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Survival to service: Margaret Odame Donkor the breast cancer preacher
A ‘trotro’ bus heading to Nsawam was filled with the usual sounds from conversations, music, and sometimes a preacher delivering a message.
But when Margaret Odame Donkor rises to speak, she does not preach salvation or sell herbal remedies. Instead, she shares her journey as a breast cancer survivor, urging passengers to examine their breasts regularly, seek medical help early, and never lose hope.
Her pulpit is not a church, but the crowded minibuses of Ghana’s public transport system. Her message is not about repentance, but about survival.
She urges women to check their breasts regularly, encourages men to support their wives during health challenges, and reassures everyone listening that a cancer diagnosis is not the end of life.
For Margaret, creating awareness is more than a duty-it is a calling born out of personal pain, fear, and triumph.
Her words carried weight because they come from lived experience.
At age 48, Margaret has walked through the valley of fear and pain, battled stage three invasive carcinoma, and emerged not just a survivor but an advocate determined to educate others.
Cancer journey
Margaret’s encounter with breast cancer stretches back decades. At 22, she discovered a lump in her left breast. It was removed and declared benign. Relieved, she skipped regular checks and moved on. Then in 2021, the lump reappeared—this time spreading toward her armpit.
At a church screening in October 2022, doctors detected suspicious lymph nodes. Further tests confirmed her worst fear: stage three invasive carcinoma.
“It wasn’t easy,” she recalls softly. “But my faith in God kept me strong. My husband, children, family, friends, and colleagues formed an army behind me. Their prayers, visits, and encouragement gave me the courage to fight.”
“Be grateful every day because you never know what tomorrow may bring. No one has it all, but with love and support, you can endure,” she stated.
Her greatest fear remains recurrence and not living long enough to see her children graduate and become the people she dreams for them to be.
Before cancer disrupted her life, Margaret had found purpose in interpretation. In 2020, a friend spotted a Judicial Service vacancy and encouraged her to apply. After years of unsuccessful attempts at government jobs, she was reluctant, but she tried once more. This time, she succeeded and was posted to the Eastern Region, her home.
Today, she works at the Nsawam District Court, one of the busiest in the area. On a typical day, she arrives at 7:30am, prepares dockets, and confers with magistrates. She interprets proceedings in Twi, Ga, Hausa, and occasionally Ewe, ensuring that justice was accessible to all.
Her role is demanding. Cross-examinations require her to switch quickly between English and local dialects, while marriages often call for interpreting vows in couples’ preferred languages. Still, she thrives. “The registrars and magistrates I’ve worked with have been amazing. They make the environment very comfortable,” she stated.
Beyond the courtroom, Margaret is also an entrepreneur. In 2017, she founded Nubreed Décor, an events decoration business born from her childhood love for beautifying spaces. She recalls cutting paper decorations as a child and helping her cousin rent out chairs and decorate venues.
Balancing décor with court work was tough, and her health struggles after surgery made it even harder. Radiation left her with persistent rib pain, forcing her to slow down. “Now I hire more hands, which makes business expensive, but it helps me achieve my goals,” she explained.
Her biggest challenge as an entrepreneur remains finance. “The event industry is huge, but I have to work at my own pace and focus on my niche,” she admited.
Cancer changed how Margaret values people and relationships. She learned that those you least expect often become your strongest supporters. She urges families to stand by patients with prayers, encouragement, and financial support, reminding society that a cancer diagnosis is not the end of life.
Her advocacy extends beyond awareness talks. She dreams of establishing a counselling centre for young people and hopes Ghana will expand access to mammograms and radiotherapy centres. “Every patient deserves a chance at survival,” she said firmly.
She urged the youth to live peacefully and be their brother’s keeper, learn to be content and rely on God.
To women, she asserted that, “love yourselves and make breast checks routine while calling on Ghanaians to be open-minded, avoid being judgmental, and show love.
By Esinam Jemima Kuatsinu
When the world’s eyes turn to the King’s Baton on its global journey, one of Ghana’s most profound artistic stories travels with it. It will be a story of creativity, culture, and national pride crafted by Albert Litela Obidiaba.
From the quiet town of Old Baika in the Oti Region, Albert’s journey as an artist has always been about telling stories. It is not just through words, but through symbols, textures, and meaning.
“From a young age, I was drawn to the power of art, knowing how colours and textures can capture not just emotion but culture and identity,” he recalls.
Today, his name has become synonymous with innovation rooted in traditional bridge between Ghana’s past and its global creative future.
Albert’s love for art was born from curiosity. Surrounded by the vibrancy of Ghanaian culture; the patterns of kente, the stories behind Adinkra symbols, and the textures of daily life, he began sketching and crafting early on.
“Simple things told deep stories,” he says. “That fascinated me.”
As he matured, his art evolved into a personal mission to preserve and reinterpret Ghana’s heritage for a modern audience. His style reflects a seamless blend of culture and contemporary design, each piece a narrative of unity, history, and pride.
“I see art as storytelling through form and symbolism, it should feel rooted in purpose yet speak to today’s world,” he explains.
When the call came to design Ghana’s version of the King’s Baton, Albert saw it as both a national duty and a creative calling.
Recommended by mentors like Mr Charles Osei Asibey, who trusted his talent and understanding of Ghanaian symbolism, he embraced the project wholeheartedly.
His vision was clear; to create a piece that would embody unity, pride, and the enduring spirit of Ghana.
Drawing from traditional motifs, he integrated textures inspired by kente weaving, representing hard work, continuity, and creativity. The golden tones symbolise strength and dignity, while the contours and natural motifs mirror Ghana’s landscapes and people.
“The King’s Baton had to tell our story of who we are, what we value, and how we see the world, it is more than art, it is identity in motion,” he said.
Every etch, every pattern carries meaning. From concept to completion, the entire process took three intense weeks which were filled with research, design sketches, consultation, and collaboration with skilled artisans.
“It was days and nights of work, but a lifetime of meaning,” he says with quiet pride.
Creating a design that represents all of Ghana’s diverse cultures was no small feat. Albert had to balance aesthetics, authenticity, and technology thereby using sustainable wood, carefully treated and certified, to reflect the nation’s commitment to nature and preservation.
“It wasn’t easy finding the right mix,” he admits. “But those challenges pushed me to think deeper. They made the final piece stronger — both artistically and symbolically.”
For Albert, Ghanaian culture is both muse and message. His works echo the values of unity, strength, persistence, and wisdom, drawn from Ghana’s traditions.
“Art preserves who we are and every line and symbol tells a story of belonging,” he said, and believes art is one of the most powerful tools for building national pride.
Designing the King’s Baton has been a defining moment in his creative journey and that it deepened his appreciation for cultural storytelling. “It taught me that creativity is also a form of service,” he said.
The experience has opened new professional doors, but more importantly, it gave him a renewed sense of purpose making him embrace a call to national duty.
“My soul will be glad even after my days on earth are over,” he said beaming with smiles.
Beyond the King’s Baton, Albert has worked on numerous projects celebrating Ghanaian identity through contemporary art and design. His ongoing works explore symbolism and heritage in new forms which includes blending materials, stories, and styles from across Ghana’s regions.
He is currently preparing projects that continue the conversation the baton began. They are about unity, creativity, and Africa’s evolving artistic voice.
To young artists aspiring to make their mark, Albert’s advice is for them to believe deeply in their craft and that the world is always looking for authenticity “which comes from knowing who you are and where you come from.”
On how he wants to be remembered, he said, “I want to be remembered as an artist who used creativity to celebrate culture and connect people. If my name is remembered as the one who designed Ghana’s version of the King’s Baton, that will be enough, because it means I carried Ghana in my hands, and shared her with the world.”
By Esinam Jemima Kuatsinu
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For many young people in Ghana, chasing their dreams can feel overwhelming, especially when challenges pile up. But supermodel, entrepreneur, and philanthropist Anita Ofori has a message of hope: “Be serious about your life, stay focused, and trust the process. Nothing good comes easy, but with God and determination, you can achieve greatness.”
Anita Ofori is not only one of Ghana’s most celebrated models with awards spanning fashion, entrepreneurship, and advocacy, but also a woman who has turned her personal struggles into lessons for others.
She is passionate about mentoring the youth, encouraging them to avoid shortcuts, and teaching them to see every challenge as an opportunity to grow.
Building strength through struggles
Anita’s own story is one of persistence. After completing her first degree at the University of Ghana, she decided to start an event and model management company.
At the time, she was at the height of her modeling career, representing Ghana at international competitions like Miss Model of the World in China and Miss Supermodel Worldwide in India.
But success came at a cost. Managing school, business, and modeling all at once was exhausting. Financial challenges nearly forced her to defer her studies during her final year at university. Still, Anita refused to quit.
She relied on savings, picked up extra skills such as wig-making and hairdressing to earn money, and pressed forward. “I never underestimated any job or skill. Every step was preparing me for the next stage of life,” she recalls.
Her determination paid off. Not only did she graduate, but she also went on to pursue a Master’s degree in Development Communication, solidifying her passion for blending creativity with advocacy.
Giving back through mentorship
Today, Anita has expanded her career far beyond the runway. She runs an international fashion brand, an event and model management company, and a non-profit organisation dedicated to supporting children and women in need. Through these platforms, she organises mentorship programmes, fashion events, and training sessions that help young people discover their potential.
Her NGO, in particular, offers self-esteem classes and skills training to equip the youth with practical knowledge. For Anita, this is about more than teaching. It is about shaping mindsets.
“Young people must learn to focus, work hard, and avoid dubious shortcuts. Whatever comes quickly goes quickly,” she cautions.
Her work in youth development earned her the Outstanding Commitment to Youth Mentorship Award (2024) from Ms Virtuous Ghana
A trail of awards and recognition
Over the years, Anita Ofori’s excellence has been widely recognised. Her honours include Editorial and Commercial Model of the Year (2020) – Ghana Models Awards, Overall Model of the Year (2021) – Ghana Models Awards, Top Model of the Year (2021) – BPL Fashion, Model/Entrepreneur of the Year (2022) – Global Women Leadership Award, Outstanding Model Award (2023) – Ghana Modeling and Fashion Award, Top 50 Ghanaian Fashion Icons (2024), Model/Entrepreneur/Advocate of the Year (2025) – Global Women Leadership Award
Yet, despite these accolades, Anita insists she is not done. “I cannot say I am where I want to be in life. I see myself breaking barriers and being counted among young entrepreneurs and mentors around the world. With God’s help, I will soar higher, and I want the youth to do the same.”
Advice for the next generation
Anita’s guidance to the youth is rooted in both faith and discipline. She encourages them to put God first in all things, set clear principles and stick to them, stay humble, honest, and bold, save money mighty, respect others and maintain a strong sense of identity and purpose.
She also calls on parents to be vigilant in raising children and instilling values early.
To leaders, she appeals for systems that protect the nation’s youth from illegal activities and create accountability for a better future.
Inspiring a generation
What sets Anita apart is not only her success, but her willingness to share the realities behind it, the sacrifices, the moments of doubt, and the faith that kept her going.
For the young people who listen to her story, she represents proof that determination, humility, and God’s guidance can turn obstacles into stepping stones.
“Life is full of ups and downs,” she says. “But every stage is just preparing us for the next. The choices you make today will determine your success tomorrow.”
For Ghana’s youth, Anita Ofori is more than a supermodel. She is a mentor, a guide, and a living reminder that no dream is too far out of reach when pursued with integrity and perseverance.
- By Esinam Jemima Kuatsinu
