Fashion
Looking corporate, but fashionable
Fashion is something we deal with everyday. Even people who say they don’t care about what they wear choose clothes every morning that speak a lot about them and how they feel that day.
As a professional, appearances and first impressions are critical. As a woman, the issues of presentation and dress are far more complex. How people see women in business is equally important, and choosing the best method to make a positive impression is far more difficult.
Any woman who work in a professional environment knows that there are dress codes and most times have difficulty on deciding their wardrobe for work.
Corporate clothing reinforces your corporate identity. It builds a sense of pride and belonging across staff members and makes employees easily recognisable to customers.
Women’s professional attire is fortunately not limited to suits exclusively. When assembling your outfit, take care in co-ordinating colours, covering the appropriate amount of cleavages, and ensuring that hem lines do not pass your fingertips when placing your arms at your sides
Do not wear clothes that are too tight to the point that they are ill-fitting. Be sure that you are comfortable and confident, and this includes your shoes.
Shoes should not be painful or a distraction, simplicity and sensibility will gain you more respect than extreme or worn-out shoes.
Other times, professional women worry about coming off too casual or girly in some feminine clothing.
Although these are both legitimate concerns, women can have the best of both worlds.
By: Deborah Esaawah Andorful
In the bustling streets of Accra, braided crowns, coiled Afros, and beaded locks are more than fashion statements. They are living testaments to heritage, resilience, and identity.
The Afro, which rose to prominence in the 1960s and 70s, was more than a hairstyle. It became a symbol of defiance against Eurocentric beauty standards and a proud declaration of Black identity.
But the story of African hair stretches back centuries. Ancient carvings from Egypt depict intricate braids and cornrows, styles that carried messages of social status, age, and even spirituality. Across West Africa, beads and cowrie shells were woven into hair, turning each head into a canvas of culture and artistry.
“Hair was never just hair,” says cultural historian Ama Ofori. “It was a language, a way of telling the world who you were and where you came from.”
Colonial rule attempted to suppress these traditions, branding natural hair as ‘unruly.’ Yet, generations later, the revival of the Afro and traditional styles has reclaimed that narrative. Today, braids, twists, and Afros are celebrated on runways, in music videos, and on city streets worldwide.
For many young Africans, embracing natural hair is both a fashion choice and a way of honouring ancestors while shaping modern identity. “When I wear my Afro,” says student and stylist Efua Mensah, “I feel connected to history. It’s not just style, it’s strength.”
As the global fashion industry increasingly embraces African-inspired looks, the Afro reminds us that beauty is not only about trends. It is about heritage, pride, and the stories carried in every strand.
By Beatrice Wornovi
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AS Ghana Month unfolds this March, the streets and schools are alive with colour, fabric, and nostalgia. Old-school outfits, once everyday wear, have returned as proud symbols of heritage, reminding Ghanaians of the artistry woven into their past.
From the crisp secondary school uniforms of the 1970s to the bold kaba and slit styles worn by mothers and aunties, these outfits carry stories of discipline, elegance, and identity. The Afro style, paired with bell-bottom trousers or neatly pressed shirts, were once the hallmark of youthful rebellion and confidence.
Traditional fabrics like Kente and Smock remain central to Ghanaian fashion. Once reserved for chiefs and ceremonies, they now appear in classrooms, offices, and parades during Ghana Month, symbolising unity and pride.
“When I wear my Smock, I feel connected to my roots,” says Kwame Asare, a teacher in Tamale. “It is more than clothing; it is history stitched into fabric,” he added.
Old-school fashion also tells the story of Ghana’s social evolution. The platform shoes and polka-dot dresses of the 1980s reflected global influences, while braided hairstyles and headscarves kept tradition alive. Today, young designers are reimagining these looks, blending vintage cuts with modern flair.
For many, dressing in old-school outfits during Ghana Month is not about nostalgia. It is a way of honouring ancestors, celebrating resilience, and teaching the next generation that fashion is culture.
“Our clothes remind us where we come from,” says stylist Efua Mensah. “They are our crown, our pride, and our story.”
As Ghana celebrates its independence and heritage this month, the revival of old-school outfits proves that fashion is never just about trends. It is about memory, identity, and the timeless threads that bind a nation together.
By Linda Abrefi Wadie
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