Fashion
Ahemaklodin, making fashion statements with African prints
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Amidst the evolving trend of fashion from the 90s baby tees, slip dresses, high-wasted miniskirts with colourful coats, baggy jeans and capri pants, fashion brands have constantly employed some level of creativity to standout.
Ahemaklodin, a fast-rising Ghanaian fashion brand, has maintained a dominant use of African fabrics to create outstanding outfits for every occasion.
The solely ladies wear fashion house, in a bid to celebrate Ghanaian and African culture, has committed to providing kids, adults, professionals with suitable wears.
From humble beginnings, the brand is gradually carving a niche as the-go-to brand for occasions where tradition meets heritage.
By Michael D. Abayateye
ELEGANCE, glamour and creativity filled the Mikando Conference Centre last weekend as models thrilled guests at the ‘Ghana Kidz & Teen Fashion Festival.’
The children confidently showcased a stunning collection of fashion pieces that kept the enthusiastic audience applauding throughout the night.
Supported by EXOPA Model Agency and Mercury Republic, the occasion highlighted young designers, featured music and dance performances, and brought people together through creativity and style.
The audience was thrilled by the children’s captivating catwalks, which featured stunning designs that showcased both contemporary flair and cultural heritage.
By Linda Abrefi Wadie
Elegance, glamour and creativity filled the Mikando Conference Centre last weekend as models thrilled guests at the ‘Ghana Kidz & Teen Fashion Festival.’
The children confidently showcased a stunning collection of fashion pieces that kept the enthusiastic audience applauding all night.
Supported by EXOPA Model Agency and Mercury Republic, the occasion highlights youth designers, featured music and dance performances and brought people together through creativity and style.
The audience were thrilled by the children’s captivating catwalks, which featured stunning designs that showcased both contemporary flair and cultural heritage.
By Linda Abrefi Wadie
