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Tagoe Sisters to stage concert …call on churches to support gospel musicians

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Ghanaian gospel music legends, Tagoe Sisters, are putting their acts together to stage a virtual concert to support the needy as part of their humanitarian initiatives.

Expected to roar off by the end of November, the concert would serve as a platform for them to release their maiden song for the year as well as raise funds to support the needy in December.

The smashing musical twins — Lydia Dedei Yawson Nee Tagoe and Elizabeth Korkoi Tagoe, made this revelation when they called on the new Editor of The Spectator, Mr Emmanuel Amponsah, on Monday.

According to them, their Tagoe Twins Foundation takes care of needy twins and the vulnerable, adding that they have adopted a lot of needy people, and taken care of some twins who have completed university, while others are undergraduates.

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The gleaming duo called on churches to support gospel musicians to help the growth of ministry, adding that some churches did not properly remunerate artistes they had invited  to perform for them.

They hold the view that gospel music is an essential tool in soul winning and instrumental in every church; for that reason, attention must be paid to that department.

Citing some of the treatment meted out to gospel artistes by some churches, they said, at times the auditoriums were even rented out to them (artistes) for their album launches, and were also asked to pay electricity bills, among others, after using the artistes for free on numerous occasions.

“During our Adonai Concert, there is a church we used to go most of the time; we sent them 100 tickets to sell to over 1000 congregation, and sadly, they sold only one ticket as they refused to announce the tickets to members,” they disclosed.

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According to them, as a result of these challenges, most gospel musicians have now resorted to managers, to avoid direct contact  with the church leaders to ensure that pastors or churches that need their services to pay what is due them.

To them, these things did not augur well for the growth of gospel music, adding that “the church needs to help musicians, because they need a lot of financial investment for music production and promotion.”

The duo further advised gospel musicians to look for side jobs to be able to raise a lot of money for the needed projects they set to embark on.

Touching on what made them fulfilled, they said: “What makes us fulfilled is we are still alive together in the ministry, and taking care of our foundation to put smiles on the faces of needy people.”

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They disclosed that there was a re-branding and outdooring of Tagoe Sisters Ministries, hopefully next year, among other musical projects, which were shelved as a result of COVID-19.

By Edem Mensah-Tsotorme

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Kwaisey Pee honours promise, donates GHC50,000 to Korle-Bu Paediatric Oncology Unit

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Ghanaian music icon, Akwasi Poku Addae, known in Showbiz circles as Kwaisey Pee has honoured his promise to children suffering from cancer.

Ahead of his 25th anniversary event held at the D’ Icon Event Centre at East Legon last year, he made a promise to donate some funds to children suffering from cancer.

True to his word, the musician has recently made a donation of GHC50,000 to the Paediatric Oncology Unit of the Korle-Bu Teaching Hospital.

He told the Ghanaian Times that children are so dear to him, and was optimistic the support would go a long way too impact lives.

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The music dynamo also promised that the gesture will not be the last,” it will be a continuous feature from me.”

He also called on Ghanaians home and abroad to lend a helping hand to children suffering from cancer.

According to him, children with cancer have many needs, and a helping hands will go a long way ease the suffering.

“Cancer treatment is very expensive, and leaving that to parents of the children alone, will be a huge burden, with support from you and myself, we can make some changes in other people’s lives,” he concluded.

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By Edem Mensah-Tsotorme

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A Legacy of Devotion: Jerry Amoah to be honoured by Ghana Music Awards-USA

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In the ever-evolving journey of Ghanaian music, there are individuals whose contributions transcend the spotligh.

There are always men and women who work quietly yet powerfully to preserve culture, nurture legends, and keep the soul of the music alive across generations and borders.

One such figures is Jerry Amoah, widely known and affectionately called Nana Kobo.

This year, Ghana Music Awards-USA honours Jerry Amoah for his unwavering commitment to sustaining Ghanaian music, both at home and in the diaspora.

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It is a recognition long deserved, a celebration of decades of passion, sacrifice, and cultural stewardship.

Jerry Amoah’s journey has never been about personal glory. Instead, it has been anchored in service: promoting Ghanaian sounds, advocating for artistes, and ensuring that the richness of Ghana’s musical heritage continues to resonate beyond national borders.

Through his tireless efforts, many Ghanaian musicians have found platforms, audiences, and renewed relevance, especially within Ghanaian communities abroad.

Central to his legacy is his steadfast support for gospel music and, in particular, his enduring association with legendary gospel icon Yaw Sarpong.

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At times when gospel music needed champions, Jerry Amoah stood firm—protecting its values, amplifying its message, and honoring its pioneers. His respect for Yaw Sarpong is not merely professional; it reflects a deep appreciation for music as ministry, heritage, and moral compass.

Colleagues often describe Nana Kobo as a bridge—connecting generations, genres, and geographies.

He understands that Ghanaian music is not just entertainment, but identity. Through festivals, promotions, mentorship, and behind-the-scenes advocacy, he has helped ensure that Ghana’s rhythms, lyrics, and spiritual expressions remain relevant in a globalized world.

As Ghana Music Awards-USA prepares to bestow this honour, it is not simply recognizing one man—it is saluting a lifetime of dedication to culture, faith, and music.

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Jerry Amoah’s story reminds us that true impact is measured not by applause, but by legacy.

And in the story of Ghanaian music, Nana Kobo’s legacy is written in bold, enduring notes.

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