Entertainment
I did not put Joe Mettle ahead of all Gospel Artistes in Ghana- OB Nartey clarifies
Radio Presenter cum gospel artiste, Kwame O. B Nartey, who has been described by many as the architect of the seeming rift between two gospel artistes has clarified his earlier statement which has caused the uproar.
According to OB Nartey, he never put Joe Mettle ahead all gospel artistes in the country.
Clarifying his statement,he told The Spectator that it was unfortunate that comments he made which did not warrant attack had turned out this way.
“I did not make a comment that seems to place Joe Mettle ahead of other artistes based on their artistry or music,” he said.
For him, he only sought to put Joe Mettle’s branding and promotion into perspective, in that the artiste had implored the right elements of marketing to make his brand appealing.
He said that, there was any call for international recognition and gigs, Joe Mettle would be the first to come to mind, due to his brand positioning, and this was not intended to look down on others.
“It is an industry we are growing if someone implores the right marketing mix to project his brand to the global platform, it is in the right order emulate and not be misconstrued,” OB Nartey said
According to the Vision 1 FM Presenter, “I had no intention to redicule others, it would be better for them to understand the question I was asked. I would beg everyone to listen to the context rather than generalise the whole issue”.
There has been misunderstanding on the gospel music front, as some comments attributed to OB Nartey had sparked some rift, which led to an outburst from ” Obi Nyane Me” hit maker, Patience Nyarko.
According to Patience on Anigye Mmre on Onua FM last Saturday for OB Nartey to put Joe Mettle above other gospel artistes was an insult, adding that Joe does not deserve the hype and the level he’s been projected to be”.
This has generated heated debates in the gospel music industry with others backing the Patience Nyarko’s reaction, while some circles have also expressed disapproval of her attacks on Joe Mettle’s brand
By Edem Mensah-Tsotorme
Ghanaian musician Ezecheal Kwasi Asimeng Frimpong, popularly known as Ancienth has released a new Palmwine single titled ‘Asukese Abena’.
The song is a celebration of love, culture, and the timeless wisdom embedded in Ghana’s traditional way of life.
According to him, the project is meant to remind people that Palmwine music is not a relic of the past.
“Through this project, I want people to understand that Palmwine music is not a relic of the past, it is a living heritage that still speaks powerfully to the present,” he said.
Ancienth traces his journey in Palmwine music to the pioneering work of Kwame Asare, also known as Jacob Sam, and the Kumasi Trio. He credits them with laying the foundation for one of Ghana’s most important musical traditions, a path that later generations continue to walk.
“I entered this space because I believe every nation must protect its cultural voice,” Ancienth explained, adding that “Palmwine music carries our stories, values, humour, history, and identity. Preserving it is not only a musical responsibility but also a cultural one.”
The musician described the journey as rewarding but challenging, noting that traditional music often receives less attention and investment compared to mainstream genres.
To strengthen the space, he is calling for greater support from the media, cultural institutions, educational bodies, and the public.
“My appeal to Ghanaians is simple, support indigenous music, because when a people lose their cultural sound, they gradually lose part of their identity,” he added.
As a torchbearer of Palmwine Music, Ancienth says his mission is to honour the legacy of the pioneers while introducing Palmwine music to new generations and audiences across the world.
Asukese Abena is now available on all digital platforms, including YouTube
By Edem Mensah-Tsotorme
The Ghana Tourism Authority (GTA) has expressed profound sorrow over the death of celebrated visual artist and Guinness World Record holder Sharon Dede Padi, popularly known as Padiki.
In a statement signed on behalf of the Chief Executive Officer, Maame Efua Houadjeto, the Authority said Padiki’s passing was a painful loss to Ghana’s tourism and creative sectors, as well as the nation at large.
“Padiki was more than a Guinness World Record holder. She was a beacon of resilience, determination, creativity, and youthful excellence whose remarkable achievement brought pride not only to herself and her family but also to Ghana,” the statement said.
It added that through her determination to dream big and push boundaries, she inspired countless young people to believe that passion, perseverance and hard work could make the impossible possible.
The Authority said Ghana had lost “one of its brightest ambassadors whose story embodied the spirit of innovation, excellence, and the boundless potential of our people”.
Maame Efua Houadjeto, together with the management and staff of the GTA, extended condolences to Padiki’s family, friends and loved ones, as well as all those inspired by her journey.
