Entertainment
R2Bees are ‘Back 2 Basics’
Ghanaian Music duo, R2bees have once again displayed their resolve and undying taste for quality with the release of their 4th studio album dubbed ‘Back 2 Basics’.
The 15 songs on the album are hugely influenced by Ghana’s authentic Highlife rhythms laced with Hiplife and a blend of Afrobeat.
There is gainsaying that this is a carefully woven strategy to connect various generations to the album.
Considering the experience of the group and how they broke onto the Ghanaian music scene, one could say the album is aimed at reminding the world of their roots and foundation of a movement which inspired the young acts who are now at the apex of the music business.
At the private listening last Wednesday, November 24 the duo, made up of Mugeez and Omar Sterling revealed that the tracklist of 15 songs, was inspired by the community they grew up Site 15, Tema.
The songs on the album include, Pressure, Tinkerbell, Need Your Love,Get Get No Dey Want, Alhaji, Eboso, Sure Banker, Another One, Casanova, Promise, Your Loving, Formation, Dambalektra, Odo Nti and Fine Wine.
With these songs, they collaborated with Wizkid, Gyakie, Stonebwoy, Eazi, King Promise, DarkoVibes and Joeboy.
To ensure production leaves nothing to chance, they secured the services of producers like KillBeatz, GuiltyBeatz, StreetBeatz, DJ Breezy, Kuvie, Northboi, Highlander Beats, VacksOnIt, KyeiRocks, DJ Afrolektra, Dera, DJ Obrien and Nektunez.
R2bees have shown resilience, loyalty and a group one could look up to with over decades of enviable bond.
By Edem Mensah-Tsotorme
Ghanaian music icon, Akwasi Poku Addae, known in Showbiz circles as Kwaisey Pee has honoured his promise to children suffering from cancer.
Ahead of his 25th anniversary event held at the D’ Icon Event Centre at East Legon last year, he made a promise to donate some funds to children suffering from cancer.
True to his word, the musician has recently made a donation of GHC50,000 to the Paediatric Oncology Unit of the Korle-Bu Teaching Hospital.
He told the Ghanaian Times that children are so dear to him, and was optimistic the support would go a long way too impact lives.
The music dynamo also promised that the gesture will not be the last,” it will be a continuous feature from me.”
He also called on Ghanaians home and abroad to lend a helping hand to children suffering from cancer.
According to him, children with cancer have many needs, and a helping hands will go a long way ease the suffering.
“Cancer treatment is very expensive, and leaving that to parents of the children alone, will be a huge burden, with support from you and myself, we can make some changes in other people’s lives,” he concluded.
By Edem Mensah-Tsotorme
In the ever-evolving journey of Ghanaian music, there are individuals whose contributions transcend the spotligh.
There are always men and women who work quietly yet powerfully to preserve culture, nurture legends, and keep the soul of the music alive across generations and borders.
One such figures is Jerry Amoah, widely known and affectionately called Nana Kobo.
This year, Ghana Music Awards-USA honours Jerry Amoah for his unwavering commitment to sustaining Ghanaian music, both at home and in the diaspora.
It is a recognition long deserved, a celebration of decades of passion, sacrifice, and cultural stewardship.
Jerry Amoah’s journey has never been about personal glory. Instead, it has been anchored in service: promoting Ghanaian sounds, advocating for artistes, and ensuring that the richness of Ghana’s musical heritage continues to resonate beyond national borders.
Through his tireless efforts, many Ghanaian musicians have found platforms, audiences, and renewed relevance, especially within Ghanaian communities abroad.
Central to his legacy is his steadfast support for gospel music and, in particular, his enduring association with legendary gospel icon Yaw Sarpong.
At times when gospel music needed champions, Jerry Amoah stood firm—protecting its values, amplifying its message, and honoring its pioneers. His respect for Yaw Sarpong is not merely professional; it reflects a deep appreciation for music as ministry, heritage, and moral compass.
Colleagues often describe Nana Kobo as a bridge—connecting generations, genres, and geographies.
He understands that Ghanaian music is not just entertainment, but identity. Through festivals, promotions, mentorship, and behind-the-scenes advocacy, he has helped ensure that Ghana’s rhythms, lyrics, and spiritual expressions remain relevant in a globalized world.
As Ghana Music Awards-USA prepares to bestow this honour, it is not simply recognizing one man—it is saluting a lifetime of dedication to culture, faith, and music.
Jerry Amoah’s story reminds us that true impact is measured not by applause, but by legacy.
And in the story of Ghanaian music, Nana Kobo’s legacy is written in bold, enduring notes.
