Editorial
Bring Shatta Wale back to TGM

Shatta Wale
Dear Editor,
I wish to congratulate Stonebwoy and other winners of last weekend’s 25th edition of Ghana’s music awards held in Accra.
Without doubt, it has become the biggest entertainment gathering in Ghana’s showbiz circles.
The event, some few editions back, was marred by the behaviour of two artistes having the biggest brands in the industry, Stonebwoy and Shatta Wale whose actions created chaotic scenes at the event.
From that day, it appears the doors of the awards have been shut on Shatta Wale, leaving a chunk of music followers loyal to him out of the celebration.
Whatever happened at that particular event have been sorted as both artistes have apologised and pledged to be of good behaviour.
What is of concern to me is the absence of Shatta Wale at recent events. We are not sure whether it is a decision from his camp to ignore the event or one from the organisers to do without him.
Much as we respect any decision by Charterhouse, the organisers, to ensure some sanity for the event, we also want to plead with them to find a way to bring Shatta Wale back.
Wale’s clout in Ghana’s music industry makes him a giant and therefore his absence in such awards can put a dent on the winner. It could be like winning a competition without the top athletes.
People would always look back and say that it would have been different had Shatta Wale featured. It may not be the case today but it could be tomorrow.
It is my fervent hope that next year by this time when the event is announced, nominations would be received from the Shatta Movement. Thank you for the space.
Mark Aprede,
Accra
Editorial
Flooding in Accra demands urgent action
Dear Editor,
The recent flooding in various parts of Accra has once again exposed the city’s long-standing drainage and sanitation challenges.
Heavy rains over the past weeks have submerged homes, stranded motorists, destroyed properties and displaced several residents in communities such as Alajo, Mallam, Kaneshie, Dansoman and other flood-prone areas.
Reports also indicate that the spillage of the Weija Dam has worsened the situation for some downstream communities.
It is worrying that flooding has become an annual occurrence despite repeated promises by authorities to address the problem.
Many drains remain choked with refuse, waterways are obstructed by illegal structures, and poor planning continues to increase the vulnerability of residents.
The consequences are not only economic but also pose serious risks to human lives and public health.
While government agencies and NADMO have activated emergency response measures, prevention must receive equal attention.
Citizens must stop dumping waste into gutters, while city authorities must intensify desilting exercises, enforce building regulations and ensure that drainage systems are properly maintained.
Accra deserves a lasting solution to this recurring disaster. The time has come for all stakeholders government, local assemblies and residents to work together to make the capital safer and more resilient during the rainy season.
Samuel Tetteh,
Accra.
Editorial
Ghana’s movie industry requires urgent attention
Dear Editor
I write with deep concern about the steady decline and near-collapse of our once-promising movie industry.
Not long ago, Ghana’s film sector was vibrant, producing movies that entertained, educated, and projected our culture across Africa and beyond.
Today, however, the industry appears to be struggling for survival.
Many talented actors, directors, and producers are leaving the scene due to lack of funding, poor distribution channels, and minimal government support.
Piracy continues to rob filmmakers of their rightful earnings, while investors show little confidence in the sector because returns are uncertain.
As a result, production quality has dropped significantly, and audiences are gradually turning to foreign content.
Another major challenge is the absence of modern equipment and well-equipped studios. In addition, the lack of structured training institutions for film production and acting has affected professionalism in the industry.
Social media content creators have now replaced traditional filmmakers, but without proper coordination, this cannot fully sustain a national film industry.
If urgent steps are not taken, Ghana risks losing an important cultural and economic asset. I therefore appeal to the Ministry of Tourism, Arts and Culture, private investors, and stakeholders to collaborate in reviving the industry through funding support, strict anti-piracy measures, and the establishment of modern film production hubs.
Our stories matter, and our industry must not be allowed to die.
Jane Addai,
Accra




