Profile
Victor Kuutuome — the “Clay Doctor” causing a stare with sculpture
Has anyone ever tried drawing or painting a piece of art but the work turns out not to be anywhere close to what one had intended to portray?
That could be embarrassing sometimes and it would be most appropriate to ‘hide’ the supposed artwork or risk being mocked by their peers or even competitors.
However, that is not the case of young Victor Kuutuome. He falls in the category of persons who are meticulous about their craft and he produces marvelous works deserving commendation.
With barely three years in the Arts and Sculpture industry, his handiwork has become a huge attraction to many art enthusiasts.
Victor, 29, is a final year student of University of Education, Winneba. At the time of this interview, he was on a teaching internship in one of the schools in his locality.
He had studied Visual Arts at T.I. Ahmadiyya Secondary School in the Central Region in 2009 but financial constraints did not permit him to gain admission to the university the following year.
For eight years, he worked as an apprentice to a roadside artist before gaining admission finally to the university in 2017 to polish his skills in Sculpture and Graphic Design.
The sculptor, now popularly called “Clay Doctor” interacting with The Spectator about his recent works and future prospects, said he had wanted to abandon the course as he did not have initial interest in the field.
“I had wanted to study ceramics but one of my friends suggested we try something new so I settled on sculpture. I was completely lost during our first lesson because I did not have any prior knowledge in this area,” he narrated.
Nonetheless, he soon acquainted himself with the programme and had presented his first practical work which was rated highest among that of his compatriots in class.
As his interest in the craft grew further, Victor said he decided to understudy one of his lecturers at the Art Department who became his mentor.
“My lecturer [Dr. Thouphilus Kwesi Mensah] who was already a sculptor was impressed with my works and agreed that I work with him. His words of encouragement throughout the period pushed me to keep learning,” he noted.
Barring any unforeseen circumstance, Victor would graduate in a few months from today but he had already designed beautiful statues, depicting a host of personalities including popular footballer, Asamoah Gyan, President Akufo-Addo, Vice President Mahamudu Bawumia, and their spouses.
Others include well known musicians such as Stonebwoy, Shatta Wale, and Sarkodie which had gone viral in the early part of 2020.
His recent Akufo-Addo–Bawumia project which he calls “The Grace” had received positive feedback and he was looking forward to an opportunity to present the sculptures to the first gentleman of the land and his able deputy soon.
Touching on the various aspects of his work, Victor said he was able to “visualise the final outlook of any project before it started, adding that he had become engrossed in sculpture to the extent of diverting part of his school fees last year into completing one of his projects.
The man who hails from Nandom in the Upper West Region said he now found gratification in sculpture and believes “hardwork and passion” had contributed to his progress over the years.
“I enjoy giving a helping hand to others and the more I impart knowledge, the more I learn,” he said.
Victor indicated that a number of local and international clients had expressed interest and were “willing to pay good money” ever since his works began receiving public attention.
He said the craft, though exciting, came with some challenges and it took about one to three months to complete a project. However, there were others that could be done in two days.
“In addition to clay which is the main component, we use some chemicals also to enhance the final outlook but some of the chemicals could be harmful.
“Some people had gone blind due to exposure to some of the chemical so we take extra precaution when working with it,” he added.
Last year, Victor and six of his other colleagues were supposed to work on a project for their university but it was truncated due to the lockdown and subsequent closure of schools.
Obama, as others prefer to call him, wants to pursue a Masters Programme in sculpture right after school and consider lecturing in future as well.
While admitting that a section of the public were beginning to understand that statues were “not meant for the dead alone,” he said he was focused on improving the quality of his works and not seeking to compete with anybody.
“Sculpture is the father of art hence producing a statue of someone is an act of immortalising the person. We all will die someday but a sculpture will make the person be remembered forever,” he noted.
According to him, “some individuals now presented statue to their loved ones as a form appreciation but there is still the need for sensitisation while the government provides the needed support for the art and culture industry.”
Victor said he did not “expect a lot of things to happen so soon” and much of his gratitude goes to his mentor and lecturer, Dr Mensah.
The “Clay Doctor,” got his name when he wore a white overcoat to lectures. A friend had teased him briefly for appearing “too decent” to be working with clay and that nickname has since become his brand name.”
Apart from his day’s job, he has a miniature studio at home where he does most of his work anytime he receives orders.
By Ernest Nutsugah
In a world where stories shape perceptions and influence change, Michelle Eyram Yorgbe, stands out as a compelling voice dedicated to using media as a tool for transformation.
An accomplished journalist and filmmaker, her journey is one marked by excellence, resilience, and an unwavering commitment to social impact.
Eyram’s story begins at Mawuli Secondary School, where her passion for the arts and communication first took root.
Even at a young age, she exhibited a deep curiosity about the world around her and a desire to tell stories that matter. This early interest would later blossom into a purposeful career in media and storytelling.
Her academic path led her to the National Film and Television Institute (NAFTI), where she pursued a Diploma in Film Directing and Script Writing.
At NAFTI, Eyram honed her creative instincts, learning to craft narratives that not only entertain but also educate and inspire.
Her training laid a strong foundation, equipping her with the technical and artistic skills needed to excel in the dynamic world of film and media.
Driven by a desire to engage more deeply with public discourse, Eyram continued her education at the University of Media, Arts and Communication – Institute of Film and Television (UniMAC-IFT), where she pursued a Bachelor of Arts in Broadcast Journalism.
Her dedication and discipline quickly set her apart. She graduated with First Class Honours and was named the Overall Best Student of UniMAC-IFT in 2024, a remarkable achievement that underscored her commitment to excellence.
But she’s not one to rest on her laurels. After that feat, Eyram advanced to the University of Media, Arts and Communication – Institute of Journalism (UniMAC-IJ) for her Master’s degree in Journalism. Once again, she distinguished herself academically, graduating as the Valedictorian of her cohort with an outstanding Final Grade Point Average of 3.94.
“It’s a big honour to graduate as the Overall Best Graduating student with an outstanding Cumulative Grade Point Average (CGPA) of 3.94 in the MA in Journalism,” she shared her joy with The Spectator.
“What makes it even more beautiful was coming out as the Valedictorian on two occasions. I am so proud. This would, however mean nothing without a direct impact of this on society,” she said.
Her academic journey reflects not only intellectual brilliance but also a relentless pursuit of growth and impact.
In 2025, Eyram’s excellence gained international recognition when she was selected for further studies in Norway through a partnership between UniMAC-IJ and NLA University College under the Erasmus Mundus Mobility Programme.
This opportunity marked a significant milestone, allowing her to expand her horizons, engage with global perspectives, and refine her craft on an international stage.
Yet, beyond her impressive academic achievements, what truly defines Eyram is her heart for service.
She is deeply committed to advocacy and social development, particularly in championing gender equity and supporting marginalised communities.
Her passion for making a difference has seen her actively involved in community initiatives that bring tangible change to people’s lives.
As a volunteer with the Ghanaian Heritage Organisation, an NGO founded by members of the Ghanaian diaspora, Eyram played a pivotal role in community development projects across the Volta Region. Notably, she contributed to efforts that provided boreholes to underserved villages, bringing clean and accessible water to communities in need.
As the organisation’s only member based in Ghana, her role was both unique and impactful, bridging the gap between local needs and diaspora support.
Her commitment to social change is further reflected in her role as a co-founder of the Dreams Impact Foundation, an initiative she established alongside her sisters.
Through this foundation, Eyram has offered support to vulnerable groups by distributing sanitary products to schoolgirls and prison inmates, while also providing essential items to widows in disadvantaged communities.
These acts of compassion demonstrate her belief that storytelling must go hand in hand with action.
Outside her professional and humanitarian work, Eyram is an avid reader and a lover of films. These passions continue to enrich her perspective, shaping her understanding of narratives and reinforcing her dedication to telling stories that resonate and inspire.
As she steps into the next phase of her journey, she remains steadfast in her mission—to use journalism and storytelling as powerful tools for advocacy, social transformation, and amplifying the voices of the unheard.
Her story is not just one of personal success, but of purpose, a reminder that when talent meets passion and service, the result is truly transformative.
Indeed, Eyram is not only telling stories; she is changing lives, one narrative at a time through storytelling and service.
By Esinam Jemima Kuatsinu
In the world of sports, athletes often take center stage while the role of officials remains equally critical, yet less celebrated.
One Ghanaian is steadily changing that narrative. He is Aziz Adimah, a dedicated hockey umpire whose journey from the school field to the international arena reflects passion, resilience, and purpose.
Aziz Adimah’s story with hockey began during his secondary school days. Introduced to the sport in his second year by a peer tutor, what started as a casual interest quickly evolved into a lifelong commitment.
After completing school, he continued playing actively, but by 2008, he made a defining decision to pursue officiating seriously.
That decision marked the beginning of a remarkable turn in his sports journey.
While many athletes aspire to reach the pinnacle as players, Aziz recognised a different path to longevity and impact in the sport. According to him, playing careers especially at the national level can be short-lived, often limited to a few major tournaments.
Officiating, however, offered a broader horizon.
Through umpiring, Aziz found an opportunity not only to stay connected to the sport but also to rise through the global ranks. His dedication has since earned him a place on the international stage, where he proudly represents Ghana.
One of Aziz’s greatest motivations is the honour of representing his country internationally. Having officiated in global competitions, including World Cup qualifiers, he describes the experience as both humbling and inspiring.
Among his most memorable moments was officiating a high-intensity match between Pakistan and England during a World Cup qualifying tournament.
The pace, skill, and tactical depth of the game left a lasting impression on him and reinforced his passion for the profession.
“Being alone on that stage, representing your country is a special kind of pride,” he reflects.
Like every profession, umpiring comes with its own set of challenges. For Aziz, two stand out: logistics and performance expectations.
Unlike players who often benefit from structured team support, umpires must sometimes navigate limited resources, including travel logistics. Additionally, officials are expected to perform at standards higher than the level of play in their home countries which required constant learning, exposure, and adaptation to global trends.
Another major challenge lies in decision-making under pressure. Aziz recounts a particularly difficult moment when, as a video referee, he had to review footage and make a call that resulted in a player receiving a yellow card and a ten-minute suspension.
“In such moments, you know that if you get it wrong, it affects the entire game,” he explains.
Umpiring demands sharp judgment, often within split seconds. Aziz emphasises that fans and players must understand the intensity of this responsibility.
“The umpire processes everything in a split second. Sometimes you get it right, sometimes you don’t but the pressure is always there.”
Fortunately, he highlights the strong support system within the hockey hierarchy; from coaches to technical teams which provides room for reflection, learning, and growth.
Beyond officiating, Aziz is deeply committed to developing hockey in Ghana.
He runs an academy that focuses on nurturing young talent, with programmes for both youth and university students.
Currently, the academy trains players under 20 and is expanding its reach within tertiary institutions.
His goal is to build a strong pipeline of talent while also promoting officiating as a viable pathway in the sport.
However, he notes a significant gap in female participation, particularly in umpiring.
Efforts are underway to intentionally recruit and mentor more women into officiating roles, including collaborations with schools and international professionals.
Outside the hockey field, Aziz maintains a professional career, balancing work responsibilities with his demanding schedule as an umpire.
He credits his workplace –Promasidor Ghana Limited, for being supportive, allowing him to travel for international assignments.
Despite the challenges, he considers hockey not just a profession, but a form of leisure; something he genuinely enjoys.
Currently serving on the international panel just below the elite level, Aziz is determined to climb higher.
His immediate goal is to secure the required assessment scores to qualify for the top-tier panel, which would enable him to officiate at prestigious events such as the World Cup and the Olympic Games.
Driven by ambition, he hopes to become one of the first Ghanaian umpires to reach that level.
To young people considering a career in hockey officiating, Aziz offers both encouragement and realism. While the profession may not yet provide full financial security, it offers exposure, growth, and the chance to make a mark globally.
With structural improvements expected in international hockey, he believes the future holds greater opportunities for umpires worldwide.
A husband and father of two, Aziz Adimah embodies balance, discipline, and vision. His journey is not just about personal achievement but about elevating Ghana’s presence in international hockey.
Through every whistle blown and every decision made, he continues to inspire a new generation proving that sometimes, the most powerful impact in sports comes not from scoring goals, but from ensuring the game is played right.
By Esinam Jemima Kuatsinu
Join our WhatsApp Channel now!
https://whatsapp.com/channel/0029VbBElzjInlqHhl1aTU27
Entertainment1 week agoDeals, Crowds, and Big Wins: Dulcie Boateng’s Porials Pitch 2026 Returns This Weekend
- News3 days ago
Okudzeto Ablakwa engages South African International Relations Minister over Xenophobic attacks
- Sports1 week ago
MTN FA Cup Semi final and WPL final matches to pay tribute in honour of Dominic Frimpong
