Sports
Avoid another Bochum disaster
GERMANY holds an impressive and dominant head-to-head record over Ghana in association football. Both countries have clashed on three occasions at the highest level of football—twice at the FIFA World Cup and once, an international friendly.
At the World Cup, the Germans defeated the Black Stars 1-0 at the African World Cup (South Africa 2010) and drew 2-2 at the same platform four years later in Brazil.
The outcome of the April 14, 1993 international friendly was one Ghanaians would not want to be reminded about. With some of the finest performers on the continent of Africa donning the Ghana jersey, the Germans walloped the Black Stars 6-1 to record what was christened the infamous ‘Bochum disaster.’ Despite leading at halftime with a Prince Polley goal assisted by Abedi Pele, Ghana conceded six second-half goals in 27 minutes.
This is a country that prides itself as four-time world champions (1954, 1974, 1990, and 2014) from a total of eight finals, three gold medals in UEFA European Championship (1972, 1980, 1996), one Olympic title (1976) and a FIFA Confederations Cup (2017). A friendly with the Germans is more of a privilege and they have a reason why; but it should be an opportunity Ghana must grab with both hands to attempt to exorcise the Bochum ghost or find a way to grind the German machine.
It is the reason Ghanaians had high expectation for Otto Addo’s squad for the two friendlies against Austria in Vienna on March 27 before travelling to Stuttgart to face Germany on March 30.
As a friendly, one understands the need to try new players with a focus on identifying new and effective talents to strengthen the team for the World Cup proper. But it is clear that injuries to Kudus Mohammed, Francis Abu and Salisu Mohammed coupled with the poor form of quite a number of players could throw a spanner into Otto Addo’s wheels.
He has handed debut call-ups to four players – Derrick Luckassen of Pafos FC in Cyprus, Patrick Pfeiffer from German Bundesliga II side Darmstadt 98, Marvin Senaya of AJ Auxerre, and Daniel Agyei from Turkish club Kocaelispor – for this month’s international friendlies.
The 26-man squad also marked the return of Iñaki Williams, Ibrahim Sulemana, Alexander Djiku and Thomas Partey who has had little playing time with Villarreal and facing a few issues in court.
It doesn’t look like any promising squad capable of producing the results Ghanaian fans would hope to have. The excuse would obviously be that it was just an exercise to fine-tune but even if the Black Stars were to lose to the Germans who are also struggling for form, it should not be worse than the Bochum disaster.
Full squad:
Goalkeepers: Lawrence Ati-Zigi (St. Gallen), Benjamin Asare (Accra Hearts of Oak), Joseph Anang (St. Patrick’s Athletic).
Defenders: Patrick Pfeiffer (SV Darmstadt), Derrick Luckassen (Pafos FC), Derrick Kohn (Union Berlin), Jerome Opoku (Istanbul Basaksehir), Caleb Yirenkyi (FC Nordsjaelland), Kojo Oppoong Pepprah (OGC Nice), Jonas Adjetey (VFL Wolfsburg), Marvin Senaya (Auxerre), Alexander Djiku (Spartak Moscow), Gideon Mensah (Auxerre).
Midfielders: Thomas Partey (Villarreal), Elisha Owusu (Auxerre), Ibrahim Sulemana (Cagliari), Kwasi Sibo (Real Oviedo).
Forwards/Wingers: Brandon Thomas Asante (Coventry City), Jordan Ayew (Leicester City), Prince Adu (Viktoria Plzen), Christopher Bonsu Baah (Al Qadsiah), Abdul Fatawu Issahaku (Leicester City), Inaki Williams (Atletic Bilbao), Antoine Semenyo (Manchester City), Kamal Deen Sulemana (Atalanta), Daniel Agyei (Kocaelispor).
By Andrew Nortey
The national U-17 female team, the Black Maidens, have arrived in Rabat from their pre-camp base in Casablanca to begin their campaign at the 2026 FIFA U-17 Women’s World Cup.
The team will open their Group C fixtures against Norway on Sunday, October 18, at the Mohammed VI Football Complex. They will then face Brazil on Thursday, October 22, before wrapping up the group stage against Canada on Saturday, October 24.
During their two-week training camp in Casablanca, the technical team tested the squad’s readiness with two international friendlies against China and Kenya.
The Black Maidens are returning to the global showpiece after missing the last edition, aiming to build on a proud record that includes a bronze medal in 2012 and three quarter-final appearances.
The team is expected to hold its first training session in Rabat on Wednesday as it puts finishing touches to preparations for the opener against Norway.
By Edem Mensah-Tsotorme
IN modern football, the final whistle doesn’t signal the end of the show; it signals the intermission.
The Top five European Leagues (Premier League, La Liga, Bundesliga, Serie A, and Ligue 1) have mastered a brutal truth of the digital age: you don’t just sell the match; you sell the marathon.
By weaponising transfer window tension, season reviews, and microscopic highlight reels, they’ve turned 90 minutes of sport into a 24/7/365 content vortex.
Meanwhile, back home, the Ghana Premier League (GPL) is haemorrhaging relevance not because the talent isn’t there but because the storytelling is dead.
The Football Association’s apathy is only rivalled by its hypocrisy.
The European Blueprint: Selling the ‘Appetite’
Why do fans tune into a random mid-table La Liga clash on a Friday night? Because they’ve been primed. Across the summer, broadcasters and clubs drip-feed ‘transfer sagas’ like high-stakes soap operas.
Will the star leave? Who is the mystery medical? This tension creates a parasocial investment that transcends the pitch.
Paired with this are season-review documentaries and hyper-curated game highlights tailored for TikTok, Instagram, and YouTube. These aren’t just goal clips; they are tactical breakdowns, sideline theatrics, and VAR controversies packaged into digestible and emotional bites.
This strategy has inflated broadcasting rights to astronomical sums (the Premier League’s recent domestic deal hit £6.7 billion).
They know that if you feed the audience year-round, they will binge-watch when it matters.
The GPL Vacuum: No Sponsor, No Story
Now, overlay this blueprint onto the Ghana Premier League. It is a stark, barren contrast.
The league is poorly run, lacking a headline sponsor to give it financial muscle or marketing prestige. Without that corporate backing, the media machine grinds to a halt.
The transfer market, which should be the peak of offseason intrigue, is a ghost town. We hear about signings, but the transfer fee is universally undisclosed.” We only get the contract length.
This kills the narrative. In Europe, a €100 million move generates weeks of debate; in Ghana, a move generates a one-line social media post, devoid of gravity. Fans cannot gauge ambition, nor can they measure a club’s financial muscle.
Most damningly, there are no reviews from the broadcasting rights holders. No glossy season-compilation DVDs. No weekly magazine shows dissecting past campaigns to build hype for the next.
The Broadcasting Right Holders (BRHs) treat the GPL as an obligation to air live, not as an IP to monetize through content. The league goes dormant the moment the trophy is lifted.
And the FA? They seem unconcerned. There is no strategic blue • A scene from the Ghana Premier League print to pump these ‘stuffs’ into the digital ecosystem. They treat the league’s media output like an afterthought, ignoring that a lack of online noise equals a lack of bums on seats.
The Black Stars Paradox: The Hypocrisy of Production
Here is the crushing irony that exposes the FA’s priorities. When the Black Stars assemble for a World Cup qualifier or an AFCON match, the narrative flips overnight.
Suddenly, the budget for proper camera operators and videographers appears from thin air. We get cinematic drone shots, multi-angle slow-motion replays, tunnel cams, and emotional post-match interviews.
Every moment, every tackle, every save, every passionate fan in the stands is captured in vivid, broadcast-ready quality. The national team gets the full ‘European treatment.’
This reveals a devastating double standard. The FA treats the Black Stars as the sole marketable asset, forgetting that the GPL is the engine room that produces these stars.
By diverting all production value to the national team while starving the domestic league of visual prestige, they are cannibalizing their own foundation.
The Verdict
You cannot build a football culture on national team fixtures alone.
Europe thrives because they understand that content is the currency of fandom.
Until the Ghana FA secures a headline sponsor, enforces transparent transfer disclosures (to fuel debate), and mandates that broadcasting partners produce engaging season reviews and highlight packages, the GPL will remain a hidden gem rather than a sparkling crown.
The players are there. The passion is there. But if the FA continues to save its best camera angles for the Black Stars while leaving the Premier League in the dark, they aren’t just failing the clubs; they are starving the very appetite they desperately need to feed
By Leslie Agyemang
