Entertainment
Okyeame Kwame’s “No Competition” Becomes Focus of Academic Study at UniMAC
Ghanaian music icon Okyeame Kwame’s song “No Competition” featuring Kuami Eugene has become a subject of academic study at the University of Media Arts and Communication-Institute of Journalism (UniMAC-IJ).
As part of the African Anthropology course, lecturer Daniel Obeng Acquah incorporated the song and its music video to examine the integration of African cultural elements in contemporary media.
The lecture, titled “Exploring African Culture Through Music,” highlighted the significance of “No Competition” in portraying Ghanaian traditions and identity.
Okyeame Kwame provided an analysis of the cultural motifs embedded in the song and video, underscoring their educational value. “Using art as a medium for cultural expression allows us to preserve and celebrate our heritage,” he explained to the students.
Students at UniMAC-IJ explored the song’s vibrant depiction of African themes, discussing its potential as a cultural teaching tool.
Sandra, a student in the course, noted, “Studying ‘No Competition’ in an academic setting opened my eyes to the depth of cultural storytelling in music. It’s fascinating how Okyeame Kwame integrates traditional elements into his art.”
Prince, another student, reflected on the educational impact of the session. “Analyzing the cultural references in Okyeame Kwame’s work made me appreciate how music can be a powerful medium for cultural education,” he remarked. “It’s inspiring to see our own heritage represented so thoughtfully in contemporary music.”
Lecturer, Department of Integrated Social Sciences
(Introduction to Africa and World development)Daniel Obeng Acquah emphasized the importance of incorporating modern cultural works into academic studies to engage students and enrich their understanding of African heritage.
He stated, “Integrating Okyeame Kwame’s ‘No Competition’ into our curriculum bridges the gap between traditional studies and modern media, offering students a practical example of cultural representation in today’s world.”
Dr. Daniel Odoom, Dean of the Faculty of Integrated Social Sciences, praised the initiative, highlighting the relevance of studying contemporary cultural artifacts in academia. “Okyeame Kwame’s work provides valuable insights into the ways modern music can reflect and promote African culture,” Dr. Odoom remarked.
Watch the video below
Entertainment
Nana Jesse releases prayer song from Upper Room Experience concert
Kumasi-based gospel singer Nana Jesse, known in showbiz circles as Sylvester Gyasi, has released a prayer song from the Upper Room Experience Concert.
The song, titled ‘let your will be my will’, reflects Nana Jesse’s heartfelt surrender to God, expressing his dependency on divine guidance.
Through soul-stirring lyrics and a harmonious chorus, he and his accompanying musicians declared their submission to God’s will, reaffirming their trust in His direction.
Released on Friday, May 30, the song is already resonating with listeners, gaining more views on YouTube within days of its debut.
Fans have praised its uplifting message and the rich blend of voices that bring the prayer to life.
‘Let your will be my will’ was carefully arranged by Nana Jesse, Nana Kofi Junior, and Moses Boadu, ensuring a powerful and spiritually enriching experience for all.
With its heartfelt lyrics and inspiring melodies, it is set to bless many across different walks of life, offering a reminder of faith, surrender, and divine purpose.
The official song is available now on YouTube.
By Linda Abrefi Wadie
Entertainment
Miss Tourism Ghana 2024 thrills the world at Miss Orient Tourism Global
2024 Miss Tourism Ghana, Lawrencia Ama Yeboah, thrilled the world with breathtaking performances at the recently concluded Miss Orient Tourism Global pageant in Malaysia.
Her mind-blowing performance earned her the 2nd runner-up slot and other accolades at Miss Orient Tourism.
Miss Orient Tourism Global is a beauty pageant focused on promoting tourism and celebrating global unity and cultural diversity.
Speaking to The Spectator after the event, Miss Tourism 2024, Lawrencia Ama Yeboah said, it is a dream come true and honour to represent her beloved Ghana on a global stage.
She said, from “May 18 to 24, I immersed myself in the vibrant culture of Malaysia for the Miss Orient Tourism Global pageant, and I’m thrilled to share that I’ve returned home as the Second Runner-Up. It was an absolute dream come true, and I couldn’t be prouder of what we, as Ghana, achieved.
According to her, the week was a whirlwind of unforgettable moments,adding that they kicked things off with glamorous evening gown and swimwear photoshoots, which were her first real taste of the international spotlight.
“However,it was during the National Costume competition that my heart truly swelled with pride. I poured my soul into showcasing Ghana’s rich heritage, and standing there in our beautiful traditional attire, I was absolutely ecstatic to be named the First Runner-Up for Best National Costume.It felt like a win for every Ghanaian, a testament to our incredible artistry,” she revealed.
Recounting how her experience commenced, she told the paper “Our journey took us from the historical charm of Melaka to the bustling energy of Kuala Lumpur, where we settled into the luxurious Royal Chulan Damansara. The excitement continued at the KL Gateway Mall, where subsidiary awards were presented. I was genuinely humbled and delighted to be awarded Miss Crowning Glory.”
The grand finale on May 23,2025 was electrifying considering the fierce competition, however, Miss Tourism Ghana became overjoyed to win another sash as the Second Runner-Up Miss Photogenic, proving that Ghana’s beauty truly shines.
Excitement reached its crescendo when she was called again as the overall Second Runner-Up of Miss Orient Tourism Global.
The Chief Executive Officer (CEO) of the Miss Tourism Ghana Organisation, Mrs. Delphine Brew-Hammond, expressed appreciation to GTP, Tang Palace Hotel, NASCO, Kaya Tours, Lush Hair, and Max Beauty, among others, for helping project Ghana’s cultural heritage on the international stage.
By Edem Mensah-Tsotorme
