Fashion
Designer behind Mac Browns Outfit
Shika Geo-Glavee, is the Chief Executive Officer of Shik Collections whose vision is to create diversity and promote Ghana and African fashion industry globally.
She has consistently styled actress and television hostess, Felicity Ama Agyeman popularly known as Nana Ama Mac Brown for the past five years.
She recounted that it all began when she was contacted by a producer of a show to style her.
” Nana is just one amazing personality. I recount the day I launched my J’adore collection and she surprised me by showing up even though she had a packed day. The vibe she brought on board was priceless: she is a beautiful soul” Ms Geo- Glavee told The Spectator
Sharing how Nana Ama has impacted her brand, the CEO said “she gives her free publicity that is worth every penny spent on her”.
She stated that selection of the outfit was made depending on the occasion, the material and how she would wants the dress to be designed.
Shika described the future of the fashion industry as booming with lots of new designers springing up, and that would give an idea about the prospect in designing and the high demand for local print clothing and accessories.
In an Interview with Nana Ama Mac Brown she also said Shik Collection was a brand she loved to wear because it was modest, simple and classy.
“We have built a very good relationship over the years and supporting her brand by wearing her clothes, brings me joy” she said.
By Linda Abrefi Wadie
In the bustling streets of Accra, braided crowns, coiled Afros, and beaded locks are more than fashion statements. They are living testaments to heritage, resilience, and identity.
The Afro, which rose to prominence in the 1960s and 70s, was more than a hairstyle. It became a symbol of defiance against Eurocentric beauty standards and a proud declaration of Black identity.
But the story of African hair stretches back centuries. Ancient carvings from Egypt depict intricate braids and cornrows, styles that carried messages of social status, age, and even spirituality. Across West Africa, beads and cowrie shells were woven into hair, turning each head into a canvas of culture and artistry.
“Hair was never just hair,” says cultural historian Ama Ofori. “It was a language, a way of telling the world who you were and where you came from.”
Colonial rule attempted to suppress these traditions, branding natural hair as ‘unruly.’ Yet, generations later, the revival of the Afro and traditional styles has reclaimed that narrative. Today, braids, twists, and Afros are celebrated on runways, in music videos, and on city streets worldwide.
For many young Africans, embracing natural hair is both a fashion choice and a way of honouring ancestors while shaping modern identity. “When I wear my Afro,” says student and stylist Efua Mensah, “I feel connected to history. It’s not just style, it’s strength.”
As the global fashion industry increasingly embraces African-inspired looks, the Afro reminds us that beauty is not only about trends. It is about heritage, pride, and the stories carried in every strand.
By Beatrice Wornovi
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AS Ghana Month unfolds this March, the streets and schools are alive with colour, fabric, and nostalgia. Old-school outfits, once everyday wear, have returned as proud symbols of heritage, reminding Ghanaians of the artistry woven into their past.
From the crisp secondary school uniforms of the 1970s to the bold kaba and slit styles worn by mothers and aunties, these outfits carry stories of discipline, elegance, and identity. The Afro style, paired with bell-bottom trousers or neatly pressed shirts, were once the hallmark of youthful rebellion and confidence.
Traditional fabrics like Kente and Smock remain central to Ghanaian fashion. Once reserved for chiefs and ceremonies, they now appear in classrooms, offices, and parades during Ghana Month, symbolising unity and pride.
“When I wear my Smock, I feel connected to my roots,” says Kwame Asare, a teacher in Tamale. “It is more than clothing; it is history stitched into fabric,” he added.
Old-school fashion also tells the story of Ghana’s social evolution. The platform shoes and polka-dot dresses of the 1980s reflected global influences, while braided hairstyles and headscarves kept tradition alive. Today, young designers are reimagining these looks, blending vintage cuts with modern flair.
For many, dressing in old-school outfits during Ghana Month is not about nostalgia. It is a way of honouring ancestors, celebrating resilience, and teaching the next generation that fashion is culture.
“Our clothes remind us where we come from,” says stylist Efua Mensah. “They are our crown, our pride, and our story.”
As Ghana celebrates its independence and heritage this month, the revival of old-school outfits proves that fashion is never just about trends. It is about memory, identity, and the timeless threads that bind a nation together.
By Linda Abrefi Wadie
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