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 National Film Authority holds National Film Dialogue for accelerated development

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• Kafui Danku (middle) with Deputy Minster of Tourism, Yussif Issaka (second from right) and others
• Kafui Danku (middle) with Deputy Minster of Tourism, Yussif Issaka (second from right) and others

THE National Film Authority (NFA) has held a National Film Dialogue aimed at engaging all stakeholders in the sector to turn the fortunes of the industry around.

The initiative held at the Cedi Conference Hall of the Universi­ty of Ghana on Tuesday brought together actors, producers, crew members corporate Ghana and all the important stakeholders in the Film value chain together.

The aim of the dialogue which was under the theme; Accelerat­ing Industry Development was to help address the various challenges bedevilling the sector.

The Deputy Minister for Tour­ism Arts and Culture, Yussif Issaka Jajah, on his part acknowledged the contribution of the film indus­try from sustainable employment to national development agenda and growth of the country’s Gross Domestic Product.

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He announced that the film sector is opened for investment urging investors to come on board as partners for development.

The Deputy Minister also reit­erated the government resolve to protect Intellectual Property Rights and legislations that enhances growth of the industry.

Mr Jajah said the National Dia­logue was a beginning to a brighter future for the film industry.

The board chairman of NFA, Ivan Quashiegah, who shared the strate­gic plan of the NFA gave a historic account of Ghana’s film industry, the current situation and measures to address the flaws.

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According to him, their mission is to revive the industry by transform­ing distribution and exhibition into a vibrant accessible, and profitable ecosystem that inspires cultural pride and economic growth.

He reiterated that their target is to engage at least 1 per cent of Ghana’s population (350,000 people) to watch at least 10 good Ghanaian movies each year.

Speaking to The Spectator, the NFA boss, Kafui Danku, said she was satisfied with participation and the level of contributions.

She said, together with her board and other executives all the views expressed would be assessed and develop a blueprint out of it for the growth of the industry.

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She urged all and sundry to come on board, adding that “for us to succeed, we need to bring every­body together.”

Kafui Danku thanked everyone for their participation and con­tributions to the success of the dialogue.

The panel discussion centered on issues of distribution, market­ing, branding, production, access to funding, collaboration, media, infrastructure and improved story­telling among others.

Some participants expressed appreciation to the leadership for organising such dialogue.

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According to them, stakeholder engagement was key to the success of the sector, adding that such a gathering should be a constant feature of the NFA.

 By Edem Mensah-Tsotorme

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Sarkodie’s Rapperholic Concert climaxes Momo Fest 2025 in Kumasi

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The Kumasi metropolis was thrown into a state of frenzy last Saturday as thousands of fans flocked the Baba Yara Sports Stadium for Sarkodie’s Rapperholic Concert that climaxed the 2025 Momo Fest.

Despite a heavy rainfall, the event, powered by MTN, drew unprecedented crowds for the month-long initiative to promote financial inclusion, the use of mobile money, and raise awareness on MoMo fraud prevention.

The musical event was preceded by educational roadshows, cashless market fairs, and community engagement activities across the country.

Vendors at the MoMo Cashless Market and Fair, set up within the stadium premises, offered goods and services payable exclusively through mobile money, giving patrons a live demonstration of MoMo’s utility.

Hundreds outside the stadium waiting patiently to gain entry

The concert, headlined by multiple award-winning rapper Sarkodie, featured performances from several high-profile Ghanaian artistes including Medikal, Kofi Kinaata, Donzy, Kweku Smoke, and Efya.

But the appearance of Shatta Wale, who joined Sarkodie on stage, took the excitement a notch higher as it marked a rare public collaboration between the two top acts.

The event would go into the history books as one of the largest music gatherings in Kumasi and a fitting conclusion to a festival that sought to blend innovation with entertainment.

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Daddy Lumba’s funeral rites slated for December 6 in Kumasi

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• The late Daddy Lumba

Funeral rites for the late Ghanaian music icon, Charles Kwadwo Fosu, affectionately known as Daddy Lumba, will be held on December 6 at the Baba Yara Sports Stadium in Kumasi.

Later in the evening of December 6, there will be a DL cocktail party at the Rattray Park, which will feature top musicians in the country.

Announcing the funeral arrangements on behalf of the family, former Manhyia North Member of Parliament, Collins Owusu Amankwa, said the decision was reached after consultations with Manhyia, government, and other key stakeholders.

The family cautioned the public to desist from disrespecting the legend on social media by spreading falsehood about his marital status.

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Daddy Lumba, 60, passed away on July 26, 2025, at the Bank Hospital in Accra after a short illness.

Following his death, a book of condolence was opened at his East Legon residence for loved ones, friends, colleagues, and fans to pay tribute to his iconic memory.

Subsequently, the government, in collaboration with the Creative Arts Agency, organised a candlelight vigil in his memory at Independence Square in Accra on August 2.

This was later followed by a One Week Observation at the same venue on August 30, which was attended by people from all walks of life.

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Born on September 29, 1964, in Nsuta in the Ashanti Region, Daddy Lumba started his music career at a young age. He later joined the Lumba Brothers alongside Nana Acheampong in Germany before launching a solo career.

With about 32 albums and over 200 songs to his credit, Daddy Lumba thrilled the world with classic hits such as “Aben Wo Ha,” “Yentie Obiaa,” “Playboy,” “Theresa,” “Sika Asem,” “Mensei Da,” “Makra Mo,” and many others.

By Edem Mensah-Tsotorme

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