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Unapproved fees affecting NHIS patronage in UER
The demand for unapproved fees from patients by some health facilities in the Upper West Region is said to be affecting patronage of the National Health Insurance Scheme in the area.
Mr. Samuel Lekamwe Lobber, Regional Director of the National Health Insurance Authority (NHIA) brought this to the fore at an End-of-Year Performance Review Meeting held in the region recently.
He said that such illegal fees made clients to lose confidence in the Scheme and asked those health institutions involved to stop.
“Illegal charges remain the biggest headache to the NHIA in the region and it is affecting our efforts to mobilise more clients because if someone goes for healthcare and is asked to make payment for a condition that is already covered, that experience will not encourage them to renew their commitment with the scheme.
“Some of these health facilities charge unapproved fees for which they do not even issue receipts and still make claims to the authority for reimbursement”, he explained.
He indicated that the thought of having to pay for petty things such as folders and laboratory tests at health facilities discouraged some people from registering under the scheme as they did not value the services of the insurance scheme.
Mr Lobber said the fact that such people even went back to discuss their experiences at the health centres with others could further discourage several others from joining the scheme.
He appealed to health facilities across the region to be guided by the ethics of their profession which was to deliver quality healthcare.
He explained that to partly tackle this issue, a new feature would be added to the mobile renewal platform which allow the authority to confirm from patients if they had visited a particular health facility for health care services or not.
This feature, he said, would help check false claims tendered in by some health facilities and also reduce the rate of charging illegal fees.
The Director appealed to their clients to make use of the mobile renewal platform to check for drugs and services they were entitled at the health centre in order to avoid falling victim to the illegal charges.
He used the opportunity to commend staff of the authority for working harder to ensure that they attained 80 percent coverage of clients and said the move was to enhance access to universal health coverage by residents of the region.
The meeting which was on the theme “Sustaining our gains for universal health coverage- a collective responsibility” brought together former and current stakeholders of the authority to consolidate gains, share ideas and experiences and also chart the way forward.
From Lydia Darlington Fordour, Wa
Entertainment
Breaking News: Daddy Lumba is dead – Family announces
Ghanaian music legend Charles Kojo Fosu, popularly known as Daddy Lumba, has died.
His family confirmed the sad news in a press release issued on Saturday, saying the 60-year-old passed away earlier in the day after a short illness.
“It is with profound sorrow and deep grief that the Fosu family announces the passing of Ghana’s beloved musical icon,” the statement read.
Daddy Lumba was one of Ghana’s most celebrated highlife musicians. With a career spanning more than three decades, his songs touched millions, telling stories of love, pain, joy, and hope.
He was known for his powerful voice, emotional lyrics, and unique style that made him a household name across the country and beyond.
“His soulful voice provided the soundtrack to our love stories, and his poignant lyrics captured the poetry of our struggles, dreams, and resilience,” the family said.
The family has asked for privacy as they mourn their loss and promised to announce funeral arrangements in the coming days.
The statement was signed by Fati Ali Yallah, a lawyer from Baba Jamal & Associates, on behalf of the Fosu family.
Fans, fellow musicians, and Ghanaians across the country have started pouring out tributes on social media, remembering Daddy Lumba’s unmatched contribution to Ghanaian music.
Entertainment
Edem’s debut album gets praise from Sarkodie
Ghanaian rap star Sarkodie has celebrated fellow artiste Edem for his groundbreaking debut album “The Volta Regime”, calling it one of the greatest albums in Ghana’s music history.
In a heartfelt social media post, Sarkodie, whose real name is Michael Owusu Addo, reflected on the first time he heard Edem rap.
He said he was instantly impressed and knew Edem would have a serious impact on the music scene.
“I remember when I first encountered my brother Edem, I came back home to tell one of my hommies that this guy will have a serious impact on the music scene,”
“He was like naa because of the language barrier. I said I don’t hear language, I hear greatness. Big up my brother, you are still on my favourite emcee list.” Sarkodie wrote.
Edem, born Denning Edem Hotor, released The Volta Regime in 2009. The album boldly embraced the Ewe language and featured collaborations with top Ghanaian artists including Tinny, Kwabena Kwabena, and Jeremie Van-Garshong.
Despite initial doubts about how well Ewe rap would perform commercially, the album proved to be a major success and introduced a new wave of local-language hip-hop.
Songs like Bra Fre Me, Nyorvuviade, and the powerful Intro helped establish Edem’s lyrical prowess and cemented his place as a unique voice in the Ghanaian music industry.
At a time when the local scene was dominated by Twi and Ga-speaking rappers, Edem’s success broke barriers and made it clear that talent speaks louder than language.
His impact opened doors for more linguistic diversity in hiplife and hip-hop music across the country.
Sarkodie’s tribute is especially meaningful because both artists emerged around the same period. Sarkodie’s own debut album Makye also dropped in 2009, and the two have long shown mutual respect for each other’s craft.
Today, over 15 years after its release, The Volta Regime continues to inspire fans and artists alike. It remains a symbol of bold originality and cultural pride.
Edem has since released several projects and remains an active voice in Ghanaian music and youth advocacy. His legacy is a reminder that true greatness is not limited by language.
