Entertainment
Open Letter: Peter Okoye of PSquare fame writes emotional letter to his brother
My dear brother Paul,
Just like I have told you several times, I am not in any competition with you or anybody else.
However, seeing you grant countless interviews where you constantly discredit my efforts in the group that we both created and built together really speaks volumes.
In your recent interviews, you claimed that you wrote and sang 99% of all P-SQUARE songs and discredited me by saying that our song with TI “EjeaJo,” which I wrote, was a failure. You went as far as using the YouTube views to discredit me once again.
You never acknowledged the other songs like “Get-Squared,” “Bizzy Body,” “Personally,” “Roll It,” “Temptation,” “Alingo,” “More than a Friend,” “Shekini,” “Say Your Love,” “Gimme Dat,” “Senorita,” “IGBEdu,” and a few others. Were these songs also considered failures as well?
Every time I have spoken in interviews about P-SQUARE, I have always used “we” and “us” because I saw us as a team. But whenever you speak, it’s always “I” and “me,” even when I’m standing right beside you. It’s as if I never existed.
My brother, neither of us is the most talented artist in the world, but you fail to understand that God gave us this talent and even granted us another chance to excel after our last breakup. Instead, you chose to turn the most awarded and decorated music group in Africa into a laughingstock again.
One thing you need to understand clearly is that the fans didn’t fall in love with P-SQUARE because of who sang or danced the most. What made us special was the magic that came from our combined effort – us two! P-SQUARE was a force, and the fans fell in love with P-SQUARE because of our uniqueness and unity.
We both have talent, no doubt, and I have often praised you in our interviews for your songwriting ability. I have also praised anyone who has ever written a song for us or even for me as Mr. P. But instead of showing gratitude for my kind words, you seem to find satisfaction in rubbing it in my face, forgetting that it is by God’s grace that we have come this far.
Rather than joining forces with me to reclaim our number 1 spot in the music industry, you chose to team up with Jude to claim the number 1 spot in the P-SQUARE group, always looking for opportunities to marginalize and humiliate me.
You are always claiming to be P-SQUARE’s songwriter, composer, producer, singer, backup vocalist, in fact you are everything including P-SQUARE’s video director, band, promoter, manager, even the choreographer. You are the Author and Finisher of P-SQUARE! In fact, I dash you 100% of everything instead of the 99% you claim.
I blame myself for not responding to your tweet claims in April 2015 that you wrote and sang all of P-SQUARE’s songs. I didn’t respond to these false claims for the sake of peace, as advised by family and friends, and now I am paying dearly for it.
So, my brother, let me ask you: Is Rudeboy or Mr P bigger and more successful than P-SQUARE today? Are we individually selling out arenas and stadiums like P-SQUARE used to? Are we topping world music charts with our songs as solo artistes?
Do we command crowds and entertain massive audiences like P-SQUARE?
I often find myself wondering, what do you truly gain by constantly disrespecting and belittling me all the time. You have disrespected my wife, disrespected my family, disrespected my talent, disrespected my ideas, and even sided with Jude when he was clearly trying to oppress me. Now, it feels like you have taken it even further by trying so hard to turn the fans against me by making them believe I’m jealous of you.
You have been doing everything for the fans to hate me, but guess what? They will never hate me; instead, they will hate us both because we have disappointed and failed them.
I hope you are happy now. I genuinely wish you nothing but the best, bro! As for those who believe these lies and false narratives and come to my page to drop negative comments, I understand because you have been fed the wrong narrative for a long time. Please allow me to focus and do my music in peace.
As for the EFCC matter,
I will address it before the end of today. Stay tuned! Peace
BY PETER OKOYE.
Ghanaian music icon, Akwasi Poku Addae, known in Showbiz circles as Kwaisey Pee has honoured his promise to children suffering from cancer.
Ahead of his 25th anniversary event held at the D’ Icon Event Centre at East Legon last year, he made a promise to donate some funds to children suffering from cancer.
True to his word, the musician has recently made a donation of GHC50,000 to the Paediatric Oncology Unit of the Korle-Bu Teaching Hospital.
He told the Ghanaian Times that children are so dear to him, and was optimistic the support would go a long way too impact lives.
The music dynamo also promised that the gesture will not be the last,” it will be a continuous feature from me.”
He also called on Ghanaians home and abroad to lend a helping hand to children suffering from cancer.
According to him, children with cancer have many needs, and a helping hands will go a long way ease the suffering.
“Cancer treatment is very expensive, and leaving that to parents of the children alone, will be a huge burden, with support from you and myself, we can make some changes in other people’s lives,” he concluded.
By Edem Mensah-Tsotorme
In the ever-evolving journey of Ghanaian music, there are individuals whose contributions transcend the spotligh.
There are always men and women who work quietly yet powerfully to preserve culture, nurture legends, and keep the soul of the music alive across generations and borders.
One such figures is Jerry Amoah, widely known and affectionately called Nana Kobo.
This year, Ghana Music Awards-USA honours Jerry Amoah for his unwavering commitment to sustaining Ghanaian music, both at home and in the diaspora.
It is a recognition long deserved, a celebration of decades of passion, sacrifice, and cultural stewardship.
Jerry Amoah’s journey has never been about personal glory. Instead, it has been anchored in service: promoting Ghanaian sounds, advocating for artistes, and ensuring that the richness of Ghana’s musical heritage continues to resonate beyond national borders.
Through his tireless efforts, many Ghanaian musicians have found platforms, audiences, and renewed relevance, especially within Ghanaian communities abroad.
Central to his legacy is his steadfast support for gospel music and, in particular, his enduring association with legendary gospel icon Yaw Sarpong.
At times when gospel music needed champions, Jerry Amoah stood firm—protecting its values, amplifying its message, and honoring its pioneers. His respect for Yaw Sarpong is not merely professional; it reflects a deep appreciation for music as ministry, heritage, and moral compass.
Colleagues often describe Nana Kobo as a bridge—connecting generations, genres, and geographies.
He understands that Ghanaian music is not just entertainment, but identity. Through festivals, promotions, mentorship, and behind-the-scenes advocacy, he has helped ensure that Ghana’s rhythms, lyrics, and spiritual expressions remain relevant in a globalized world.
As Ghana Music Awards-USA prepares to bestow this honour, it is not simply recognizing one man—it is saluting a lifetime of dedication to culture, faith, and music.
Jerry Amoah’s story reminds us that true impact is measured not by applause, but by legacy.
And in the story of Ghanaian music, Nana Kobo’s legacy is written in bold, enduring notes.
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