Profile
Mr Julius Osai, philanthropist, businessman extraordinaire
There are occasions ordinary things that people do eventually become examples for generations to emulate.
While some had unknowingly encountered ‘angels on earth’ and offered assistance to them in diverse ways, others on the contrary, acted callously to people without considering their social standings and never considered their social standing.
Mr Julius Osai, a businessman, an extraordinary philanthropist, and the sole newspaper vendor at Kpando, in the Volta Region, and the Managing Director of Josaco Enterprise is committed to assisting people in need and, this has attracted the attention of The Spectator.
It was announced during a thanksgiving church service at Kpando that Mr Julius Osai looked after a bed-ridden relative for 29 years. He literally gave out money to the immediate family of the sick on every market day- which meant two times a week- multiplied by 29 years.
At the beginning of the interview, he pleaded with me that the financial assistance he had offered the relative should be expunged from the profile to which l had initially agreed.
Having pondered over the issue, l explained to him that it was essential to mention this act of kindness since it could serve as an example for others to emulate.
When asked to dilate on the sort of assistance he had rendered , he said he considered it a responsibility to support the sick relative. He intimated that he occasionally reviewed the amount he gave out throughout the period, and ordered his staff to release the money to the family whenever he travelled.
The philanthropist disclosed that there were other less-privileged in the society who were also beneficiaries of his magnanimity.
His late grandfather, Mr Alfred Osai, a successful merchant who traded between Lome, Kpalime and Kpando, was one of the first people to be baptised at the Immaculate Conception Catholic Church, Kpando .
Mr John Osai, his father, also of blessed memory, played commendable roles by assisting all manner of people including needy-but-brilliant students in the family and those outside his family.
Businessman
The then young entrepreneur joined the family business in 1970 and having been taught the rudiments of the work by his father, took over the daily running of the business while his father played a supervisory role.
Mr Osai who sells building materials and has a staff of 15 said working as an entrepreneur provided him the opportunity to deal with different kinds of people.
He took stock of his goods which were sold out by the close of the day to enable him to know the items which were out of stock and needed to be replaced.
The businessman disclosed that honesty was necessary to keep an entrepreneur in business. According to him, there were occasions some traders credited goods from suppliers, but failed to pay as they had promised, and would rather go to different suppliers to transact business with them.
He said such a behaviour had rendered some people not trustworthy, leading to the collapse of their businesses.
Mr Osai was of the view that good businessmen and women were those financially disciplined, dealt politely with customers, monitored the market environment, and provided fast-moving goods for customers.
Family traits
It is refreshing to note that specific traits which are easily identified with some families have literally flowed through the generations.
His late grandfather , Mr Alfred Osai, from whom his father took over the business, was very instrumental in the building of the Immaculate Conception Catholic Church at Kpando.
Following that line, his father served many years as the treasurer of the church.
And like his father, Mr Julius Osai also served on the Parish Pastoral Council as the Treasurer of the church for eight years. In addition to that, built an Adoration Chapel for the Immaculate Conception Catholic Church at Kpando.
Youth
Passionate about the spiritual growth of the people in the church, he has advised the youth specifically to be honest in their dealings and eschew the ‘get rich quick ‘ attitude.
He explained that many of those in responsible positions today had toiled many years to make it in life, and bear in mind that with God all things were possible.
Mr Osai urged the youth to concentrate on their education, adding that life had availed them of options to enable them to decide on which path they want to follow.
“Respect the admonision of the elderly, remain submissive to your parents and all in authority, and learn to love and serve God in humility,”
He said it was unfortunate that some customers would not live up to their promises and tried to pull fast one on him.
Family Life
Mr Osai is married to Mrs Peace Petrey Osai and has five children.
His current succession plan is to train a nephew to man the shop when he becomes feeble and tired of work.
Hobbies
For his pastime he takes delight in watching football, listening to cool music and enjoys eating Akple with any palatable soup to accompany it.
By Raymond Kyekye
When the world’s eyes turn to the King’s Baton on its global journey, one of Ghana’s most profound artistic stories travels with it. It will be a story of creativity, culture, and national pride crafted by Albert Litela Obidiaba.
From the quiet town of Old Baika in the Oti Region, Albert’s journey as an artist has always been about telling stories. It is not just through words, but through symbols, textures, and meaning.
“From a young age, I was drawn to the power of art, knowing how colours and textures can capture not just emotion but culture and identity,” he recalls.
Today, his name has become synonymous with innovation rooted in traditional bridge between Ghana’s past and its global creative future.
Albert’s love for art was born from curiosity. Surrounded by the vibrancy of Ghanaian culture; the patterns of kente, the stories behind Adinkra symbols, and the textures of daily life, he began sketching and crafting early on.
“Simple things told deep stories,” he says. “That fascinated me.”
As he matured, his art evolved into a personal mission to preserve and reinterpret Ghana’s heritage for a modern audience. His style reflects a seamless blend of culture and contemporary design, each piece a narrative of unity, history, and pride.
“I see art as storytelling through form and symbolism, it should feel rooted in purpose yet speak to today’s world,” he explains.
When the call came to design Ghana’s version of the King’s Baton, Albert saw it as both a national duty and a creative calling.
Recommended by mentors like Mr Charles Osei Asibey, who trusted his talent and understanding of Ghanaian symbolism, he embraced the project wholeheartedly.
His vision was clear; to create a piece that would embody unity, pride, and the enduring spirit of Ghana.
Drawing from traditional motifs, he integrated textures inspired by kente weaving, representing hard work, continuity, and creativity. The golden tones symbolise strength and dignity, while the contours and natural motifs mirror Ghana’s landscapes and people.
“The King’s Baton had to tell our story of who we are, what we value, and how we see the world, it is more than art, it is identity in motion,” he said.
Every etch, every pattern carries meaning. From concept to completion, the entire process took three intense weeks which were filled with research, design sketches, consultation, and collaboration with skilled artisans.
“It was days and nights of work, but a lifetime of meaning,” he says with quiet pride.
Creating a design that represents all of Ghana’s diverse cultures was no small feat. Albert had to balance aesthetics, authenticity, and technology thereby using sustainable wood, carefully treated and certified, to reflect the nation’s commitment to nature and preservation.
“It wasn’t easy finding the right mix,” he admits. “But those challenges pushed me to think deeper. They made the final piece stronger — both artistically and symbolically.”
For Albert, Ghanaian culture is both muse and message. His works echo the values of unity, strength, persistence, and wisdom, drawn from Ghana’s traditions.
“Art preserves who we are and every line and symbol tells a story of belonging,” he said, and believes art is one of the most powerful tools for building national pride.
Designing the King’s Baton has been a defining moment in his creative journey and that it deepened his appreciation for cultural storytelling. “It taught me that creativity is also a form of service,” he said.
The experience has opened new professional doors, but more importantly, it gave him a renewed sense of purpose making him embrace a call to national duty.
“My soul will be glad even after my days on earth are over,” he said beaming with smiles.
Beyond the King’s Baton, Albert has worked on numerous projects celebrating Ghanaian identity through contemporary art and design. His ongoing works explore symbolism and heritage in new forms which includes blending materials, stories, and styles from across Ghana’s regions.
He is currently preparing projects that continue the conversation the baton began. They are about unity, creativity, and Africa’s evolving artistic voice.
To young artists aspiring to make their mark, Albert’s advice is for them to believe deeply in their craft and that the world is always looking for authenticity “which comes from knowing who you are and where you come from.”
On how he wants to be remembered, he said, “I want to be remembered as an artist who used creativity to celebrate culture and connect people. If my name is remembered as the one who designed Ghana’s version of the King’s Baton, that will be enough, because it means I carried Ghana in my hands, and shared her with the world.”
By Esinam Jemima Kuatsinu
Join our WhatsApp Channel now!
https://whatsapp.com/channel/0029VbBElzjInlqHhl1aTU27
A ‘trotro’ bus heading to Nsawam was filled with the usual sounds from conversations, music, and sometimes a preacher delivering a message.
But when Margaret Odame Donkor rises to speak, she does not preach salvation or sell herbal remedies. Instead, she shares her journey as a breast cancer survivor, urging passengers to examine their breasts regularly, seek medical help early, and never lose hope.
Her pulpit is not a church, but the crowded minibuses of Ghana’s public transport system. Her message is not about repentance, but about survival.
She urges women to check their breasts regularly, encourages men to support their wives during health challenges, and reassures everyone listening that a cancer diagnosis is not the end of life.
For Margaret, creating awareness is more than a duty-it is a calling born out of personal pain, fear, and triumph.
Her words carried weight because they come from lived experience.
At age 48, Margaret has walked through the valley of fear and pain, battled stage three invasive carcinoma, and emerged not just a survivor but an advocate determined to educate others.
Cancer journey
Margaret’s encounter with breast cancer stretches back decades. At 22, she discovered a lump in her left breast. It was removed and declared benign. Relieved, she skipped regular checks and moved on. Then in 2021, the lump reappeared—this time spreading toward her armpit.
At a church screening in October 2022, doctors detected suspicious lymph nodes. Further tests confirmed her worst fear: stage three invasive carcinoma.
“It wasn’t easy,” she recalls softly. “But my faith in God kept me strong. My husband, children, family, friends, and colleagues formed an army behind me. Their prayers, visits, and encouragement gave me the courage to fight.”
“Be grateful every day because you never know what tomorrow may bring. No one has it all, but with love and support, you can endure,” she stated.
Her greatest fear remains recurrence and not living long enough to see her children graduate and become the people she dreams for them to be.
Before cancer disrupted her life, Margaret had found purpose in interpretation. In 2020, a friend spotted a Judicial Service vacancy and encouraged her to apply. After years of unsuccessful attempts at government jobs, she was reluctant, but she tried once more. This time, she succeeded and was posted to the Eastern Region, her home.
Today, she works at the Nsawam District Court, one of the busiest in the area. On a typical day, she arrives at 7:30am, prepares dockets, and confers with magistrates. She interprets proceedings in Twi, Ga, Hausa, and occasionally Ewe, ensuring that justice was accessible to all.
Her role is demanding. Cross-examinations require her to switch quickly between English and local dialects, while marriages often call for interpreting vows in couples’ preferred languages. Still, she thrives. “The registrars and magistrates I’ve worked with have been amazing. They make the environment very comfortable,” she stated.
Beyond the courtroom, Margaret is also an entrepreneur. In 2017, she founded Nubreed Décor, an events decoration business born from her childhood love for beautifying spaces. She recalls cutting paper decorations as a child and helping her cousin rent out chairs and decorate venues.
Balancing décor with court work was tough, and her health struggles after surgery made it even harder. Radiation left her with persistent rib pain, forcing her to slow down. “Now I hire more hands, which makes business expensive, but it helps me achieve my goals,” she explained.
Her biggest challenge as an entrepreneur remains finance. “The event industry is huge, but I have to work at my own pace and focus on my niche,” she admited.
Cancer changed how Margaret values people and relationships. She learned that those you least expect often become your strongest supporters. She urges families to stand by patients with prayers, encouragement, and financial support, reminding society that a cancer diagnosis is not the end of life.
Her advocacy extends beyond awareness talks. She dreams of establishing a counselling centre for young people and hopes Ghana will expand access to mammograms and radiotherapy centres. “Every patient deserves a chance at survival,” she said firmly.
She urged the youth to live peacefully and be their brother’s keeper, learn to be content and rely on God.
To women, she asserted that, “love yourselves and make breast checks routine while calling on Ghanaians to be open-minded, avoid being judgmental, and show love.
By Esinam Jemima Kuatsinu
Profile6 days agoAlbert Litela Obidiaba: The artist who wove Ghana’s soul into the King’s Baton
- News6 days ago
Daddy Lumba’s wife, children run to court to injunct December 6 funeral arrangements
News1 week agoPresident Mahama to meet Auditor-General, Chief Justice and Attorney-General over misuse of public funds
