways, others on the contrary, acted callously to people without considering their social standings and never considered their social standing.
Mr Julius Osai, a businessman, an extraordinary philanthropist, and the sole newspaper vendor at Kpando, in the Volta Region, and the Managing Director of Josaco Enterprise is committed to assisting people in need and, this has attracted the attention of The Spectator.
It was announced during a thanksgiving church service at Kpando that Mr Julius Osai looked after a bed-ridden relative for 29 years. He literally gave out money to the immediate family of the sick on every market day- which meant two times a week- multiplied by 29 years.
At the beginning of the interview, he pleaded with me that the financial assistance he had offered the relative should be expunged from the profile to which l had initially agreed.
Having pondered over the issue, l explained to him that it was essential to mention this act of kindness since it could serve as an example for others to emulate.
When asked to dilate on the sort of assistance he had rendered , he said he considered it a responsibility to support the sick relative. He intimated that he occasionally reviewed the amount he gave out throughout the period, and ordered his staff to release the money to the family whenever he travelled.
The philanthropist disclosed that there were other less-privileged in the society who were also beneficiaries of his magnanimity.
His late grandfather, Mr Alfred Osai, a successful merchant who traded between Lome, Kpalime and Kpando, was one of the first people to be baptised at the Immaculate Conception Catholic Church, Kpando .
Mr John Osai, his father, also of blessed memory, played commendable roles by assisting all manner of people including needy-but-brilliant students in the family and those outside his family.
Businessman
The then young entrepreneur joined the family business in 1970 and having been taught the rudiments of the work by his father, took over the daily running of the business while his father played a supervisory role.
Mr Osai who sells building materials and has a staff of 15 said working as an entrepreneur provided him the opportunity to deal with different kinds of people.
He took stock of his goods which were sold out by the close of the day to enable him to know the items which were out of stock and needed to be replaced.
The businessman disclosed that honesty was necessary to keep an entrepreneur in business. According to him, there were occasions some traders credited goods from suppliers, but failed to pay as they had promised, and would rather go to different suppliers to transact business with them.
He said such a behaviour had rendered some people not trustworthy, leading to the collapse of their businesses.
Mr Osai was of the view that good businessmen and women were those financially disciplined, dealt politely with customers, monitored the market environment, and provided fast-moving goods for customers.
Family traits
It is refreshing to note that specific traits which are easily identified with some families have literally flowed through the generations.
His late grandfather , Mr Alfred Osai, from whom his father took over the business, was very instrumental in the building of the Immaculate Conception Catholic Church at Kpando.
Following that line, his father served many years as the treasurer of the church.
And like his father, Mr Julius Osai also served on the Parish Pastoral Council as the Treasurer of the church for eight years. In addition to that, built an Adoration Chapel for the Immaculate Conception Catholic Church at Kpando.
Youth
Passionate about the spiritual growth of the people in the church, he has advised the youth specifically to be honest in their dealings and eschew the ‘get rich quick ‘ attitude.
He explained that many of those in responsible positions today had toiled many years to make it in life, and bear in mind that with God all things were possible.
Mr Osai urged the youth to concentrate on their education, adding that life had availed them of options to enable them to decide on which path they want to follow.
“Respect the admonision of the elderly, remain submissive to your parents and all in authority, and learn to love and serve God in humility,”
He said it was unfortunate that some customers would not live up to their promises and tried to pull fast one on him.
Family Life
Mr Osai is married to Mrs Peace Petrey Osai and has five children.
His current succession plan is to train a nephew to man the shop when he becomes feeble and tired of work.
Hobbies
For his pastime he takes delight in watching football, listening to cool music and enjoys eating Akple with any palatable soup to accompany it.
By Raymond Kyekye
In a music landscape often defined by trends and tempo, George Nii Odai Oliver widely known as DJ Rev stands out as a man on a mission.
More than just a DJ, he is a minister, mentor, and youth advocate who has found a unique calling at the intersection of sound and spirituality.
Beyond the decks, DJ Rev is a devoted husband and a committed servant of God.
His life is anchored in purpose, with a deep passion for youth development. As the Technical Director at Christ for Youth International (CYI), a global youth ministry, he plays a significant role in shaping young lives, not only through words but also through music.
His journey in ministry began early, including his role as a founding member of the Ambassadors Christian Rap Group, where he first explored the power of music as a tool for transformation.
The name ‘DJ Rev’ derived from ‘Reverend,’ reflects both his spiritual identity and his mission to ignite atmospheres much like revving an engine with high-energy gospel music.
For him, every performance goes beyond entertainment; it becomes a moment of worship, revival, and connection with God.
His journey into DJing started from a fascination with music and technology during his younger years in Ghana.
Drawn to the ability of DJs to influence mood and unite people, he identified a gap in the Christian music space, which was someone who could seamlessly blend urban sounds with gospel messages. Starting from small church events and youth programmes, DJ Rev gradually honed his craft into what he now describes as a full-fledged calling.
Like many success stories, his path was not without challenges; he had limited access to equipment, skepticism about gospel DJing, and the difficulty of balancing ministry with performance all tested his resolve.
Yet, through persistence, faith, and support from mentors and the Christian community, he rose above these obstacles. Borrowing equipment, learning on the job, and staying grounded in prayer became part of his journey.
A defining moment in his career came when he realised that DJing was more than a passion; it was ministry.
Witnessing lives being transformed during his sets, seeing people move from dancing into deep worship, and watching young talents he mentored flourish affirmed his purpose.
DJ Rev’s style is best described as high-energy, spirit-led, and versatile. He effortlessly blends hip-hop, Afrobeats, dancehall, reggae, and urban gospel into seamless mixes that resonate with diverse audiences.
His signature approach is what he enthusiastically calls ‘Energyyyy! saying it is not just about hype, but about creating moments that touch both body and soul.
What sets him apart in Ghana’s DJ industry is his unwavering commitment to ministry-first performances. While many DJs focus solely on entertainment, DJ Rev uses his platform to create spaces where faith and music coexist powerfully. His technical expertise, drawn from his role in ministry, combined with his passion for mentorship, gives him a distinctive edge.
Over the years, he has witnessed significant growth in Ghana’s DJ industry, with increased recognition, technological advancement, and global influences such as Amapiano shaping the soundscape.
Notably, he has contributed to pushing gospel music into mainstream spaces, particularly through his popular Amapiano Gospel mixes.
Among his most memorable performances are events like Oasis Gathering, Sound Fest, and Saved to Serve platforms where music transcended performance into powerful spiritual encounters.
“These are moments that define success, lives touched, hearts uplifted, and faith renewed,” DJ Rev stated
Away from the spotlight, he embraces a quieter, more reflective life. He enjoys spending time with family, mentoring young people, engaging in ministry work, and pursuing simple hobbies like gardening and DIY projects.
For him, a perfect day off includes moments of prayer, meaningful conversations, and peaceful retreats, often in serene locations like Cape Coast or the Volta Region.
Despite his achievements, DJ Rev remains grounded. He acknowledges the challenges he has faced, ranging from limited resources to balancing ministry and career, but credits his resilience to faith, community support, and a clear sense of purpose.
These experiences have taught him invaluable lessons about perseverance, humility, and authenticity.
Looking ahead, DJ Rev aims to expand his ministry through music both locally and internationally, release more projects, mentor emerging talents, and further establish gospel DJ culture in Ghana. His ultimate desire is to be remembered as a pioneer who brought revival through music, blending excellence with unashamed faith.
To young aspiring DJs, his message is clear: master your craft, stay consistent, build character, and never lose sight of your purpose.
By Esinam Jemima Kuatsinu
Entertainment
Amb. Prince Kojo-Hilton’s international mission signals new era for creative industry development
Between October 2025 and April 2026, a significant creative industry mission unfolded across Brazil, led by Ghanaian visual artist, production designer, and Pan-African Art Ambassador, Prince Kojo-Hilton.
What began as an invitation to contribute to creative education quickly evolved into a far-reaching engagement spanning academic institutions, government bodies, global platforms, and community initiatives.
More than a professional visit, the mission positioned itself as a structured intervention aimed at addressing one of the most pressing gaps within the global creative sector, the disconnect between education and industry practice.
At the centre of this engagement was a clear focus on capacity building. Working with the Zion School of Entertainment in Rio de Janeiro, Kojo-Hilton delivered a masterclass in Art Direction and Scenic Design during Zion Creative Week.
The immediate impact of the session prompted an expansion of the masterclass programme into a broader, multi-campus engagement, extending its reach to a wide network of students and emerging professionals.
His approach departed from traditional classroom instruction. Instead of theory-driven lectures, participants were introduced to practical, industry-based processes, including visual storytelling systems, production design methodologies, and the professional discipline required to operate within global creative industries.
The result was a shift in how students engaged with their craft, moving from passive learning to active, experience-driven development.
Beyond academic institutions, the mission extended into diplomatic and governmental spaces. At the Ghana Embassy in Brazil in Brasília, Kojo-Hilton engaged in strategic discussions with Ghana’s Ambassador to Brazil, Nii Amasah Namoale.
The discussions centered on long-term collaboration between Ghana and Brazil within the creative arts sector, with a focus on education, exchange programmess, and institutional partnerships.
This engagement progressed further at the National Congress of Brazil, where he was introduced to policymakers and cultural leaders, including Brazil’s Minister of Culture, Margareth Menezes.
His presence and work were formally acknowledged, reflecting growing recognition of the role creative professionals can play in national development and cultural diplomacy.
On the global stage, Kojo-Hilton represented Ghana at the World Forum of Favelas 2025, where his contributions to creative community development were recognised with an international award.
The forum provided a platform to present models that integrate art, education, and social impact, reinforcing the value of structured creative initiatives in community transformation.
A key outcome of the mission was the international expansion of the Film Craft Expo, an initiative founded by Kojo-Hilton to explore the art, science, and business of film-making and theatre.
Interest from multiple countries has positioned the platform as a potential global model for creative industry engagement, bridging the gap between emerging talent and professional practice.
Academic collaborations also formed a critical component of the mission.
At the University of Brasília, discussions explored interdisciplinary opportunities connecting art, science, and environmental innovation. Additional engagements with institutions such as Casa das Artes de Laranjeiras focused on curriculum development, artist residencies, and production-based training systems designed to better prepare students for industry demands.
While institutional engagement remained central, the mission maintained a strong connection to community impact. Workshops conducted in local communities, including Maricá, emphasised the role of art as a tool for empowerment, identity formation, and social transformation.
A significant part of his engagement in Maricá included a cultural and social contribution through the donation of a painting to the House of Immigrants.
The artwork serves as a permanent symbolic gesture of identity, resilience, and shared human experience, reflecting his commitment to using art as a tool for cultural connection and community memory within the city.
Participation in cultural events such as Rio Carnival further highlighted the importance of preserving cultural heritage while positioning it within a global context.
One of the most forward-looking outcomes of the mission is the development of the Global Visual Arts for Screen and Stage initiative.
The platform is designed to integrate visual arts, film, theatre, fashion, and technology into a unified system that supports training, collaboration, and industry growth.
By addressing fragmentation within the creative sector, the initiative aims to create sustainable pathways for employment, innovation, and institutional development.
Across all engagements, a consistent message emerged, the global creative industry is evolving, and there is an increasing demand for structured, experience-driven education.
Institutions are no longer seeking inspiration alone; they are seeking systems that can translate creativity into measurable economic and social impact.
Following six months of sustained engagement across Brazil, the results are evident. New partnerships are being explored, institutions are opening pathways for collaboration, and there is growing recognition of the role creative industries can play in national and international development.
The mission has not only strengthened cultural and creative ties between Ghana and Brazil, but has also positioned Kojo-Hilton within a broader global conversation on the future of creative industry development.
As he continues to expand his work across continents, he remains open to collaboration with universities, film schools, theatre institutions, visual arts institutions, cultural organizations, and governments seeking to invest in structured creative growth.
He also facilitated a focused workshop on Talent Discovery and Nurturing with immigrants, centered on identifying hidden creative potential and providing practical guidance for personal and professional development.
The session emphasised empowerment through creativity, encouraging participants to recognise their abilities and explore new pathways within the creative industries.
Together, these contributions reinforced his broader mission of using art not only as a professional practice but as a meaningful instrument for inclusion, transformation, and social impact.
In reflection, he expresses profound gratitude to God for the opportunity to undertake this journey and for the grace that made every step possible. From Ghana to Brazil and back, he acknowledges the divine protection, guidance, and favour that ensured safe travels and the mission’s successful execution.
The experience stands not only as a professional milestone but also as a testament to the power of faith, dedication, and purpose.
His guiding philosophy remains clear and unwavering, saying “The only thing that I am a slave to is my passion.”
By Edem Mensah-Tsotorme
