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One Nation Reggae Festival: Sierra Leone builds cultural bridge between Africa and the Caribbean

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There are moments when music moves beyond entertainment and begins to carry history, memory, and identity in the same breath.

In Sierra Leone, that shift is now being tested through the One Nation Reggae Festival (ONRF), returning to Freetown from November 25 to 30, 2026.

Reggae is not new to Africa. Its roots and its reach have long circled between the continent and the Caribbean.

What is changing is how Sierra Leone is choosing to organise that connection, not as a loose cultural exchange, but as a structured tourism and creative platform.

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At the centre of this effort is the Ministry of Tourism and Cultural Affairs, led by Minister Nabeela Farida Tunis, which is positioning ONRF as part of a wider push to use culture as a working part of tourism development, diaspora engagement, and creative industry growth.

The festival does not begin on a stage. It begins in history. Across Freetown and its coastal edges, heritage sites linked to the Atlantic slave trade sit within the festival’s programme, including Bunce Island.

These locations are not treated as background stops. They are part of the experience itself.

That design choice defines ONRF. It places reggae, a genre shaped by displacement and return, in direct conversation with the geography of that history.

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Minister Tunis framed this connection in clear terms: “We invite the diaspora, global travellers, creatives, young people, and lovers of culture to come to Sierra Leone not only for entertainment, but for a spiritual rebirth, a rediscovery of identity, and an immersive experience of freedom, resilience, rhythm, and heritage.”

She described the festival as “a journey of reconnection and remembrance, rooted in the deep historical ties between Africa, the Caribbean and the wider Atlantic.”

The 2025 edition of ONRF established the foundation.

International reggae acts including Sizzla Kalonji, Christopher Martin, and Queen Ifrica performed in Freetown, joined by local talent from the Reggae Union Sierra Leone. But the programme extended far beyond music.

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It moved through heritage tours across the capital, creative development clinics, an emerging artists platform, and a closing ceremony staged at Bunce Island. Each layer added a different entry point into the same story, music, memory, and movement.

A portion of proceeds was channeled into a Creative Village to support local musicians and technical crews. Another share went toward hurricane relief efforts in Jamaica, extending the festival’s reach into community support.

The outcome of that first edition was not only attendance. It was structure. ONRF began to operate less like a concert series and more like a cultural system linking performance, place, and participation.

The 2026 edition builds on that structure. Across six days in November, Freetown will host live roots reggae, workshops, traditional dance, food experiences, sound system culture, fashion showcases, and beach-based cultural activities. The festival is designed to move audiences across different spaces, not keep them in one.

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The result is a layered experience where heritage tours sit alongside music stages, and where craft markets and creative labs exist within the same programme flow.

This year’s edition is expected to expand international participation while keeping local artists central, including continued involvement from Sierra Leone’s reggae community.

ONRF sits within Sierra Leone’s Year of Culture and Creativity, a national focus that links cultural programming with tourism growth and creative enterprise development.

In practical terms, the festival is being used to test how culture can operate across multiple sectors at once, tourism, entertainment, heritage, and creative training.

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The 2025 edition showed what happens when heritage becomes part of a live event structure.

Sites like Bunce Island were not visited as static landmarks. They became part of a closing cultural programme that combined reflection with performance. The effect was a shift in how visitors moved through history, not as observers, but as participants in a staged experience.

Economically, the festival generated activity across hospitality, transport, and retail, with a sold-out concert anchoring demand in Freetown.
The second edition now carries a different test. It is no longer about introducing the concept.

It is about how far it can grow without losing its structure. More international acts are expected. More African and Caribbean collaborations are being planned.

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The creative development components are set to expand further.
But the core design remains unchanged, music, heritage, and movement across spaces tied together in one programme.

The One Nation Reggae Festival is now operating in a space where culture is not only presented, but organised into an experience that connects identity, place, and tourism in the same frame.

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Don’t ignore painless lumps in breast …Women told 

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Naa Badu Adiagba I Ablemkpe and Dzorwulu Queen mother was captured during the National launching of Breast Cancer Awareness Mouth in Accra on Tuesday Photo Okai Elizabeth.
Naa Badu Adiagba I Ablemkpe and Dzorwulu Queen mother was captured during the National launching of Breast Cancer Awareness Mouth in Accra on Tuesday Photo Okai Elizabeth.

Women have been asked not to dismiss painless lumps in the breast, as the absence of pain does not mean a lump is harmless.

A Specialist Radiation Oncologist at the Korle-Bu Teaching Hospital, Dr Mary Ann Dadzie, said women should seek medical attention promptly whenever they noticed any unusual changes in the breast.

“A painless lump is not a harmless lump. You need to take action and not wait for pain,” she said.

Prof.Dr.Grace Ayensu-Danquah [middle] launching of Breast Cancer Awarencss Mouth with Dr.Caroline Reindorf Amissah[second from right] and other officials Photo Okai Elizabeth.
Prof.Dr.Grace Ayensu-Danquah [middle] launching of Breast Cancer Awarencss Mouth with Dr.Caroline Reindorf Amissah[second from right] and other officials Photo Okai Elizabeth.

Dr Dadzie made the call at the 2026 national launch of Breast Cancer Awareness Month, held on the theme, “early action, better outcomes.”

She expressed concern that about 45 per cent of breast cancer patients seen at Korle-Bu failed to return after starting treatment.

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According to her, some patients began treatment but later stopped reporting to the hospital, leaving health professionals uncertain about their wellbeing.

She attributed the situation to several factors, including fear of death, financial difficulties, long distances to health facilities, lack of time and stigma.

Dr Dadzie urged women to know their breasts and seek medical attention within two weeks of noticing any abnormality.

She said warning signs could include a lump or thickening in the breast or armpit, changes in breast size, an inverted nipple, nipple discharge and changes in the skin, including redness, sores or an orange-peel appearance.

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She cautioned women not to assume they were safe simply because they had no family history of breast cancer, explaining that only about five to 10 per cent of women with the disease had a familial or genetic mutation.

Dr Dadzie encouraged women to undergo regular clinical breast examinations and discuss appropriate screening options, including mammography and ultrasound, with health professionals.

She also called on families, particularly husbands and partners, to support women who needed breast examinations or treatment.

“Home is where the support begins,” she said, urging families to provide practical assistance such as transportation and childcare.

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Dr Dadzie further appealed for breast cancer services to be brought closer to communities through increased access to mammography, ultrasound and biopsy services, as well as the training of more health professionals.

The Deputy Minister of Health, Prof. Dr Grace Ayensu- Danquah, said breast cancer remained a major health concern among women in Ghana, with an estimated 4,650 new cases and about 2,060 deaths recorded annually.

She said Ghana’s breast cancer response focused on prevention, early detection, equitable access to treatment and compassionate care.

Dr Ayensu-Danquah said the country was working to strengthen awareness, clinical breast examinations, referral systems, pathology and diagnostic services to improve breast cancer outcomes.

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The World Health Organisation (WHO) representative, Dr Joana Ansong, said too many women continued to present with advanced breast cancer, resulting in avoidable suffering and deaths.

She called for stronger health education, timely diagnosis, rapid referral and equitable access to comprehensive treatment and support.

Dr Ansong said breast cancer awareness should move beyond campaigns to sustained action involving government, communities, health professionals, civil society organisations, the private sector and families.

By Esinam Jemima Kuatsinu

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Safety concerns at Percheyire R/C Basic school …Teachers, learners at risk

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Some pupils in sitting in one of the classrooms
Some pupils in sitting in one of the classrooms

Authorities of Percheyire R/C Basic School in the Yilo Krobo District of the Eastern Region are concerned about the safety of teachers and learners of the school, as reports of the condition of the structure appear to have fallen on deaf ears.

The ramshackle classroom structure looks like one that could cave in in the case of a heavy storm and, according to the teachers, teaching and learning become impossible when the rains set in.

The dilapidated Upper Primary structure of Percheyire basic school

The structure, which accommodates pupils from Primary Four to Six, has worn-out roofing sheets, mud walls and sections supported by wood used as pillars.

A source at the school, who requested anonymity, told The Spectator in an interview that the situation was particularly difficult during the rainy season.

“When it rains, it means teaching and learning would come to an end,” he said.

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The source explained that the challenge affected only the upper primary section, as pupils from Kindergarten to Primary Three were housed in a relatively better block.

According to the source, about 30 pupils from Primary Four to Six currently use the dilapidated structure, but expressed grave concern about its condition.

The source, however, said that the safety of the pupils, their furniture and books remained a concern, particularly during heavy rains.

The source said the situation had been reported to the relevant authorities and was hopeful that the structure would eventually be reconstructed.

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Some pupils sitting in one of the classrooms

Despite the visit to the school, authorities indicated that work would be undertaken, but the school was yet to receive further information on when the project would begin.

The source also identified the poor road network to the school as another challenge affecting enrolment, saying the school serves pupils from Percheyire and three neighbouring communities.

It also emerged that an enrolment drive embarked upon in one of the communities, Togodo, showed that more than 60 school-going children lived in the community, but were unable to attend the school regularly because of the distance and poor road.

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The school currently has about 110 pupils from Kindergarten through Junior High School, according to the source.

The source said improving both the classroom infrastructure and the road network would help create a more conducive learning environment and potentially improve enrolment.

A former teacher of the school, Rev. Elizabeth Korasare, said she was surprised to find the structure still in use after 38 years.

“I was surprised to see that the classroom I sat in 38 years ago is in the same state. Even though there are some new blocks, the upper primary is still housed in that same dilapidated structure,” she told The Spectator.

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She therefore appealed to the relevant stakeholders to support the school by building a modern structure and improving the road network.

By Esinam Jemima Kuatsinu

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