Entertainment
Tracey Boakye blasts FIPAG over ‘suspension’
Actress and Movie Producer, Tracey Boakye, has blasted the Film Producers Association of Ghana (FIPAG) for suspending her.
FIPAG in a letter signed by its president, Mr James Aboagye has suspended the movie producer.
“Our attention has been drawn to recent publications and circulation of videos on social media platforms of vulgar and unprintable exchanges between Tracey Boakye and Mzbel. The contents were so bad and affront to our Ghanaian cultures, traditions, and sensibilities.
The Film Producers’ Association of Ghana (FIPAG) finds their actions very regrettable especially that of Miss Tracey Boakye, who happens to be an actress and a film producer and, therefore, supposed to serve as a role model.
“In view of this, FIPAG has immediately suspended Ms Tracey Boakye indefinitely. She is not supposed to take part in any of the activities during this period until the situation is reviewed.” the letter stated.
Reacting to the suspension in a video on social media, Tracey Boakye also said, she was an independent producer not a member of FIPAG.
She went further to state that the association did not know how she raised money to produce her movies, hence they did not wield any right to suspend her.
According to her, she was not under FIPAG and had never been a member in her eight years journey as a producer within which she had produced 14 movies.
Tracey said that, she never received a call or a visit from FIPAG when she gave birth, adding that “she has done a lot of good things which never attracted the attention of the body.”
Against this backdrop, she wondered why a body which denied her voting right on the grounds that she was not a member, could later turn around to suspend her.
According to her, this move by FIPAG was only an attempt to capitalise on her issues to disgrace her.
Tracey has recently trended on social media for fighting veteran musician, MzbeL over a “sugar daddy”.
This action, coupled with some unprintable words used in her altercations has attracted a lot of backlashing from the public.
This led to the “Baby Mama” movie producer apologising for the use of some vulgar words and disappointing her loved ones.
By Edem Mensah-Tsotorme
Ghanaian music icon, Akwasi Poku Addae, known in Showbiz circles as Kwaisey Pee has honoured his promise to children suffering from cancer.
Ahead of his 25th anniversary event held at the D’ Icon Event Centre at East Legon last year, he made a promise to donate some funds to children suffering from cancer.
True to his word, the musician has recently made a donation of GHC50,000 to the Paediatric Oncology Unit of the Korle-Bu Teaching Hospital.
He told the Ghanaian Times that children are so dear to him, and was optimistic the support would go a long way too impact lives.
The music dynamo also promised that the gesture will not be the last,” it will be a continuous feature from me.”
He also called on Ghanaians home and abroad to lend a helping hand to children suffering from cancer.
According to him, children with cancer have many needs, and a helping hands will go a long way ease the suffering.
“Cancer treatment is very expensive, and leaving that to parents of the children alone, will be a huge burden, with support from you and myself, we can make some changes in other people’s lives,” he concluded.
By Edem Mensah-Tsotorme
In the ever-evolving journey of Ghanaian music, there are individuals whose contributions transcend the spotligh.
There are always men and women who work quietly yet powerfully to preserve culture, nurture legends, and keep the soul of the music alive across generations and borders.
One such figures is Jerry Amoah, widely known and affectionately called Nana Kobo.
This year, Ghana Music Awards-USA honours Jerry Amoah for his unwavering commitment to sustaining Ghanaian music, both at home and in the diaspora.
It is a recognition long deserved, a celebration of decades of passion, sacrifice, and cultural stewardship.
Jerry Amoah’s journey has never been about personal glory. Instead, it has been anchored in service: promoting Ghanaian sounds, advocating for artistes, and ensuring that the richness of Ghana’s musical heritage continues to resonate beyond national borders.
Through his tireless efforts, many Ghanaian musicians have found platforms, audiences, and renewed relevance, especially within Ghanaian communities abroad.
Central to his legacy is his steadfast support for gospel music and, in particular, his enduring association with legendary gospel icon Yaw Sarpong.
At times when gospel music needed champions, Jerry Amoah stood firm—protecting its values, amplifying its message, and honoring its pioneers. His respect for Yaw Sarpong is not merely professional; it reflects a deep appreciation for music as ministry, heritage, and moral compass.
Colleagues often describe Nana Kobo as a bridge—connecting generations, genres, and geographies.
He understands that Ghanaian music is not just entertainment, but identity. Through festivals, promotions, mentorship, and behind-the-scenes advocacy, he has helped ensure that Ghana’s rhythms, lyrics, and spiritual expressions remain relevant in a globalized world.
As Ghana Music Awards-USA prepares to bestow this honour, it is not simply recognizing one man—it is saluting a lifetime of dedication to culture, faith, and music.
Jerry Amoah’s story reminds us that true impact is measured not by applause, but by legacy.
And in the story of Ghanaian music, Nana Kobo’s legacy is written in bold, enduring notes.
