Entertainment
Reply to my song from the studio not court- Kumi Guitar to Quarme Zaggy
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There seems to be no end in sight regarding the tussle between two highlife artistes, Kumi Guitar and Quarme Zaggy, as the former has reacted to the threat of court action by the latter.
Few weeks ago, Kumi Guitar released a new song christened “Sex” which mentioned some artistes like, Shatta Wale, Bless, Kuami Eugene, Kofi Kinata among others and described them as non-virgins.
Kumi mentioned Quarme Zaggy in the song and described him in some words which did not go down well thus, eliciting a quick response from him (Zaggy).
Quarme Zaggy who felt slighted in the song, has since threatened legal action, saying the lyrics about him amounted to defamation of character, for this reason Kumi Guitar should be prepared to meet him in court.
Reacting to this, Kumi Guitar told The Spectator that, “this is a creative piece, and as a musician, he could not have used any other professionals, than those in his own circles who ply same trade.”
He stated that the music was to create humour, and entertain people, and was surprised that Quarme Zaggy, a known Ghanaian musician did not see the artistic intent.
The “Betweener” hit maker, (Kumi Guitar) posited that after he released a song dubbed “Dream”, Quarme Zaggy countered with a song “Tototfiifii” which he (Quarme Zaggy) threw a jab at him, but he did not take the court approach to settle the issue.
According to Kumi, he expected a reply lyrically from other artistes, to keep the music scene active or vibrant.
“Together with my label we are ready for him, being the first to go to court, does not make one a victor,” he said, stressed that he did not intend defaming anybody, rather, he believe this could bring about togetherness.
Kumi Guitar, said “he doesn’t want to overburden music lovers with a lot of songs, and considering the upcoming elections, he would wait a little and release his album next year.”
By Edem Mensah-Tsotorme
Ghanaian musician Ezecheal Kwasi Asimeng Frimpong, popularly known as Ancienth has released a new Palmwine single titled ‘Asukese Abena’.
The song is a celebration of love, culture, and the timeless wisdom embedded in Ghana’s traditional way of life.
According to him, the project is meant to remind people that Palmwine music is not a relic of the past.
“Through this project, I want people to understand that Palmwine music is not a relic of the past, it is a living heritage that still speaks powerfully to the present,” he said.
Ancienth traces his journey in Palmwine music to the pioneering work of Kwame Asare, also known as Jacob Sam, and the Kumasi Trio. He credits them with laying the foundation for one of Ghana’s most important musical traditions, a path that later generations continue to walk.
“I entered this space because I believe every nation must protect its cultural voice,” Ancienth explained, adding that “Palmwine music carries our stories, values, humour, history, and identity. Preserving it is not only a musical responsibility but also a cultural one.”
The musician described the journey as rewarding but challenging, noting that traditional music often receives less attention and investment compared to mainstream genres.
To strengthen the space, he is calling for greater support from the media, cultural institutions, educational bodies, and the public.
“My appeal to Ghanaians is simple, support indigenous music, because when a people lose their cultural sound, they gradually lose part of their identity,” he added.
As a torchbearer of Palmwine Music, Ancienth says his mission is to honour the legacy of the pioneers while introducing Palmwine music to new generations and audiences across the world.
Asukese Abena is now available on all digital platforms, including YouTube
By Edem Mensah-Tsotorme
The Ghana Tourism Authority (GTA) has expressed profound sorrow over the death of celebrated visual artist and Guinness World Record holder Sharon Dede Padi, popularly known as Padiki.
In a statement signed on behalf of the Chief Executive Officer, Maame Efua Houadjeto, the Authority said Padiki’s passing was a painful loss to Ghana’s tourism and creative sectors, as well as the nation at large.
“Padiki was more than a Guinness World Record holder. She was a beacon of resilience, determination, creativity, and youthful excellence whose remarkable achievement brought pride not only to herself and her family but also to Ghana,” the statement said.
It added that through her determination to dream big and push boundaries, she inspired countless young people to believe that passion, perseverance and hard work could make the impossible possible.
The Authority said Ghana had lost “one of its brightest ambassadors whose story embodied the spirit of innovation, excellence, and the boundless potential of our people”.
Maame Efua Houadjeto, together with the management and staff of the GTA, extended condolences to Padiki’s family, friends and loved ones, as well as all those inspired by her journey.
