Entertainment
Creative arts stakeholders commend government for “Beyond the Return” masterclass
Stakeholders in the creative arts have expressed appreciation to government’s commitment to foster some development collaborations with the diaspora to sharpen the craft of players in the sector.
According to them, last Masterclass dubbed Beyond the Return Conversation aimed at divising mechanisms for Ghanaians and people in the diaspora to tap into each other’s expertise and take advantage of the opportunities available, was a step in the right direction.
The masterclass which was a conversation Beyond the Return, was a platform to network and foster collaboration for development of the sector.
Beyond the Return is a 10-year project which follows the Ghana’s Year of Return initiative last year, which commemorated the 400th Anniversary of the arrival of the first recorded enslaved Africans in Jamestown Virginia in 1619.
The initiative under the theme, “A decade of African Renaissance – 2020-2030” will be built on 7 pillars which will provide a platform for engagements among the people of African descent, wherever they may be living currently.
The Masterclass which was one of many centred around such discussion, was held on Wednesday, September 30 at the Kempinski hotel under the theme, Black Stories Matter; forging collaborations for the development of Ghana’s creative industry.”
This programme was well attended by top-brass of the creative arts industry, in the country, with expert presentation by top-notch creative arts players from the diaspora via social media meeting platform, zoom.
The Masterclass moderated by Professor Eleanor Earl, a film and television producer, an entrepreneur and Director of Film Studies and Hampton University in United States of America, had Hollywood Directors, fashion icons and world celebrated creative arts industry experts told the black stories and how both parties, ie Ghanaian creative arts players and those in the diaspora could collaborate for the good of the industry.
The panel touched on the need to build infrastructure and train people to be able to learn from the mistakes of other countries to properly position the creative arts for the development of the country.
They were of the view that the black race had a lot of amazing stories which could be told to the rest of the world through the creative arts.
The discussion highlighted the need to always look for opportunities to turn them into success stories and the power of collaborations in the arts.
The Deputy Minister of Tourism Arts and Culture, Dr Ziblim Iddi Barri in his address said he was pleased to join the masterclass, which would be pivotal for the “beyond the return” agenda.
He commended the Ghana Tourism Authority, Creative Arts Council, BridgeZone among others for coordinating such an event, adding that the government recognised each and everyone for making this possible.
“From music to fashion, theatre and animation, visual arts and design , Ghana’s creative arts has the potential, and it is for that reason government has paid much attention to it,” he said.
Dr Ziblim said the Beyond the Return was a 10-year programme, and he was optimistic that regardless of the COVID-19, the impact of the programme would be of benefit to the country.
He was certain that considering how the Year of Return sparked a global movement for Ghana and Africa, the new dimension would also improve on the fortunes of the people.
Chief Executive Officer(CEO) of Ghana Tourism Authority, Mr Akwasi Agyemang said, the masterclass served as a platform for network, for which follow-ups would be made.
President of the Creative Arts Council, Mark Okraku Mantey was optimistic that the knowledge and the contact acquired from the programme would be put to good use.
Chief Executive Officer, (CEO) of Ghana UK-Based Achievement Awards (GUBA) and a board member of GTA, Dentaa Amoateng, said they would form smaller groups of people in the Creative Arts to be able to reach out to the people in the diaspora to tap their expertise.
She was impressed about the level of participation of industry players, saying it was the beginning of a successful journey.
Shelby Stone, Lamman Rucker, RJ Bucaria, Chris Roland, Asante Bradford, Philonese West, Baron Davis, and Etu Evans among other stalwarts were amongst the resource people at the masterclass.
By Edem Mensah-Tsotorme
Ghanaian musician Ezecheal Kwasi Asimeng Frimpong, popularly known as Ancienth has released a new Palmwine single titled ‘Asukese Abena’.
The song is a celebration of love, culture, and the timeless wisdom embedded in Ghana’s traditional way of life.
According to him, the project is meant to remind people that Palmwine music is not a relic of the past.
“Through this project, I want people to understand that Palmwine music is not a relic of the past, it is a living heritage that still speaks powerfully to the present,” he said.
Ancienth traces his journey in Palmwine music to the pioneering work of Kwame Asare, also known as Jacob Sam, and the Kumasi Trio. He credits them with laying the foundation for one of Ghana’s most important musical traditions, a path that later generations continue to walk.
“I entered this space because I believe every nation must protect its cultural voice,” Ancienth explained, adding that “Palmwine music carries our stories, values, humour, history, and identity. Preserving it is not only a musical responsibility but also a cultural one.”
The musician described the journey as rewarding but challenging, noting that traditional music often receives less attention and investment compared to mainstream genres.
To strengthen the space, he is calling for greater support from the media, cultural institutions, educational bodies, and the public.
“My appeal to Ghanaians is simple, support indigenous music, because when a people lose their cultural sound, they gradually lose part of their identity,” he added.
As a torchbearer of Palmwine Music, Ancienth says his mission is to honour the legacy of the pioneers while introducing Palmwine music to new generations and audiences across the world.
Asukese Abena is now available on all digital platforms, including YouTube
By Edem Mensah-Tsotorme
The Ghana Tourism Authority (GTA) has expressed profound sorrow over the death of celebrated visual artist and Guinness World Record holder Sharon Dede Padi, popularly known as Padiki.
In a statement signed on behalf of the Chief Executive Officer, Maame Efua Houadjeto, the Authority said Padiki’s passing was a painful loss to Ghana’s tourism and creative sectors, as well as the nation at large.
“Padiki was more than a Guinness World Record holder. She was a beacon of resilience, determination, creativity, and youthful excellence whose remarkable achievement brought pride not only to herself and her family but also to Ghana,” the statement said.
It added that through her determination to dream big and push boundaries, she inspired countless young people to believe that passion, perseverance and hard work could make the impossible possible.
The Authority said Ghana had lost “one of its brightest ambassadors whose story embodied the spirit of innovation, excellence, and the boundless potential of our people”.
Maame Efua Houadjeto, together with the management and staff of the GTA, extended condolences to Padiki’s family, friends and loved ones, as well as all those inspired by her journey.
