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Mrs Fuseini shares story of her journey to the top as 2024 Best Teacher
Oustanding teacher in Ghana
Growing up, Mrs Fuseina Fuseini’s greatest ambition was to become a lawyer.
Her reason for that determination was simple – to ‘fight’ for the vulnerable in society and be an advocate against early marriage in her community.
Though, she did not realise that childhood dream to become a lawyer due to financial difficulties, her passion and desire for teaching over the years was given a very good though – and it paid off.
For her close followers, her biggest career honour chalked recently in the teaching industry came as little surprise.
Mrs Fuseini was recently adjudged the first female kindergarten teacher to win the highest national honour for teachers.
She received that recognition at a forum at the Great Hall of the Kwame Nkrumah University of Science and Technology (KNUST) in Kumasi last weekend for her consistency, dedication, hard work and innovation in teaching and learning.
For her prize, Mrs Fuseini received a three-bedroom house and a scholarship to study abroad if she so desires, with funding from the Ghana Education Trust Fund (GETFund).
The 47 year-old Kindergarten (KG) teacher at the Madina SDA Basic School in the Greater Accra Region with over a decade experience in the teaching profession shares her journey with The Spectator.
Mrs Fuseini grew up in a community where teachers were respected and valued.
This influenced her decision to venture into teaching.
But that passion for teaching aside, Mrs Fuseini also realised that teaching can offer a similar platform to work as an advocate for the underprivileged and the marginalised in the society.
“Gone were the days, teachers commanded some sort of respect; they were seen to be disciplined. They were seen as mentors in the community. They were very influential.”
“I realised teaching was also a form of advocacy to share ideas. Most of my family members were teachers and that even made it easy for me to go into the profession,” she explained.
Education
After completing Senior High School (SHS) at the Saint Monica’s School of Education at Asante Mampong in the Ashanti region, she furthered her education at the University of Education (Winneba) where she studied for diploma in Basic Education.
“Teaching Kindergaten for the past 15 years gives me so much joy. I have a feeling it’s my calling because I teach children with ease and vibe with the children so easily,” she stated.
With her experience at the kindergarten level, Mrs Fuseini is in a better position to clear a few misconceptions at that early stage of child education.
She is aware of a few of these misconceptions, one of which is the school of thought that Kindergarten class or school is all about uniformed kids eating and sleeping.
In her view, that stage of a child’s education or upbringing is very crucial and urged both teachers and parents to pay attention to the little ones at that stage.
Explaining the educational curriculum used in teaching, Mrs Fuseini noted that three methods were employed in teaching the kids.
They are the differentiated, play-based and hands-on-learn methods.
The differentiated method demands from the teacher to allow the child to go about activities differently according to their strength.
In the play-based curriculum, the children are allowed to play and by so doing, it builds their creativity and supports their future aspiration.
Furthermore, she said children were sometimes grouped according to their abilities in the hands-on-learn method to explore with their hands.
Feeling
Sharing how she felt when she was announced as winner of the prestigious award – The Most Outstanding Teacher of the Year, she exclaimed: “I was full of joy and also proud of my achievement and immense contribution to the country.
“This is history because this is the first time a kindergarten teacher has ever won such an award and I count myself blessed and lucky.”
She commended the initiative to reward dedicated teachers, saying the recognition was key to bring out the best in every teacher.
Mrs Fuseini believes that dedication to her profession has played a significant role in her achievements, adding that, “This is going to motivate and inspire so many teachers to do their best despite the stress associated with the teaching job.”
“If I get the needed support, I would want to do my PHD in teaching. I still want to focus on kindergarten in order to rebrand the early child education sector”
Challenges
Infrastructure is one major challenge facing education at this level. Some are the inadequate space that compel authorities to put too many children in a class.
This, she explained, makes too overwhelming and children sometimes finds it difficult to pay attention in class.
She said despite the few gains chalked at the sector, they were limited sometimes in the area of resources due to the lack of logistics like puzzles, building blocks and computers to support the curriculum.
Teachers are described as a bridge upon which people use to get to their destination and therefore must not be neglected.
There is, therefore, the need to make provisions for them not only through finances but ensuring that they teach in a good environment.
Family
She was born to Fuseina Salifu and Amina Fuseini in Ketekrachi in the Oti Region of Ghana.
She is the third child among eight siblings and married to Mr Zibrim Biosama and are blessed with three children.
When Mrs Fuseini is not in the classroom, she can watch movies all day.
She appealed to all teachers to show dedication to the profession and called on the government to support the teaching department with incentives.
By Linda Abrefi Wadie
In a music landscape often defined by trends and tempo, George Nii Odai Oliver widely known as DJ Rev stands out as a man on a mission.
More than just a DJ, he is a minister, mentor, and youth advocate who has found a unique calling at the intersection of sound and spirituality.
Beyond the decks, DJ Rev is a devoted husband and a committed servant of God.
His life is anchored in purpose, with a deep passion for youth development. As the Technical Director at Christ for Youth International (CYI), a global youth ministry, he plays a significant role in shaping young lives, not only through words but also through music.
His journey in ministry began early, including his role as a founding member of the Ambassadors Christian Rap Group, where he first explored the power of music as a tool for transformation.
The name ‘DJ Rev’ derived from ‘Reverend,’ reflects both his spiritual identity and his mission to ignite atmospheres much like revving an engine with high-energy gospel music.
For him, every performance goes beyond entertainment; it becomes a moment of worship, revival, and connection with God.
His journey into DJing started from a fascination with music and technology during his younger years in Ghana.
Drawn to the ability of DJs to influence mood and unite people, he identified a gap in the Christian music space, which was someone who could seamlessly blend urban sounds with gospel messages. Starting from small church events and youth programmes, DJ Rev gradually honed his craft into what he now describes as a full-fledged calling.
Like many success stories, his path was not without challenges; he had limited access to equipment, skepticism about gospel DJing, and the difficulty of balancing ministry with performance all tested his resolve.
Yet, through persistence, faith, and support from mentors and the Christian community, he rose above these obstacles. Borrowing equipment, learning on the job, and staying grounded in prayer became part of his journey.
A defining moment in his career came when he realised that DJing was more than a passion; it was ministry.
Witnessing lives being transformed during his sets, seeing people move from dancing into deep worship, and watching young talents he mentored flourish affirmed his purpose.
DJ Rev’s style is best described as high-energy, spirit-led, and versatile. He effortlessly blends hip-hop, Afrobeats, dancehall, reggae, and urban gospel into seamless mixes that resonate with diverse audiences.
His signature approach is what he enthusiastically calls ‘Energyyyy! saying it is not just about hype, but about creating moments that touch both body and soul.
What sets him apart in Ghana’s DJ industry is his unwavering commitment to ministry-first performances. While many DJs focus solely on entertainment, DJ Rev uses his platform to create spaces where faith and music coexist powerfully. His technical expertise, drawn from his role in ministry, combined with his passion for mentorship, gives him a distinctive edge.
Over the years, he has witnessed significant growth in Ghana’s DJ industry, with increased recognition, technological advancement, and global influences such as Amapiano shaping the soundscape.
Notably, he has contributed to pushing gospel music into mainstream spaces, particularly through his popular Amapiano Gospel mixes.
Among his most memorable performances are events like Oasis Gathering, Sound Fest, and Saved to Serve platforms where music transcended performance into powerful spiritual encounters.
“These are moments that define success, lives touched, hearts uplifted, and faith renewed,” DJ Rev stated
Away from the spotlight, he embraces a quieter, more reflective life. He enjoys spending time with family, mentoring young people, engaging in ministry work, and pursuing simple hobbies like gardening and DIY projects.
For him, a perfect day off includes moments of prayer, meaningful conversations, and peaceful retreats, often in serene locations like Cape Coast or the Volta Region.
Despite his achievements, DJ Rev remains grounded. He acknowledges the challenges he has faced, ranging from limited resources to balancing ministry and career, but credits his resilience to faith, community support, and a clear sense of purpose.
These experiences have taught him invaluable lessons about perseverance, humility, and authenticity.
Looking ahead, DJ Rev aims to expand his ministry through music both locally and internationally, release more projects, mentor emerging talents, and further establish gospel DJ culture in Ghana. His ultimate desire is to be remembered as a pioneer who brought revival through music, blending excellence with unashamed faith.
To young aspiring DJs, his message is clear: master your craft, stay consistent, build character, and never lose sight of your purpose.
By Esinam Jemima Kuatsinu
Entertainment
Amb. Prince Kojo-Hilton’s international mission signals new era for creative industry development
Between October 2025 and April 2026, a significant creative industry mission unfolded across Brazil, led by Ghanaian visual artist, production designer, and Pan-African Art Ambassador, Prince Kojo-Hilton.
What began as an invitation to contribute to creative education quickly evolved into a far-reaching engagement spanning academic institutions, government bodies, global platforms, and community initiatives.
More than a professional visit, the mission positioned itself as a structured intervention aimed at addressing one of the most pressing gaps within the global creative sector, the disconnect between education and industry practice.
At the centre of this engagement was a clear focus on capacity building. Working with the Zion School of Entertainment in Rio de Janeiro, Kojo-Hilton delivered a masterclass in Art Direction and Scenic Design during Zion Creative Week.
The immediate impact of the session prompted an expansion of the masterclass programme into a broader, multi-campus engagement, extending its reach to a wide network of students and emerging professionals.
His approach departed from traditional classroom instruction. Instead of theory-driven lectures, participants were introduced to practical, industry-based processes, including visual storytelling systems, production design methodologies, and the professional discipline required to operate within global creative industries.
The result was a shift in how students engaged with their craft, moving from passive learning to active, experience-driven development.
Beyond academic institutions, the mission extended into diplomatic and governmental spaces. At the Ghana Embassy in Brazil in Brasília, Kojo-Hilton engaged in strategic discussions with Ghana’s Ambassador to Brazil, Nii Amasah Namoale.
The discussions centered on long-term collaboration between Ghana and Brazil within the creative arts sector, with a focus on education, exchange programmess, and institutional partnerships.
This engagement progressed further at the National Congress of Brazil, where he was introduced to policymakers and cultural leaders, including Brazil’s Minister of Culture, Margareth Menezes.
His presence and work were formally acknowledged, reflecting growing recognition of the role creative professionals can play in national development and cultural diplomacy.
On the global stage, Kojo-Hilton represented Ghana at the World Forum of Favelas 2025, where his contributions to creative community development were recognised with an international award.
The forum provided a platform to present models that integrate art, education, and social impact, reinforcing the value of structured creative initiatives in community transformation.
A key outcome of the mission was the international expansion of the Film Craft Expo, an initiative founded by Kojo-Hilton to explore the art, science, and business of film-making and theatre.
Interest from multiple countries has positioned the platform as a potential global model for creative industry engagement, bridging the gap between emerging talent and professional practice.
Academic collaborations also formed a critical component of the mission.
At the University of Brasília, discussions explored interdisciplinary opportunities connecting art, science, and environmental innovation. Additional engagements with institutions such as Casa das Artes de Laranjeiras focused on curriculum development, artist residencies, and production-based training systems designed to better prepare students for industry demands.
While institutional engagement remained central, the mission maintained a strong connection to community impact. Workshops conducted in local communities, including Maricá, emphasised the role of art as a tool for empowerment, identity formation, and social transformation.
A significant part of his engagement in Maricá included a cultural and social contribution through the donation of a painting to the House of Immigrants.
The artwork serves as a permanent symbolic gesture of identity, resilience, and shared human experience, reflecting his commitment to using art as a tool for cultural connection and community memory within the city.
Participation in cultural events such as Rio Carnival further highlighted the importance of preserving cultural heritage while positioning it within a global context.
One of the most forward-looking outcomes of the mission is the development of the Global Visual Arts for Screen and Stage initiative.
The platform is designed to integrate visual arts, film, theatre, fashion, and technology into a unified system that supports training, collaboration, and industry growth.
By addressing fragmentation within the creative sector, the initiative aims to create sustainable pathways for employment, innovation, and institutional development.
Across all engagements, a consistent message emerged, the global creative industry is evolving, and there is an increasing demand for structured, experience-driven education.
Institutions are no longer seeking inspiration alone; they are seeking systems that can translate creativity into measurable economic and social impact.
Following six months of sustained engagement across Brazil, the results are evident. New partnerships are being explored, institutions are opening pathways for collaboration, and there is growing recognition of the role creative industries can play in national and international development.
The mission has not only strengthened cultural and creative ties between Ghana and Brazil, but has also positioned Kojo-Hilton within a broader global conversation on the future of creative industry development.
As he continues to expand his work across continents, he remains open to collaboration with universities, film schools, theatre institutions, visual arts institutions, cultural organizations, and governments seeking to invest in structured creative growth.
He also facilitated a focused workshop on Talent Discovery and Nurturing with immigrants, centered on identifying hidden creative potential and providing practical guidance for personal and professional development.
The session emphasised empowerment through creativity, encouraging participants to recognise their abilities and explore new pathways within the creative industries.
Together, these contributions reinforced his broader mission of using art not only as a professional practice but as a meaningful instrument for inclusion, transformation, and social impact.
In reflection, he expresses profound gratitude to God for the opportunity to undertake this journey and for the grace that made every step possible. From Ghana to Brazil and back, he acknowledges the divine protection, guidance, and favour that ensured safe travels and the mission’s successful execution.
The experience stands not only as a professional milestone but also as a testament to the power of faith, dedication, and purpose.
His guiding philosophy remains clear and unwavering, saying “The only thing that I am a slave to is my passion.”
By Edem Mensah-Tsotorme
