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Shatta Wale Links Up With Mr. Eazi Ahead Of GOG Album Release

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Shatta Wale meets Mr. Eazi in Nigeria ahead of his upcoming GOG album release which is dated the 17th of October.

African Dancehall King, Shatta Wale has hinted so many times how Mr. Eazi has inspired him a lot to do this album and has even suggested the name ‘Gift Of God’ as the title of the album.

In some interviews Shatta Wale attends, he always praises Mr. Eazi for the support he has given him in coming up with this his yet to be released album 

Most times Shatta Wale mentions that Mr. Eazi is part of the distributors of the album. ‘Mr. Eazi is always ready to share the album on his platforms if GOG is to be dropped today’ Shatta always says

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 As the date for the launching of the album is dropping near, Shatta Wale has gone to meet his good friend, Mr. Eazi to see the preparation for the album 

Watch the video to see what happened in the highlighted video link below:

Watch the video.

Source: Opera News

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Rumzia Sule crowned Miss Ghana 2026

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Rumzia Sule being crowned the winner of Miss Ghana 2026
Rumzia Sule being crowned the winner of Miss Ghana 2026

An International Relations student at Cumbria University, Rumzia Sule, has been officially crowned Miss Ghana 2026, emerging victorious over 12 other contestants to claim the coveted national title.

The grand finale of the 69th edition, held under the theme “Empowering Women, Enduring Legacy,” saw the University of Ghana graduate Fatimatu Zara Ishacu finish as the first runner-up and Whitney Opoku Nketia adjudged the second runner-up.

Other awards, such as Miss Fitness, Miss Talent, Miss Eloquent, Most Beautiful Skin, Miss Congeniality, Most Disciplined, and Miss Photogenic, went to Nedlyn Appiah, Lucille Akua Oputa-Otutu, Davinia Owusu Kuffuor, Lawrencia Serwaa Amankwa, Fatimatu Zara Ishacu, Anita Appiah, and Whitney Opoku Nketia, in that order.

Rumzia also won the Beauty with Purpose award.

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Unlike previous editions, this year’s pageant adopted a strategic, scaled-down format. Shifting away from traditional pomp and pageantry, to a more personal and community skills development theme.

The final selection was held at the Oak Plaza Hotel in Accra before an elite panel of judges, relatives of contestants amongst others present to witness the historic occasion.

According to the organisers, Exclusive Events Ghana and the Miss Ghana Foundation, the format change was a deliberate choice, as part of preparations towards the upcoming milestone for the brand both nationally and internationally, that is, next year’s landmark 70th, in Ghana and this year’s 75th anniversaries, internationally.

Despite the cozy setting of the coronation, the finalists underwent the full, rigorous pageant journey following nationwide auditions on June 27, 2026.

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The young women participated in intensive, weeks-long mentorship, leadership, and entrepreneurship programme designed to test their resilience, empathy, discipline, and professionalism.

Furthermore, the contestants demonstrated their commitment to national development by rolling up their sleeves for the National Clean-Up Exercise, supporting President John Dramani Mahama’s call to restore cleanliness across Ghana by desilting choked gutters in parts of Accra.

The Foundation emphasised that these outreach programmes were vital evaluation tools used to identify a queen who genuinely embodies compassion and a willingness to serve society beyond the glamour of the stage.

Rumzia’s exceptional public speaking and commanding vision ultimately separated her from the field.

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As the new Miss Ghana 2026, Rumzia will now begin preparations to represent the nation on the international stage at the upcoming Miss World pageant in Vietnam.

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Lexikon’s music becomes movement of faith, justice, Pan-Africanism

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Lexikon
Lexikon

Born on August 14, 1980 in Cape Coast, where centuries-old castles still whisper of slavery, resistance and survival, musician Lexikon says his life has been shaped by the weight of history and the hope of renewal.

Growing up among the relics of the transatlantic slave trade, the artist developed an early hunger for truth, justice and identity. 

That search took him from the halls of Mfantsipim School to the Chartered Institute of Marketing in the UK, where he fused academic training with a growing passion for artistry.

But it is on stage, through reggae and dancehall, that Lexikon’s voice finds its fullest expression.

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According to him, “Music is not just entertainment. It is a call to the youth, a challenge to corrupt power, and a hymn of hope.”

Over the years, Lexikon has built a catalogue of 15 albums. Through his Baanfire Revolution, he champions Pan-Africanism, self-reliance and empowerment. With his Christ-For-I Mission, he uses the same platform to redirect hearts to faith and purpose.

Industry watchers describe his work as more than sound,  a movement, a sermon, and in his words, “a revolution wrapped in melody.”

Now based in Accra, the father, artist and advocate says he remains committed to speaking for Africa’s young people.

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 For Lexikon, music is the tool: a reminder that even in struggle, there is room for renewal, and that, as he puts it, “music can be the whip of change.”

As Ghana’s creative scene continues to evolve, Lexikon stands as one of the voices merging culture, spirituality and social commentary rooted in Cape Coast history, but speaking directly to a new generation across the continent.

By Edem Mensah-Tsotorme 

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