Entertainment
Creative arts stakeholders commend government for “Beyond the Return” masterclass
Stakeholders in the creative arts have expressed appreciation to government’s commitment to foster some development collaborations with the diaspora to sharpen the craft of players in the sector.
According to them, last Masterclass dubbed Beyond the Return Conversation aimed at divising mechanisms for Ghanaians and people in the diaspora to tap into each other’s expertise and take advantage of the opportunities available, was a step in the right direction.
The masterclass which was a conversation Beyond the Return, was a platform to network and foster collaboration for development of the sector.
Beyond the Return is a 10-year project which follows the Ghana’s Year of Return initiative last year, which commemorated the 400th Anniversary of the arrival of the first recorded enslaved Africans in Jamestown Virginia in 1619.
The initiative under the theme, “A decade of African Renaissance – 2020-2030” will be built on 7 pillars which will provide a platform for engagements among the people of African descent, wherever they may be living currently.
The Masterclass which was one of many centred around such discussion, was held on Wednesday, September 30 at the Kempinski hotel under the theme, Black Stories Matter; forging collaborations for the development of Ghana’s creative industry.”
This programme was well attended by top-brass of the creative arts industry, in the country, with expert presentation by top-notch creative arts players from the diaspora via social media meeting platform, zoom.
The Masterclass moderated by Professor Eleanor Earl, a film and television producer, an entrepreneur and Director of Film Studies and Hampton University in United States of America, had Hollywood Directors, fashion icons and world celebrated creative arts industry experts told the black stories and how both parties, ie Ghanaian creative arts players and those in the diaspora could collaborate for the good of the industry.
The panel touched on the need to build infrastructure and train people to be able to learn from the mistakes of other countries to properly position the creative arts for the development of the country.
They were of the view that the black race had a lot of amazing stories which could be told to the rest of the world through the creative arts.
The discussion highlighted the need to always look for opportunities to turn them into success stories and the power of collaborations in the arts.
The Deputy Minister of Tourism Arts and Culture, Dr Ziblim Iddi Barri in his address said he was pleased to join the masterclass, which would be pivotal for the “beyond the return” agenda.
He commended the Ghana Tourism Authority, Creative Arts Council, BridgeZone among others for coordinating such an event, adding that the government recognised each and everyone for making this possible.
“From music to fashion, theatre and animation, visual arts and design , Ghana’s creative arts has the potential, and it is for that reason government has paid much attention to it,” he said.
Dr Ziblim said the Beyond the Return was a 10-year programme, and he was optimistic that regardless of the COVID-19, the impact of the programme would be of benefit to the country.
He was certain that considering how the Year of Return sparked a global movement for Ghana and Africa, the new dimension would also improve on the fortunes of the people.
Chief Executive Officer(CEO) of Ghana Tourism Authority, Mr Akwasi Agyemang said, the masterclass served as a platform for network, for which follow-ups would be made.
President of the Creative Arts Council, Mark Okraku Mantey was optimistic that the knowledge and the contact acquired from the programme would be put to good use.
Chief Executive Officer, (CEO) of Ghana UK-Based Achievement Awards (GUBA) and a board member of GTA, Dentaa Amoateng, said they would form smaller groups of people in the Creative Arts to be able to reach out to the people in the diaspora to tap their expertise.
She was impressed about the level of participation of industry players, saying it was the beginning of a successful journey.
Shelby Stone, Lamman Rucker, RJ Bucaria, Chris Roland, Asante Bradford, Philonese West, Baron Davis, and Etu Evans among other stalwarts were amongst the resource people at the masterclass.
By Edem Mensah-Tsotorme
The time has come for musicians who were outstanding in the year under review in 2025 to earn nomination at Ghana’s prestigious music awards.
The much-awaited nomination for the 27th Telecel Ghana Music Awards (TGMA) is slated for today, March 14, 2026.
As part of measures to build up anticipation, the announcement will commenced with an hourly unveiling of nominees across all official TGMA social media platforms and partner channels from 11:00 AM to 4:00 PM.
Everything would be wrapped up in the evening with a special ceremony to officially kick off the 27th TGMA season, featuring the unveiling of the Big Five categories alongside key remarks from industry stakeholders at the Palms Convention Centre.
At the ceremony, the TGMA Calendar Indicating official schedule of activities leading up to the main awards ceremony will be unveiled.
Following the close of the submission window, the Board and the Selection Committee spent weeks reviewing works released during the year under review.
Each entry was carefully evaluated for artistic merit, technical excellence, and cultural impact to ensure that the final nominee list reflects the very best of Ghanaian music.
The 27th Telecel Ghana Music Awards is produced by Charterhouse in partnership with TV3, Closeup, British Council, refreshed by Guinness and powered by Telecel .
By Edem Mensah-Tsotorme
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Thousands of music enthusiasts thronged the Adaklu Youth Resource Centre on Thursday night for the Torcher Experience Concert headlined by Ghanaian music icon Stonebwoy, blending entertainment with youth empowerment.
The atmosphere at the concert grounds changed, the moment Stonebwoy began his grand entry onto the stage at the “Torcher Experience” concert.
As the powerful Ewe song “Mele Gbagbe Há Wo le alia” started playing through the speakers, the crowd erupted with loud cheers and excitement waving their hands in unison, sang along, and some held up their phones with flashlights, lighting up the night as they waited to see the Bhim Nation President appear.
Notable of him, Stonebwoy stepped onto the stage with well-rehearsed symbolic choreography and energy, dressed stylishly as he was ushered on the stage by white-clad men wielding long sticks, from where he acknowledged the massive crowd.
The song created an emotional and energetic mood, making the audience feel connected to the performance. As he moved closer to the front of the stage, the cheers grew even louder, setting the tone for an unforgettable night of music and celebration in Ho and beyond as patrons celebrate music, unity and community spirit.
The venue came alive with excitement as fans sang along to popular songs and enjoyed energetic stage performances, creating a vibrant atmosphere that lasted late into the morning.
A delegation led by Mr James Gunu, together with Edem Agbana and Edem Kpotosu, Members of Parliament of Ketu North and Ho Central, respectively attended the event, and presented a citation and helped in cutting a birthday cake to the artiste in recognition of his contribution to music and youth development.
Mr Gunu commended Stonebwoy for projecting the Volta Region and Ghana onto the global stage through music while inspiring young people to pursue their talents and ambitions.
In a notable gesture during the concert, the artiste donated GH¢100,000 as seed funding towards the Volta Youth Development Fund, an initiative aimed at supporting youth entrepreneurship and creating opportunities for young people in the region.
Although the concert recorded massive patronage and lively performances, some patrons raised concerns about intermittent sound challenges; however, many remained at the venue until about 05:30am hours, cheering and calling for more performances as Stonebwoy thrilled the audience with his dynamic stagecraft and popular hits. GNA
