Entertainment
Okyeame Kwame details reasons GHAMRO is struggling
Revered Ghanaian musician, Okyeame Kwame has detailed reasons the Ghana Music Right Organisation,(GHAMRO) is currently struggling to live up to expectations.
Okyeame Kwame made this submission in a recent discussion on United Television (UTV).
According to him, the first reason for GHAMRO’s unending crippling is that the artistes who are key stakeholders do not care.
According to him, with his experience over the years, artistes have failed to show interest in the affairs of GHAMRO, and this he said has affected the institution’s usefulness.
He said their lack of interest does not contribute to idea sharing and constructive criticism for improved GHAMRO.
Additionally, he said GHAMRO is ineffective in its administrative approach.
This ineffectiveness, he said has caused them the ability to put in place the right mechanism for effective collection and distribution of royalties.
Consequently, Okyeame Kwame added that most of the media houses do not log and pay the appropriate royalties expected of them. This, according to him, makes it difficult for the media to be exonerated from the current challenges bedevilling GHAMRO.
He said in advanced societies the media and other users of music pay royalties to enhance the work of the Collective Management Organisations (CMOs).
According to him, the media has a huge responsibility to educate people about paying royalties, and if the same institution is not paying, it would be difficult for them to preach to others about the need to pay.
Finally, he noted that the Attorney General’s Department with legal oversight responsibility does not care about the plight of GHAMRO, adding that it is why the needed reforms have not taken place for a seamless running of affairs.
“Attorney General has what it takes to call the media houses to order by ensuring all of them follow the law and log, and at the same time be stringent on GHAMRO to ensure they are rightly executing their function,” Okyeame Kwame said.
According to him, “Should the CMO falter, their licence could be revoked by so doing GHAMRO will sit up.”
Against this backdrop, Okyeame Kwame urged all key stakeholders to play their useful roles to ensure an effective collection and distribution of royalties to the right owners.
Okyeame Kwame has recently released a classic song dubbed “Sika” featuring multiple award-winning musician, Kofi Kinaata.
The song, which is making waves is available on all streaming platforms.
By Edem Mensah-Tsotorme
In a landmark move to bridge the creative economies of Francophone and Anglophone Africa, the Republic of Congo has initiated a creative collaboration with Ghana.
The partnership was aimed at promoting Pan-African integration through film, culture, and shared storytelling.
Madam Claudia Yoka, a renowned filmmaker and Presidential Technical Advisor from the Republic of Congo led a delegation that included Ms. Monie Lek, a Congolese actress and Mr. Dymo Sow, a Francophone filmmaker for the event. 
The visit was facilitated and supported by the African Chamber of Content Producers (ACCP), which has been at the forefront of continental creative integration through initiatives such as the Africa Monologue Challenge and the Africa Image Ambassador Programme.
During her stay, Madam Yoka held high-level meetings with the Chief Executive Officer of the National Film Authority of Ghana, Madam Kafui Danku, as well as other key creative industry stakeholders, including veteran filmmaker Mr. Roger Quartey and award-winning filmmaker Madam Juliet Asante.
Madam Claudia Yoka revealed why the Republic of Congo turned its attention to Ghana, citing Ghana’s historic role in the development of Nigeria’s film industry as a key factor.
Ghanaian creatives, technicians, and institutions were instrumental in the early growth of Nollywood, and Congo now seeks to replicate that transformative impact.
“Ghana has proven that it knows how to build film industries. We have seen what Ghana did with Nigeria. Now we want Ghana to do the same with the Republic of Congo,” Madam Yoka said.
Madam Kafui Danku, CEO of the National Film Authority, expressed the readiness of the NFA and the Government of Ghana to facilitate any policy framework needed to ensure the success of the collaboration.
She noted that Ghana was committed to becoming a hub for continental creative partnerships and that the government would remove bureaucratic hurdles to enable seamless co-productions between Ghana and the Republic of Congo. -GNA
Ghanaian singer Enam showcases her command of traditional music and spiritual storytelling in ‘Modzi’, the latest visual installment from her ‘Afro Spiritual’ catalogue.
Before the official music video was released, Enam issued a short film that portrays her unwavering devotion to her sanctified faith, even as dark forces attempt to derail her destiny.
Shot by Marine World Studios and directed by Nani Sage, the film serves as a visual and sonic meditation on purpose, protection and spiritual alignment.
Rooted in African ancestral traditions, it captures a moment of transition, where preparation ends and calling begins.
It tells a story of walking a path believed to have been written long before.
The rising artiste draws heavily from the Yeweh shrine traditions of the Volta Region, a heritage that forms the backbone of her self-defined genre, ‘Afro Spiritual’.
The new ‘Modzi’ project, African sounds and dance‑ready rhythms, since its debut has been praised as one of the most thoughtfully curated releases in the country’s contemporary music landscape.
In the newly released Modzi video, Enam is seen riding a canoe along the river while participating in symbolic traditional rites in the forest.
The music video highlights striking images of Anloga culture, heritage monuments and communal rituals, positioning it as a potential contender for video of the year.
The new single is available on major digital music platforms, and the video is available on YouTube.
