Entertainment
Shatta Wale expresses gratitude to EOCO for fair treatment after release
Dancehall artist Charles Nii Armah Mensah Jr., popularly known as Shatta Wale, has expressed gratitude to the Economic and Organised Crime Office (EOCO) for what he describes as fair and respectful treatment during his arrest and detention.
In a TikTok live session on the evening of August 21, shortly after his release, Shatta Wale assured his fans that he was safe and back home.
“The king is safe, One Don is safe, and I’m home now. I just want to say a big thank you for supporting me and being around me in times like this because I needed you the most,” he said.
The musician thanked his fan base, close supporters, and the EOCO staff, stressing that officers at the anti-graft agency handled him with professionalism.
“You guys really took me through the rightful processes that were needed, and I just want to say God bless you all,” he added.
Shatta Wale extended appreciation to some EOCO officials, saying their understanding during the process meant a lot to him.
The artist was arrested by EOCO on August 20, 2025, in connection with a Lamborghini Urus allegedly tied to a $4 million U.S. fraud scheme involving Nana Kwabena Amuah, a Ghanaian man serving a seven-year sentence in America.
He was detained after failing to provide ownership documents for the luxury car. Investigators said the only available paperwork was a customs declaration in Amuah’s name.
On August 21, 2025, Shatta Wale met his bail conditions after the amount was reduced from GH¢10 million with two sureties to GH¢5 million.
His release came hours after hundreds of fans massed at EOCO’s headquarters in Accra to protest and demand his freedom.
By: Jacob Aggrey
Entertainment
Sonnie Badu’s hard-core Jamaican praise out to thrill
Pan-African gospel icon, Sonnie Badu has released his latest track, ‘Jamaican Medley’ a bold and energetic praise song infused with the vibrant spirit of Jamaican gospel.
Recorded live at RockHill Church in Atlanta, the song blends powerful lyrics, rhythmic island beats, and soul-stirring visuals that electrify both the live audience and viewers online.
From the very first note, Jamaican Medley delivers a fresh wave of worship, rooted in Caribbean sound but anchored in deep spiritual conviction.
The song is a heartfelt plea for divine protection under the blood of Jesus, echoing themes of faith, hope, and heavenly anticipation.
One of its most moving moments features a reimagined rendition of the classic hymn ‘When We All Get to Heaven,’ originally penned by Eliza Hewitt.
Badu’s version breathes new life into the timeless message, inviting listeners to reflect on the joy of eternal reunion.
Released on Monday, August 18, the Jamaican Medley is now available on YouTube and all major streaming platforms.
Fans and newcomers alike are already praising the track for its bold style and spiritual depth.
With this release, Sonnie Badu continues to prove that gospel music knows no borders. His fearless creativity and global sound are inspiring a new generation of worshippers to praise louder, dance harder, and believe deeper.
By Linda Abrefi Wadie
Entertainment
Pusher upbeat about future of arts industry
Ghanaian actor, Adjetey Anang, alias Pusher, has stated that efforts in Ghana theatre scene are finally bearing fruits with a resurgence of live performance, rising audience interest, a new generation of playwright and actors taking the centre state.
This, he attributed to the training and collaboration between veterans and emerging artiste and a renewed stage craft as tool for education and entertainment.
Speaking on Monday about the state of the movie industry, he said the industry was still alive, although it is going through a rough patch compared to the golden days when movie releases were happening regularly.
The ‘Things we do for love’ hit maker hinted that the country has the talent and content very much needed to succeed.
Coming up with strategies to improve the industry, he said it was important to focus on improving the quality of work by putting more research into our projects.
“Once something is released, it can reach a global audience. These are some of the challenges that make it seem like the industry is struggling, but we are still pushing,” he said.
He subsequently called for the establishment of more movie centres across the country to give filmmakers more options to premiere their work.
By Linda Abrefi Wadie
