Entertainment
“Son of Africa” album showcasing Africa’s cultural heritage to the world – Kuami Eugene
Reigning Artiste of the Year, Kuami Eugene, has disclosed that his “Son of Africa” album was focused on showcasing the rich African cultural heritage to the rest of the world.
According to him, his maiden album, which was Rockstar focused on Ghanaian music genre, the hospitality, and how people empowered one another in the country.
Speaking to The Spectator, he said, the new one, “Son of Africa” album threw light on the African cultural heritage and what the continent stood for.
He stated that the songs dwelt on the love for each other and projected the sweet melodies of African music to the world.
For him, he would recommend it to lovers of African music, because “it is a representation of all the subregions of the continent, It has a bit of East Africa, West, South Africa, and all other areas of the African continent.”
This, he said, would further sell the continent’s music on a global stage.
Touching on the period of the recording, he said, “Working on it was smooth, that’s when Coronavirus had taken the world by storm and every country was on partial lockdown, it was the period within which I recorded most of the songs.”
Kuami Eugene told this paper that the situation made it smooth, however, the only difficulty was some of those who got featured had to be sent the song for them to record their part and resend, because they were not available as a result of the border closure across the world.
On the reception of the album, he said he had been amazed at the messages he received from Industry players among others expressing their approval of the quality of work done.
“The album was released few days ago, but it is doing great on all music digital stores, the reception has been quicker than my expectations,” he said
The musicians featured include Shatta Wale, Sarkodie, Obaapa Christy, Samini, Prince Bright, DJ Mensah, Nigeria’s Zlatan and Falz and Eddy Kenzo from Uganda.
The album was produced by Richie Mensah, Wilis Beatz and Kuami Eugene himself.
The 14 songs on the album include, Scolom, Amen, Ewurade, Beifour, Ghana We Dey, To Me, Mama, Will You among other amazing songs.
By Edem Mensah-Tsotorme
Ghanaian music icon, Akwasi Poku Addae, known in Showbiz circles as Kwaisey Pee has honoured his promise to children suffering from cancer.
Ahead of his 25th anniversary event held at the D’ Icon Event Centre at East Legon last year, he made a promise to donate some funds to children suffering from cancer.
True to his word, the musician has recently made a donation of GHC50,000 to the Paediatric Oncology Unit of the Korle-Bu Teaching Hospital.
He told the Ghanaian Times that children are so dear to him, and was optimistic the support would go a long way too impact lives.
The music dynamo also promised that the gesture will not be the last,” it will be a continuous feature from me.”
He also called on Ghanaians home and abroad to lend a helping hand to children suffering from cancer.
According to him, children with cancer have many needs, and a helping hands will go a long way ease the suffering.
“Cancer treatment is very expensive, and leaving that to parents of the children alone, will be a huge burden, with support from you and myself, we can make some changes in other people’s lives,” he concluded.
By Edem Mensah-Tsotorme
In the ever-evolving journey of Ghanaian music, there are individuals whose contributions transcend the spotligh.
There are always men and women who work quietly yet powerfully to preserve culture, nurture legends, and keep the soul of the music alive across generations and borders.
One such figures is Jerry Amoah, widely known and affectionately called Nana Kobo.
This year, Ghana Music Awards-USA honours Jerry Amoah for his unwavering commitment to sustaining Ghanaian music, both at home and in the diaspora.
It is a recognition long deserved, a celebration of decades of passion, sacrifice, and cultural stewardship.
Jerry Amoah’s journey has never been about personal glory. Instead, it has been anchored in service: promoting Ghanaian sounds, advocating for artistes, and ensuring that the richness of Ghana’s musical heritage continues to resonate beyond national borders.
Through his tireless efforts, many Ghanaian musicians have found platforms, audiences, and renewed relevance, especially within Ghanaian communities abroad.
Central to his legacy is his steadfast support for gospel music and, in particular, his enduring association with legendary gospel icon Yaw Sarpong.
At times when gospel music needed champions, Jerry Amoah stood firm—protecting its values, amplifying its message, and honoring its pioneers. His respect for Yaw Sarpong is not merely professional; it reflects a deep appreciation for music as ministry, heritage, and moral compass.
Colleagues often describe Nana Kobo as a bridge—connecting generations, genres, and geographies.
He understands that Ghanaian music is not just entertainment, but identity. Through festivals, promotions, mentorship, and behind-the-scenes advocacy, he has helped ensure that Ghana’s rhythms, lyrics, and spiritual expressions remain relevant in a globalized world.
As Ghana Music Awards-USA prepares to bestow this honour, it is not simply recognizing one man—it is saluting a lifetime of dedication to culture, faith, and music.
Jerry Amoah’s story reminds us that true impact is measured not by applause, but by legacy.
And in the story of Ghanaian music, Nana Kobo’s legacy is written in bold, enduring notes.
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