Entertainment
Why Patience Nyarko got it wrong “attacking” Joe Mettle

I had the surprise of my life this weekend, when I heard a gospel musician, Patience Nyarko, expressing disaffection for the hype of a colleague, Joe Mettle.
From the nature of gospel music genre, and what goes into it, it should be the last place where an artiste would be embittered by the rise of a colleague.
It was really surprising for such words to come from a gospel artiste even if provoked to the highest degree.
A true gospel musician is called by God and he or she understands the ministry and as such, must be guided by the Holy Spirit when making utterances about the ministry.
Why should gospel artiste Patience Nyarko be irked by a radio presenter, OB Nartey’s assertion that “Joe Mettle is the only artiste with an international appeal.”
This claim was seconded on Onua FM’s “Anigye Mmre” entertainment programme by another Ghanaian promoter, Allordia, in the United Kingdom.
According to Allordia, “most local gospel musicians billed for shows in UK flop, with the exception of Joe Mettle”.
This did not go down well with the “Obi Nyane Me” hitmaker, who felt it was an insult to other gospel artistes in the country.
Against this backdrop, she “fired” Joe Mettle on the show when expressing her disappointment, saying, “Joe Mettle doesn’t deserve his hype and that he mostly sings existing hymns.”
For her, there were other amazing talents other than Joe Mettle who wrote their own songs and must enjoy the spotlight, adding that Joe Mettle, who had been around for over a decade had not reached where Ghanaians were trying to project him.
At best Patience Nyarko and other musicians should ask themselves what is making Joe Mettle attractive to international gigs and all the hype as well as what he puts in his songs.
It must be made clear that there is no problem with a gospel artiste singing existing songs or hymns, rather it is how one is able to move the crowd and make ‘annointing’ rain on the congregation.
One mark of a gospel artiste is how to make the Holy Spirit fill a room during performances among others, not whose song it is. Congregation concentrates on the anointing, not composers.
By Edem Mensah-Tsotorme
Entertainment
Beauty pageants aren’t outdated — Inna Patty

Chief Executive Officer of Exclusive Events Ghana, organisers of Miss Ghana, Inna Patty, has dismissed claims that beauty pageants have outlived their relevance.
She insists pageants such as Miss Ghana have evolved into an empowerment platform that develops female leaders rather than celebrating physical beauty.
Speaking with Daily Graphic, Inna Patty said Miss Ghana, the country’s oldest beauty pageant had deliberately shifted its focus from glamorous prizes to producing socially conscious women capable of leading change in their communities.
The criticism only holds true if a pageant remains strictly superficial. Miss Ghana remains deeply relevant because we long ago pivoted from material-centric prizes to human development and social intervention through the Miss Ghana Foundation and Miss World’s Beauty With a Purpose. We are an empowerment programme disguised as a pageant.”
According to her, at a time when society is demanding stronger female leadership and greater social responsibility, Miss Ghana continues to distinguish itself by placing emphasis on project management, philanthropy, leadership and intellectual development.
She explained that contestants are expected to go beyond the runway by identifying pressing social issues, developing practical solutions and mobilising resources to execute impactful community projects.
“Contestants do not just speak about charity. They are required to identify pressing community needs, draft viable project proposals and actively raise funds to implement them. This transforms them from passive observers into active civic leaders who understand the mechanics of sustainable social impact,” she noted.
Inna Patty added that the pageant has consistently produced positive role models for young Ghanaian girls by highlighting women whose achievements are defined by their intelligence, compassion and service to society.
“We have redefined what a role model looks like for the next generation. By showcasing young women who are brilliant, articulate, educated and deeply compassionate, we teach young girls that their worth is defined by their intellect, character and contribution to society,” she said.
Her comments come as Miss Ghana prepares to celebrate its 70th anniversary next year, a milestone she described as a testament to the pageant’s resilience and enduring relevance.
“Reaching seven decades is a monumental milestone that underscores our resilience, institutional strength and enduring relevance. It is a celebration of a legacy that is inextricably linked to the history of Ghana itself,” she stated.
She recalled that the pageant was initiated by Ghana’s first President, Osagyefo Dr Kwame Nkrumah, adding that historical records indicate Parliament once allocated funds for its organisation, underscoring its importance as a national project.
Entertainment
Beauty pageants aren’t outdated —Inna Patty

Chief Executive Officer of Exclusive Events Ghana, organisers of Miss Ghana, Inna Patty, has dismissed claims that beauty pageants have outlived their relevance.
She insists pageants such as Miss Ghana have evolved into an empowerment platform that develops female leaders rather than celebrating physical beauty.
Speaking with Daily Graphic, Inna Patty said Miss Ghana, the country’s oldest beauty pageant had deliberately shifted its focus from glamorous prizes to producing socially conscious women capable of leading change in their communities.
The criticism only holds true if a pageant remains strictly superficial. Miss Ghana remains deeply relevant because we long ago pivoted from material-centric prizes to human development and social intervention through the Miss Ghana Foundation and Miss World’s Beauty With a Purpose. We are an empowerment programme disguised as a pageant.”
According to her, at a time when society is demanding stronger female leadership and greater social responsibility, Miss Ghana continues to distinguish itself by placing emphasis on project management, philanthropy, leadership and intellectual development.
She explained that contestants are expected to go beyond the runway by identifying pressing social issues, developing practical solutions and mobilising resources to execute impactful community projects.
“Contestants do not just speak about charity. They are required to identify pressing community needs, draft viable project proposals and actively raise funds to implement them. This transforms them from passive observers into active civic leaders who understand the mechanics of sustainable social impact,” she noted
Inna Patty added that the pageant has consistently produced positive role models for young Ghanaian girls by highlighting women whose achievements are defined by their intelligence, compassion and service to society.
“We have redefined what a role model looks like for the next generation. By showcasing young women who are brilliant, articulate, educated and deeply compassionate, we teach young girls that their worth is defined by their intellect, character and contribution to society,” she said.
Her comments come as Miss Ghana prepares to celebrate its 70th anniversary next year, a milestone she described as a testament to the pageant’s resilience and enduring relevance.
“Reaching seven decades is a monumental milestone that underscores our resilience, institutional strength and enduring relevance. It is a celebration of a legacy that is inextricably linked to the history of Ghana itself,” she stated.
She recalled that the pageant was initiated by Ghana’s first President, Osagyefo Dr Kwame Nkrumah, adding that historical records indicate Parliament once allocated funds for its organisation, underscoring its importance as a national project.
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