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Stonebwoy announces dates for 5th Dimension UK & Europe Tour after successful North American Tour

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Stonebwoy has announced new dates for his upcoming “5th Dimesnion” tour across Australia, Europe, and the UK.

The new tour dates arrive on the heels of the already successful “5th Dimension” North America tour, which saw the BET award-winning international reggae, dancehall, and afropop artiste headline multiple venues in over 10 cities in the United States of America and Canada, as well as appearances in three international music festivals such as the Bayfront World Reggae and Music Festival in Duluth, the ACDA Emancipation Festival in Guyana, and the City Park Summer Stage festival in New York.

Stonebwoy’s newly announced 10-date tour will take the Ghanaian musician to multiple cities across Europe, the UK, and Australia.

The tour will commence in Perth, Australia, on October 1, with subsequent stops in Brescia, Italy, on October 14, Amsterdam, Netherlands, on October 15th, and a trio of performances in Berlin, Hamburg, and Dusseldorf, Germany, on October 19, 20, and 21, respectively, before culminating in the UK with consecutive shows in Manchester, Birmingham, and London on October 26, 27, and 29, respectively.

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Prior to these sets, Stonebwoy will headline the Promiseland Festival in Australia later this month.

On the road, Stonebwoy will perform songs from his extensive catalogue, most notably from the ground-breaking 5th Dimension album, alongside some fan favourites.

Access general admission here: https://bio.to/Stonebwoy

Released on April 28, as Stonebwoy’s fifth studio album and his first under Universal Music Group division Def Jam Recordings, ‘5th Dimension’ incorporates Afrobeats, reggae, dancehall, amapiano, folk, and other genres while leaning primarily toward pop-related themes.

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The album showcases the artiste’s evolution and growth, pushing boundaries and delving into uncharted musical territories.

The last eight months have been a whirlwind of activity for Stonebwoy.

Known for his relentless work ethic and dedication to his craft, the iconic musician has been juggling multiple projects, collaborations, philanthropic efforts, extensive touring, and personal endeavours, making him one of the most influential and respected musicians in the industry today.

He recently left a trail of sold-out shows and euphoric crowds during the North America edition of his “5Th Dimension” tour.

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With each stop, the tour achieved unprecedented success, with each of his destinations, which include stops in Vancouver, Edmonton, Toronto, Detroit, Atlanta, Washington, New York and more, witnessing a symphony of musical excellence.

Born Livingstone Satekla, Stonebwoy has maintained a dominant presence in Ghana’s pop scene since 2012. With a rich catalogue of commercially successful tracks, Stonebwoy’s musical prowess frequently blends elements of Afropop, dancehall, and reggae, creating a unique and captivating sound.

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Hundreds of merrymakers celebrate Christmas at Dodi World

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• Weekend Day Out in a pose after the voyage on the Dodi Princess
• Weekend Day Out in a pose after the voyage on the Dodi Princess

The Christmas festivities were nothing short of fun and excitement, especially for patrons of Dodi World in Akosombo in the Eastern Region. 

A major highlight was a memorable voyage aboard the famous MV Dodi Princess II, a 150-capacity pleasure boat, which sailed to the scenic Dodi Island, an 84-hectare natural haven.

Among the patrons was a vibrant social group known as ‘Weekend Day Out’, which brings together individuals from diverse backgrounds and workplaces to interact, share ideas and enjoy memorable leisure experiences.

On December 26, the group joined hundreds of other fun lovers to fill the vessel to capacity for what many described as an experience of a lifetime.

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The over five-hour journey from Dodi World through to Dodi Island was electrifying. Patrons enjoyed breath-taking rare views of the island’s rich natural scenery and wildlife before returning onboard for the cruise back to the starting point.

The atmosphere was further enlivened by music from DJs and a live band, complemented by an array of drinks and grilled meals, ensuring both young and old had something to cheer about throughout the voyage.

For members of the Weekend Day Out group, the trip served as a joyful reunion with friends after a year of professional commitments, while also providing an opportunity to plan future adventures in the coming year.

Speaking after the event, one of the patrons, Ms Gloria Yaa Baby, said although she had embarked on the voyage several times, the most recent experience was particularly breathtaking and memorable.

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“This one was different, with more people and interactive sessions. It gave me many reasons to return and experience the fun again with the Weekend Day Out group,” she stated.

With another exciting adventure scheduled for March this year, she encouraged Ghanaians to make time out of their busy schedules to relax, unwind and enjoy life.

By Spectator Reporter

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Let’s respect our local artistes – Kech

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Keche_Joshua

Joshua Kojo Ampah, a member of the Keche group has stated that the attitude of Nigerian audience during the performance of Ghanaian artiste Stonebwoy and Wendy Shay at the All Africa Music Awards (AFRIMA) held in Lagos, Nigeria was intentional.

The hiplife artiste shared his sentiments on social media over the cold reception given to the Ghanaian performers.

“They know Stonebwoy’s songs, they know Wendy Shay’s songs, but they will not get up to hail you. They know what they were doing,” he stated.

He added that performances by Stonebwoy and Wendy Shay were top notch but most audience did not want to relate to the song.
“Is there was any rapper in Africa bigger than Sarkodie? Are there any dancehall artistes in Africa bigger than Shatta Wale and Stonebwoy” he quizzed.

He contrasted this with the energetic reception given to Nigerian legend P Square, who performed at the same event.

Joshua blamed this on the Ghanaian attitude towards its own artistes within the Ghanaian music industry itself.

He argued that the lack of respect for local talents in Ghana was responsible for their reception abroad.

“But do you know why we are not respected out there? We do not see ourselves as such. “Until we in Ghana start respecting our own, the people out there will not respect them,” he concluded.

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By Linda Abrefi Wadie

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