Fashion
Ripped jeans: From street style to mainstream fashion
Once associated with youthful street style and bold self-expression, ripped jeans have now taken their place as a mainstream fashion staple across the world.
In Ghana, they are no longer confined to teenagers or trendsetters but are widely worn by students, working professionals on casual days, and style-conscious individuals who want to add a modern edge to their wardrobe.
The rise of ripped jeans in Ghana reflects how quickly global fashion trends influence local wardrobes.
Many young people see them as a way to showcase confidence, while older wearers often adopt them to stay connected to modern styles.
They can be paired with simple t-shirts for a laid back look or styled with blazers and heels for a chic street-style vibe.
Men often pair them with sneakers or boots, while women combine them with crop tops or oversized shirts for an effortlessly cool outfit. From high-waist cuts to skinny fits, ripped denim adapts to nearly every body type and personal preference, making them an inclusive trend.
Some critics see ripped jeans as inappropriate for formal settings or a symbol of “lazy dressing.” Yet, for many wearers, they represent individuality and breaking away from traditional fashion rules.
By Georgina Boadiwaa Ntim
THE Fugu smock has gained acceptance in Ghana and other parts of the world. The outfit worn in multiple cultures is a popular choice for national events and cultural celebrations in Ghana.
The Minister of Tourism, Culture and Creative Arts, Madam Abla Dzifa Gomashie, has announced that every Wednesday be observed as Fugu day. This initiative was inspired by a photo of President John Dramani Mahama wearing a Fugu (traditional northern Ghanaian smock) during a state visit to Zambia.
Some Zambian social media users jokingly referred to the garment as ‘blouse’. Since then, individuals and corporate organisations have embraced the initiative, wearing the traditional outfit that symbolises strength, courage, and leadership.
By Linda Abrefi Wadie
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IN the grand halls of Ghana’s political stage, Vice President Jane Naana Opoku Agyemang has redefined what it means to dress for leadership.
Her fashion is not mere adornment, it is a deliberate statement of heritage, authority, and modern elegance.
At her swearing-in ceremony, she captivated the nation in an outfit designed by Ghanaian fashion icon Joyce Ababio. The ensemble was more than fabric; it was a tapestry of creativity, national pride, and symbolism.
By choosing a local designer, she underscored her commitment to Ghanaian artistry and the power of Made-in-Ghana fashion.
Her style identity blends regal African prints with tailored sophistication — flowing Kente-inspired gowns, structured jackets, and carefully chosen accessories to create a balance between authority and femininity.
Each outfit speaks a language of cultural pride, reminding the world that leadership can be both powerful and beautifully Ghanaian.
For young women watching, her fashion is aspirational. It says you can lead with intellect and grace, and you can wear your culture proudly.
