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Serving Humanity with Love, Humility, and Integrity …The story of Hajia nadia abbas alhassan iv

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• Hajia Nadia

In a time when communities yearn for authentic leadership grounded in compassion and purpose, one name has steadily risen to embody the promise of renewal — Hajia nadia abbas alhassan iv

To many, she is more than a personality; she is a movement. To the youth, a source of inspiration; to women, a voice of courage; and to society, a symbol of service anchored in divine calling.

For Nadia, leadership is not an ambition born of politics but a calling from the heart, one she describes as a divine mandate to serve humanity with love, humility, and integrity.

“It is a calling from the divine; putting smiles on people’s faces gives me internal joy,” she says.

This philosophy has shaped her journey from grassroots advocacy to a broader mission of empowerment — particularly among women and young people. Her life is a testament that true leadership begins not with titles, but with service.

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Those who know Nadia describe her as a leader of quiet strength — one who acts more than she speaks and listens before she leads. Her influence grew organically through community work, where she devoted herself to addressing everyday struggles, from mentoring young girls to supporting widows and championing education in underserved areas.

Nadia believes leadership should emerge from empathy, saying,

“A true leader must first understand pain; you cannot lead people you don’t listen to.”

Her commitment to servant leadership is reflected in her philosophy: to lead is to serve, not to rule. She consistently advocates for leadership models rooted in compassion rather than competition, believing that the true measure of power lies in how much good it can achieve.

Women and Youth Empowerment

Women’s empowerment stands at the core of Nadia’s mission. Through mentorship, advocacy, and community initiatives, she has worked to uplift women and young girls, encouraging them to see beyond limitations and societal barriers.

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She insists that empowering women is not just a moral duty but a necessity for national development.

“When you empower a woman, you empower a generation,” she often says.

Her approach blends mentorship with practical support, ensuring that women gain not only confidence but also opportunities. Her campaigns have emphasised education for girls, entrepreneurship for women, and protection for the vulnerable. She has called on society to rethink how it values women — urging both men and women to become partners in progress rather than opponents in struggle.

Equally passionate about the youth, Nadia describes young people as “the heartbeat of change.” Her initiatives focus on nurturing their talents, guiding them toward purpose-driven careers, and instilling values of discipline and self-belief.

“We must create systems that help young people discover who they are and what they can contribute,” she says.

Her mentorship programmes focus on leadership training, community service, and personal development — turning potential into performance.

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A Life of Compassion and Faith

Nadia’s story is also one of compassion in action. Beyond public appearances and advocacy, she is known for her quiet acts of kindness — supporting the sick, helping orphans, and standing with families in crisis.

Her leadership is deeply spiritual. To her, service to humanity is service to God.

“Love knows no boundaries; it sees no colour, creed, or status. It embraces all and seeks the good in every person,” she says.

This universal message of love and unity defines her worldview. She believes society can only progress when grounded in empathy and mutual respect.

For Nadia, protecting people’s dignity is non-negotiable. She has often spoken against corruption, discrimination, and all forms of social injustice.

“To protect is not merely to defend,” she explains, “but to ensure that every person can live in dignity and safety.”

She describes her work as a divine mandate — a call to embody compassion in leadership. To her, faith and service are inseparable; leadership must be guided by moral conviction and divine purpose.

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“Nadia Season” — A Movement of Hope

Her supporters call this moment “Nadia Season” — a symbolic expression of renewed hope and collective awakening. It is less about politics and more about purpose; less about power and more about people.

She envisions a society where leadership is measured not by how loudly one speaks, but by how faithfully one serves.

“This is no longer a time for empty promises,” she says. “It is a time for proven purpose — for unity, compassion, and results.”

Hajia Nadia Abass Abubakar’s journey is still unfolding, but her impact is already being felt. She has inspired a generation to see leadership through the lens of service.

Her philosophy of love, equality, and compassion resonates deeply with those who believe in a better Ghana and a more humane world.

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Her story is not just about one woman’s ambition but about a people’s awakening — a reminder that leadership is not inherited, but earned through service.

By Esinam Jemima Kuatsinu

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Autism Awareness Care & Training: Pioneering autism care, inclusion in Ghana

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• Mr Abeiku Grant

AUTISM Awareness Care and Training (AACT) is Ghana’s first autism-focused centre, playing a pioneering role in the care, education, and advocacy for children on the autism spectrum and their families.

Autism Awareness Centre and Training

Established in 1998, AACT began as a parent-support and training initiative at a time when autism was poorly understood in Ghana. Many families raising autistic children faced stigma, isolation, and limited access to information or professional assistance.

Over the years, the organisation has evolved into a full-fledged autism care and training centre, responding to the growing demand for specialised services and sustained nationwide awareness.

facilitators and pupils playing oware

AACT is currently located in Haatso, Accra, where it operates a structured day programme serving about 25 learners daily. The centre provides a safe, inclusive, and supportive environment where children with autism are guided to develop essential life, social, and functional skills.

Programmes at the centre focus on independent living skills, vocational and pre-vocational training, functional academic skills, and therapeutic interventions. These activities are tailored to the individual needs of each learner, recognising that children on the autism spectrum learn and develop at different paces.

Pupils and facilitators exercising

According to Abeiku Grant, Head of Programmes at AACT, the centre’s philosophy is centred on ability rather than limitation.

“Every autistic child is different,” he said. “Our work is to support them at their own pace and help them discover what they can do, not to focus on what they cannot do.”

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pupils at the Centre learning bead making

Beyond centre-based services, AACT places strong emphasis on autism awareness and advocacy, particularly within schools and communities. Many children with autism in Ghana continue to face rejection and exclusion due to stigma, misinformation, and the lack of trained personnel in educational institutions.

The serene environment of the Centre

In 2025, AACT reached over 20 schools across the country, providing autism education to teachers, students, and school administrators.

The organisation also runs free teacher training programmes, equipping educators with practical knowledge and basic tools to support autistic learners in inclusive classroom settings.

“Many schools tell us they are not resourced or trained to handle autistic learners,” Mr Grant explained. “Instead of waiting for change, we decided to go to them and train teachers for free.”

AACT also engages learners directly, addressing widespread misconceptions about autism, including the false belief that autism is contagious or caused by bad parenting. These outreach programmes aim to build empathy among students and promote peer support for autistic learners in mainstream schools.

Another major challenge confronting families is limited access to autism services, especially outside Accra. With most autism centres concentrated in the capital, many families from other regions are forced to travel long distances or keep their children at home due to cost, stigma, or lack of support.

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“Education is not meant only for typical children,” Mr Grant stressed. “Children with autism also have the right to education and care. No child should be hidden because of lack of understanding or opportunity.”

As part of its outreach work, AACT supports parents to overcome stigma and encourages social interaction for children with autism, believing that community engagement is essential for development and confidence building.

In December 2025, the centre received what it described as its largest donation of the year, raised by children from the Unmasked Mentoring initiative. According to the organisation, the donation was particularly significant as it demonstrated empathy and social responsibility among young people.

As a non-governmental, non-profit organisation, AACT depends largely on donations, partnerships, and goodwill to sustain and expand its work. Current needs include a minibus for community-based social activities, expansion of its facility to accommodate more learners, sponsorship support for children from financially challenged families, and funding to scale autism awareness programmes nationwide.

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Looking ahead, AACT envisions a Ghanaian society that is inclusive, informed, and supportive of persons with autism.

“Our goal is a Ghana where children with autism are accepted and supported,” Mr Grant said. “Every child has potential. All they need is understanding, opportunity, and care.”

By Esinam Jemima Kuatsinu

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Northern Ghana FOTO Festival celebrates culture, history with over 600 images

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• Some military officers admiring some photos
• Some military officers admiring some photos

If you found yourself in Tamale last weekend, you would have stepped into an atmosphere alive with colour, rhythm and memory. The maiden Northern Ghana FOTO Festival did not feel like a typical exhibition; it felt like a cultural awakening.

Between rows of tall white panels displaying hundreds of striking images, a cultural troupe danced their way through the space, their drumming rolling through the hall like a heartbeat. The dancers’ movements fluid, bold, traditional, created a living bridge between the past and the photographs surrounding them.

Not far from the performers, chiefs in their elegant traditional regalia paused thoughtfully before portraits capturing festivals, rituals and everyday life. This immersive scene set the tone for the Northern Ghana FOTO Festival, which opened in Tamale with a resounding call for cultural preservation through visual storytelling.

The event gathered photographers, cultural advocates, scholars and traditional leaders to celebrate the narratives, traditions and identities that shaped northern Ghana. Originally launched with a call for just 30 photographic entries, organisers were overwhelmed with more than 600 images submitted by over 60 contributors from across the five northern regions.

The range of submissions from seasoned photographers and emerging artists to passionate hobbyists formed a vivid collective portrait of the region’s past and present. The opening ceremony amplified the festival’s cultural spirit with traditional drumming, dancing and performances that reflected the rich heritage the exhibition sought to highlight.

Chairperson for the event, Prof. Elliot Haruna Alhassan, Pro Vice-Chancellor of the University for Development Studies (UDS), described photography as a crucial tool for documenting Ghana’s cultural evolution. He emphasised that visual storytelling is becoming indispensable in safeguarding customs, values and community memory.

The Guest of Honour and former Rector of Tamale Technical University, Prof. Salifu Asuro, praised the organisers for creating a platform that elevates the cultural identity of northern Ghana. He encouraged public and private institutions to support creative arts initiatives, noting their significant role in national development.

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Traditional authorities played a central part in the ceremony. Representatives from the Gukpe Naa and Dakpemaa palaces including Naa Prof. Abdul-Rahaman Issahaku, Chief of Gbanyamle and senior faculty member at UDS, as well as the Chief of Bunbong, Uborr Wumbe Dawuni—commended the festival for fostering cultural continuity and encouraging younger generations to reconnect with their roots.

Speaking on behalf of the Northern Regional Director of the Ghana Tourism Authority, Mr Owusu-Boakye Frank, Senior Standard and quality assurance officer assured the Authority’s commitment to supporting cultural tourism. He stressed that visual storytelling, when harnessed effectively, has the potential to attract visitors, preserve cultural assets and strengthen community identity. He pledged the Authority’s collaboration in future editions to position northern Ghana as a vibrant hub for creativity and heritage.

One of the festival’s major highlights was a panel discussion on the theme: “Preserving Culture, History and Community through Visual Storytelling.” Chiefs, scholars and cultural experts explored the importance of visual documentation as a tool for intergenerational education, emphasising photography’s ability to create a timeless cultural archive.

Team Lead of Foto4Change and convener of the festival, Mr Geoffrey Buta, said the initiative seeks to strengthen cultural conservation efforts through photography. “Our forebears relied on oral tradition to preserve history,” he noted. “Today, visual storytelling enables us to continue that work in a more permanent and accessible form.”

Mr Buta announced plans to transform the festival into a rotational exhibition that will travel across northern Ghana, giving more communities access to the growing visual archive. He added that the event would be institutionalised as an annual celebration of culture, research and artistic dialogue.

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The displayed photographs captured festivals, landscapes, portraits, rituals and everyday life offering a colourful, honest and layered view of northern Ghana’s cultural richness. Organisers expressed optimism that with sustained institutional support, the Northern Ghana FOTO Festival could evolve into a major cultural event capable of attracting both national and international attention, while preserving the heritage and stories that make the region unique.

By Spectator Reporter

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